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Georg Philipp Telemann: Suite In a Minor Cello & Double Bass Part: Cello:
10.99
Georg Philipp Telemann: Suite In a Minor Cello & Double Bass Part: Cello:
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Basse Violoncelle et Contrebasse
[Partition]
Leduc, Alphonse
Telemann Suite en a Minor Cello & Double Bass Part
10.99 GBP - vendu par Musicroom GB
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Double bass choir narrators and percussion. A tapestry in tone colour and changing textural sonorities. Can be played by four or more double basses. Poem by Kjell indtorn. 'Very useful for a whole classful of students of varying abilities'. Music Teacher.Grade: Varying
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Motet for mixed choir (SATB) and double bass. Par ZIMMERMANN HEINZ WERNER. Motet...
(+)
Motet for mixed choir (SATB) and double bass. Par ZIMMERMANN HEINZ WERNER. Motet For Mixed Choir (Satb) Et Double Bass/ Répertoire / Choeur Mixte et Contrebasse
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Dixit Dominus - Psalm 109 (110)
6.30
Dixit Dominus - Psalm 109 (110)
Choeur SATB/SATB et Basse Continue
[Partition]
Carus Verlag
Psalm 109 (110). Par CARISSIMI GIACOMO. These psalm settings are in the traditio...
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Psalm 109 (110). Par CARISSIMI GIACOMO. These psalm settings are in the tradition of classical vocal polyphony as practiced in the modified a cappella style of the 17 th century [“stylus gravis”]. Characteristic of this style is the continuo line, which generally doubles the vocal bass, only occasionally functioning independently. Despite its closeness to the tradition of the a-cappella style, Carissimi proves in this psalm to be a master of the artistic expression of words, which characterizes his music in the concertante style. This art is revealed here primarily in the rhythmically, highly differentiated diction of the words, which essentially distinguishes it from the flowing style of Palestrina. / Psaumes / Répertoire / Choeur SATB/SATB et Basse Continue
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Dixit Dominus - Psalm 109 (110)
13.70
Dixit Dominus - Psalm 109 (110)
Choeur SATB/SATB et Basse Continue
[Partition]
Carus Verlag
Psalm 109 (110). Par CARISSIMI GIACOMO. These psalm settings are in the traditio...
(+)
Psalm 109 (110). Par CARISSIMI GIACOMO. These psalm settings are in the tradition of classical vocal polyphony as practiced in the modified a cappella style of the 17 th century [“stylus gravis”]. Characteristic of this style is the continuo line, which generally doubles the vocal bass, only occasionally functioning independently. Despite its closeness to the tradition of the a-cappella style, Carissimi proves in this psalm to be a master of the artistic expression of words, which characterizes his music in the concertante style. This art is revealed here primarily in the rhythmically, highly differentiated diction of the words, which essentially distinguishes it from the flowing style of Palestrina. / Psaumes / Répertoire / Choeur SATB/SATB et Basse Continue
13.70 EUR - vendu par LMI-partitions
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Magnificat (MAZZOCCHI VIRGILIO)
13.70
Magnificat (MAZZOCCHI VIRGILIO)
Solistes et Choeur SATB/SATB et Basse Continue
[Partition]
Carus Verlag
aus: Psalmi Vespertini. Par MAZZOCCHI VIRGILIO. During his tenure under Pope Urb...
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aus: Psalmi Vespertini. Par MAZZOCCHI VIRGILIO. During his tenure under Pope Urban VIII Virgilio Mazzocchi was among the most renowned musicians of Rome. He directed the Cappella Giulia in St. Peters Basilica for 17 years. He also organized the musical activities at the court of the Pope’s influential nephew, Francesco Barberini. The Psalmi Vespertini, Mazzocchi’s most important sacred work, were published two years after his death. This collection contains two complete vesper cycles for double choir with a basso continuo accompaniment. At the conclusion of the first vesper cycle, in the predominately festive setting of the Magnificat, Mazzocchi displays his artistry in the old and new styles by combining contrapuntal choralsections with concertante passages. The new Carus edition of this work presents a most significant and impressive document of Roman church music in the first half of the 17th century. / Mottet / Répertoire / Solistes et Choeur SATB/SATB et Basse Continue
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Magnificat (MAZZOCCHI VIRGILIO)
8.10
Magnificat (MAZZOCCHI VIRGILIO)
Solistes et Choeur SATB/SATB et Basse Continue
[Partition]
Carus Verlag
aus: Psalmi Vespertini. Par MAZZOCCHI VIRGILIO. During his tenure under Pope Urb...
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aus: Psalmi Vespertini. Par MAZZOCCHI VIRGILIO. During his tenure under Pope Urban VIII Virgilio Mazzocchi was among the most renowned musicians of Rome. He directed the Cappella Giulia in St. Peters Basilica for 17 years. He also organized the musical activities at the court of the Pope’s influential nephew, Francesco Barberini. The Psalmi Vespertini, Mazzocchi’s most important sacred work, were published two years after his death. This collection contains two complete vesper cycles for double choir with a basso continuo accompaniment. At the conclusion of the first vesper cycle, in the predominately festive setting of the Magnificat, Mazzocchi displays his artistry in the old and new styles by combining contrapuntal choralsections with concertante passages. The new Carus edition of this work presents a most significant and impressive document of Roman church music in the first half of the 17th century. / Mottet / Répertoire / Solistes et Choeur SATB/SATB et Basse Continue
8.10 EUR - vendu par LMI-partitions
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Will Todd: Two Extra Jazz Carols: Double Choir: Vocal Score
3.99
Will Todd: Two Extra Jazz Carols: Double Choir: Vocal Score
Chorale SATB
SATB, Piano
[Partition]
Boosey and Hawkes
Following Three jazz carols and Three more jazz carols is a pair of further inno...
