Discovery Level 1-Celebrate the Festival of Lights with this upbeat setting of a traditional Hanukkah song that's got all the right elements for a successful holiday feature. Opening with a lyrical introduction it soon moves into a lively dancelikesection with easily learned vocal parts. Add the optional clarinet or sing with the CD to capture the ethnic quality of the music. Discovery Level 1. Available separately: 3-Part Mixed 2-Part VoiceTrax CD. Duration: 2:25.

Songs Of Sanctuary is an extended choral-type work based on the European classical tradition but where the vocal sound is more akin to 'ethnic' or 'world' music. The idea was to have some thematic unity within the work as a whole rather than a collection of disparate pieces in song form. This vocal score which includes the optional recorder part in the score is primarily intended for rehearsal use. However it is possible to make a convincing performance with voices and piano.

Discovery Level 1-Celebrate the Festival of Lights with this upbeat setting of a traditional Hanukkah song that's got all the right elements for a successful holiday feature. Opening with a lyrical introduction it soon moves into a lively dancelikesection with easily learned vocal parts. Add the optional clarinet or sing with the CD to capture the ethnic quality of the music. Discovery Level 1. Available separately: 3-Part Mixed 2-Part VoiceTrax CD. Duration: 2:25.

Celebrate the power of singing with this robust African piece by S.J. Khosa. Add bongos bass drum and hand claps to create an ethnic tribute to choral singing. Performance time: Approx. 2:45.

Cherokee Hymn-A new piece from the arranger of Morning Song (Cherokee Amazing Grace) with a haunting flute part that adds an authentic Native American ethnic character to this very special song. The developing melody varied rhythms and added percussion help to make it a very engaging work. A great selection for any level! Duration: ca. 2:40.

'Yankee Doodle' with variations is the most concise way to describe the piece commissioned by the New Haven Symphony Orchestra to commemorate Conneticut's participation in The United States Bicentennial. 'Yankee Doodle' a tune dating back to the Middle Ages in Holland and England (and used by the British as early as 1755 to poke fun at untrained American troops in the French and Indian war) is interwoven with other folk and national melodies to stitch a patchwork or a musical collage. It is a personal view of American history.'To explain my approach to They All Sang Yankee Doodle I must explain my own background because the piece is made up ofmusical memories imprinted from early childhood.My earliest musical memories are a juxtaposition of sounds - hymns and Bach chorales from the church next door where my mother was choir director; early twenties jazz from my oldest brother's dance band; classical piano from my middle brother and my mother's piano studio; and cowboy songs and turn-of-the-century ballads that I have always identified with my father. Concord California where I was born was once part of a land grant from the Mexican government and the Spanish-Mexican influence remained strong even as the town expanded from a sleepy settlement into an American microcosmos with a wide variety of ethnic groups. Over fifty years ago most of us who sang 'Yankee Doodle' in Concord could not trace our ancestry to the founding fathers. Those of us with Anglo-Saxon names were at the end of the Westward push our forefathers having left behind the Eastern cities a few generations before settling for a time mid-continent then restlessly pushing further West. Little is known of my paternal grandfather for instance except that he had come to California from Indiana walking across Nevada desert to become one of the first settlers in Mordoc Indian territory.Of course the native American the Indian was there to greet each new migration and it is his

Par SZYMANOWSKI KAROL. (VII) The Polish idiom appeared in Szymanowskis music in 1920, foreshadowing the beginning of a new period of creativity, later called nationalistic. Before this idiom was realised and such compositions typical of the Polish style as the ballet Harnasie, the Mazurkas, Stabat Mater, Fourth Symphony and Second Violin Concerto had been written, the change in musical thinking and the first experiments in the new language took place in songs. Symptoms of the new style manifested themselves fully in Slopiewnie, Op. 46 bis, composed in the summer of 1921 and published by Universal Edition. In these bizarre songs to bizarre words by Tuwim Szymanowski attempted to crystallize and generalize artistically some primaeval Polish, racial as he described them elements in music. The inspiring factor was undoubtedly the text by Julian Tuwim, abounding in new-coined words and imbued with its own music. It indicated the direction that artistic creativity was to take, and made the full corellation of the verbal and musical layers possible in, as Mieczyslaw Tomaszewski has stated, all the planse of co-operation phonic, structural, expressional and semantic. Based on A. Neuer Commentary to Complete Edition Volume C11 (VIII) Szymanowski did not yield to the temptation of easy over-stilization. Streching out to the deepest ethnic layers of his native musical culture, he made an attempt to mould and suitably fashion a Polish style of musical utterance. This tendency is apparent in the Three Lullabies, Op. 48, to words by Jaroslaw Iwaszkiewicz, composed in 1922 and published by Universal Edition in 1926. In the Lullabies we can find the confirmation of the fact that utterly new atmosphere which, according to the composer, Slopiewnie had introduced into his music, was not a once-for-all phenomemon. The elements of the new musical language, analised in connection with the earlier cycle, may here be regarded as assimilated. These are modalities in vocal melodies (Lullaby I) and cadences (Lullabies I and III), a bourdon effect with a tritone (Lullaby II). However these sometimes sligh and apparently unimportant details recur constatnly, an so acquire the nature of a definite compositional technique establishing a style based in an increasing degree on nationalistic elements. Based on Adam Neuer Commentary to Complete Edition Volume C11 (IX) The Childrens Rhymes, Op. 49, a cycle of twenty short songs by Kazimiera Illakowicz, composed in 1922-23, were a completely new creative experience for Szymanowski. He composed the Rhymes with his 11-year-old niece in mind. She was the daughter of Stanislawa Korwin-Szymanowska, who performed these songs for the first time in Warsaw on 25 February 1924. / Date parution : 2021-12-09/ Recueil / Chant et Piano

