Par REGER MAX. Die Drei Chören (The Three Choirs) op. 6 are hardly mentioned in the young Reger's correspondence. The only meaningful reference is Reger's announcement to his London publisher George Augener on August 1, 1892: 'I will send the choruses op. 6 ? which your son liked very much ? to you tomorrow morning [...]'. George Augener had spent five weeks from undergoing treatment in Wiesbaden and had met on this occasion not only Hugo Riemann but also his 'favorite pupil' Reger. After the publication, the Allgemeine Musik-Zeitung remarked on the 'entirely Brahmsian character to the work'. It praised its polyphonic structure and its'romantic chiaroscuro [...], the effect of which the accompanying piano knows how to exalt excellently'. The work was nevertheless to remain Reger's only composition for this instrumentation.Separate edition from Volume 11, 'Lieder und Chorwerke' of the Max Reger Hybrid Edition of Works. / Date parution : 2023-06-01/ Répertoire / SATB et Piano

Par REGER MAX. Separate edition from Volume 11, 'Lieder und Chorwerke' of the Max Reger Hybrid Edition of Works.Among other things, this volume from the Reger Hybrid Edition contains the piano reductions of Reger's choral symphonic works which were prepared between 1903 and 1914: Gesang der Verklärten (Song of the Transfigured) op. 71, Psalm 100 op. 106, Die Nonnen (The Nuns) op. 112, Der Einsiedler (The Hermit) op. 144a, Requiem op. 144b, and Weihegesang WoO V/6 for alto, mixed choir, and winds. / Date parution : 2023-06-01/ Répertoire / Choeur Mixte

Par REGER MAX. Separate edition from Volume 11, 'Lieder und Chorwerke' of the Max Reger Hybrid Edition of Works.Among other things, this volume from the Reger Hybrid Edition contains the piano reductions of Reger's choral symphonic works which were prepared between 1903 and 1914: Gesang der Verklärten (Song of the Transfigured) op. 71, Psalm 100 op. 106, Die Nonnen (The Nuns) op. 112, Der Einsiedler (The Hermit) op. 144a, Requiem op. 144b, and Weihegesang WoO V/6 for alto, mixed choir, and winds. / Date parution : 2023-06-01/ Répertoire / SSATB et Piano

Par REGER MAX. Separate edition from Volume 11, 'Lieder und Chorwerke' of the Max Reger Hybrid Edition of Works.Among other things, this volume from the Reger Hybrid Edition contains the piano reductions of Reger's choral symphonic works which were prepared between 1903 and 1914: Gesang der Verklärten (Song of the Transfigured) op. 71, Psalm 100 op. 106, Die Nonnen (The Nuns) op. 112, Der Einsiedler (The Hermit) op. 144a, Requiem op. 144b, and Weihegesang WoO V/6 for alto, mixed choir, and winds. / Date parution : 2023-06-01/ Répertoire / Alto, SATB et Piano

Par REGER MAX. Max Reger's 1915 Requiem is a late Romantic setting of Friedrich Hebbel's poem ' Requiem ' for alto or baritone solo, chorus and orchestra. It is Reger's last completed work for chorus and orchestra, dedicated in the autograph as Dem Andenken der im Kriege 1914/15 gefallenen deutschen Helden (To the memory of the German heroes who fell in the 1914/15 War). / Musique religieuse / Répertoire / Travaux Pour Choeurs

Choralkantate. Par REGER MAX. Reger´s cantata for Good Friday, based on the famous Passion hymn by Paul Gerhardt, was composed in 1904 and belongs to a group with 4 further choral cantatas – Reger´s independent and most comprehensive contribution to a key family of protestant church music. The Carus edition of these works is intended to make Reger´s choral cantatas accessible for musical practice and musicological reasearch for the first time in a modern critical edition. In order to encourage the spread of Reger´s choral works in the anglo-saxon countries, a singable English translation has been added./ Répertoire / Solo à (S ou T), Choeur SATB, Hautbois, Violon et

Choralkantate. Par REGER MAX. Reger´s cantata for Good Friday, based on the famous Passion hymn by Paul Gerhardt, was composed in 1904 and belongs to a group with 4 further choral cantatas – Reger´s independent and most comprehensive contribution to a key family of protestant church music. The Carus edition of these works is intended to make Reger´s choral cantatas accessible for musical practice and musicological reasearch for the first time in a modern critical edition. In order to encourage the spread of Reger´s choral works in the anglo-saxon countries, a singable English translation has been added./ Répertoire / Solo à (S ou T), Choeur SATB, Hautbois, Violon et

Choralkantate. Par REGER MAX. Reger´s cantata for Good Friday, based on the famous Passion hymn by Paul Gerhardt, was composed in 1904 and belongs to a group with 4 further choral cantatas – Reger´s independent and most comprehensive contribution to a key family of protestant church music. The Carus edition of these works is intended to make Reger´s choral cantatas accessible for musical practice and musicological reasearch for the first time in a modern critical edition. In order to encourage the spread of Reger´s choral works in the anglo-saxon countries, a singable English translation has been added./ Répertoire / Solo à (S ou T), Choeur SATB, Hautbois, Violon et

2016 marks the first centenary of the death of Max Reger. In addition to his best-known field of creativity - organ music - his choral compositions form another major part of his oeuvre.This edition contains a selection of his sacred a cappella choral works. Their scoring, level of difficulty and length make them ideal for choirs who are wary of tackling the large-scale op. 110 motets. For the first time, the selection of works includes the previously unpublished 'Acht Grabgesänge? (1900). The pieces are arranged in chronological order, culminating in the well-known cycle of 'Acht geistliche Gesänge? op. 138 (1914).Contents- 'Tantum ergo Sacramentum? (1895)- 'Maria Himmelsfreud!? (1899-1900)- 'Acht Grabgesänge? (ca. 1900)- 'Acht Marienlieder? op. 61d (1901)- 'Sechs Trauergesänge? op. 61g (1901)- 'Palmsonntagmorgen? (1902)- 'Vier Kirchengesänge? (1904)- 'Easter motet: Lasset uns den Herren preisen? (1911)- 'Abschiedslied? (1914)- 'Acht geistliche Gesänge? op. 138 (1914)The EditorMichael Chizzali has been a scholarly assistant at the Institute of Musicology in Weimar-Jena (Germany) since 2014. His dissertation on Reger's contemporary, the Tyrolean composer Josef Gasser (1873-1957), was published in Innsbruck in 2014.- All extant sources consulted- Edition for the first centenary of Reger's death- Cross-section of Reger's music for a cappella choir- Foreword (Ger/Eng) and Critical Commentary (Eng) / Choeur Mixte (SATB) A Cappella

Max Reger's Der 100. Psalm op. 106 composed for mixed choir Organ and Orchestra.

Gentle rocking rhythms and expressive vocal lines enhance the richness of the music in this setting of the Reger art song by John Leavitt. German or English lyrics.Available separately: SATB SA Instrumental ePak (score andparts for Flute 1 & 2 Oboe Clarinet 1 & 2 Bassoon Percussion 1 & 2 Harp Violin 1 & 2 Viola Cello and Bass) and ChoirTrax CD. Performance Time: Approx. 2:00