From Symphonic Adiemus-Symphonic Adiemus presents twelve numbers from the Adiemus series in dynamic new scorings for SATB choir and full symphony orchestra.Since it was first heard in 1994 Adiemus has captured the imagination of music lovers worldwide thanks to its unique combination of classical principles with the flavours of world and ethnic music.Symphonic Adiemus includes numbers from the first three albums – Songs of Sanctuary Cantata Mundi and Dances of Time. Recorded on Decca 5793828 by the London Philharmonic Choir and the Adiemus Symphony Orchestra of Europe.

aus dem Disney-Film Die Eiskönigin-Inspired by the traditional Sami “Yoik” (the Sami version of yodeling) this arrangement as sung by Cantus in the Disney movie Frozen is a winner. Perfect for a pops concert or a concert looking for that special “ethnic” addition. A pronunciation guide is provided.

From Symphonic Adiemus-Symphonic Adiemus presents twelve numbers from the Adiemus series in dynamic new scorings for SATB choir and full symphony orchestra.Since it was first heard in 1994 Adiemus has captured the imagination of music lovers worldwide thanks to its unique combination of classical principles with the flavours of world and ethnic music.Symphonic Adiemus includes numbers from the first three albums – Songs of Sanctuary Cantata Mundi and Dances of Time. Recorded on Decca 5793828 by the London Philharmonic Choir and the Adiemus Symphony Orchestra of Europe.

from Two Serbian Folk Songs-Selected for Ron Keans multicultural series this Serbian piece is a partner song with 08301883 “Ajde Jano.” Even as the music shifts from F minor to major and back again the ethnic modality transports you to Serbia.A more tender love song than its partner piece they program perfectly together. For high school or college choirs.

Song of the Earth-Inspired by the traditional Sami ?yoik ? a very old vocal tradition among the Sami people of Scandinavia and Russia this beautiful music was used in the Disney animated film Frozen.Now available in several voicings all choirs can now enjoy these works that are infused with style and ethnic authenticity that will bring a wonderful and unique sound to your choral concert.

From Symphonic Adiemus-Symphonic Adiemus presents twelve numbers from the Adiemus series in dynamic new scorings for SATB choir and full symphony orchestra.Since it was first heard in 1994 Adiemus has captured the imagination of music lovers worldwide thanks to its unique combination of classical principles with the flavours of world and ethnic music.Symphonic Adiemus includes numbers from the first three albums – Songs of Sanctuary Cantata Mundi and Dances of Time. Recorded on Decca 5793828 by the London Philharmonic Choir and the Adiemus Symphony Orchestra of Europe.

From Symphonic Adiemus-Symphonic Adiemus presents twelve numbers from the Adiemus series in dynamic new scorings for SATB choir and full symphony orchestra.Since it was first heard in 1994 Adiemus has captured the imagination of music lovers worldwide thanks to its unique combination of classical principles with the flavours of world and ethnic music.Symphonic Adiemus includes numbers from the first three albums – Songs of Sanctuary Cantata Mundi and Dances of Time. Recorded on Decca 5793828 by the London Philharmonic Choir and the Adiemus Symphony Orchestra of Europe.

A joyfully syncopated musical experience with optional congregational participation orchestral accompaniment along with ethnic drumming this hallelujah-filled piece based on Psalm 148 will have everyone moving and singing God's praise!