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Following Three jazz carols and Three more jazz carols is a pair of further innovative jazz arrangements of carols originally created in 2012 for a service of Jazz Carols at St Martin in the Fields London by Will Todd. Todd’s iconic rich harmonies and toe-tapping rhythm serve to bring new expression to familiar Christmas material which is written for SATB voices and piano with scope for optional congregational singing. They can be performed using the supplied piano part or embellished using the supplied chord symbols. Double bass may also be used in addition to piano again following the supplied chord symbols and parts for optional jazz ensemble (brass quintet and jazztrio) accompaniment are available for download.
3.99 GBP - vendu par Musicroom GB
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Michael Nyman: Facing Goya: Vocal: Vocal Score
44.99
Michael Nyman: Facing Goya: Vocal: Vocal Score
For two Soprano, Tenor and Baritone with Piano reduction.
[Vocal Score]
Chester
Facing Goya Nyman's first full-length opera is written in four acts on a libre...
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Facing Goya Nyman's first full-length opera is written in four acts on a libretto by Victoria Hardie. Following it's first performance in 2000 it was revised in 2002 and again in 2014. Init's original arrangement intended for Nyman's own band the orchestration is as follows: five Violins two Violas one Cello two Double Basses two each Soprano and Alto Saxophones (doubled) Baritone Saxophone Flute Alto Flute Piccolo Trumpet and Flugelhorn (doubled) French Horn Bass Trombone (doubled) Tuba (doubled) Euphonium (doubled) and Electric Guitar. This work is scored for two Soprano Tenor and Baritone with Pianoreduction.
44.99 GBP - vendu par Musicroom GB
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George Shearing: Songs and Sonnets - Bass: SATB: Vocal Score
23.99
George Shearing: Songs and Sonnets - Bass: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Hinshaw Music Inc.
Instrumental Accompaniment Set-Double Bass part only
23.99 GBP - vendu par Musicroom GB
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Gavin Bryars: Laude Cortonese Volume 3: Vocal: Vocal Score
32.50
Gavin Bryars: Laude Cortonese Volume 3: Vocal: Vocal Score
[Vocal Score]
Hal Leonard
Vocal Score-Vocal Score. Instrumental parts also available (item 49019476). Cont...
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Vocal Score-Vocal Score. Instrumental parts also available (item 49019476). Contents: Lauda 12 (Alta trinità beata) for soprano tenor viola cello and double bass • Lauda 13 (Stomme allegro) for soprano tenor viola cello anddouble bass • Lauda 26 (Plangiamo quel crudel basciar) for soprano tenor viola cello or bass clarinet and double bass • Lauda 27 (Laudar vollio per amore) for soprano tenor cello or bass clarinet and double bass• Lauda 28 (Amor dolçe sença pare) for soprano tenor viola cello or bass clarinet and double bass • Lauda 29 (O divina virgo flore) for soprano and double bass • Lauda 30 (Stella nuova) for 3sopranos cello or bass clarinet and double bass • Lauda 36 (Gloria 'n cielo) for soprano tenor viola cello or bass clarinet and double bass.
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Stehe Auf, Meine Freundin (SCHUTZ HEINRICH)
15.50
Stehe Auf, Meine Freundin (SCHUTZ HEINRICH)
Double Choeur Mixte et Basse Continue
[Partition]
Breitkopf & Härtel
Par SCHUTZ HEINRICH. Editeur(s) d'origine: Steude, Wolfram/ Répertoire / Double...
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Par SCHUTZ HEINRICH. Editeur(s) d'origine: Steude, Wolfram/ Répertoire / Double Choeur Mixte et Basse Continue
15.50 EUR - vendu par LMI-partitions
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Te Deum (MENDELSSOHN-BARTHOLDY FELIX)
12.80
Te Deum (MENDELSSOHN-BARTHOLDY FELIX)
Soliste, Double Choeur Mixte et Basse Continue
[Partition]
Breitkopf & Härtel
Par MENDELSSOHN-BARTHOLDY FELIX. / Répertoire / Soliste, Double Choeur Mixte et...
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Par MENDELSSOHN-BARTHOLDY FELIX. / Répertoire / Soliste, Double Choeur Mixte et Basse Continue
12.80 EUR - vendu par LMI-partitions
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Te Deum (MENDELSSOHN-BARTHOLDY FELIX)
29.50
Te Deum (MENDELSSOHN-BARTHOLDY FELIX)
Soliste, Double Choeur Mixte et Basse Continue
[Partition]
Breitkopf & Härtel
Par MENDELSSOHN-BARTHOLDY FELIX. Editeur(s) d'origine: Bernstein, Walter H. / Bu...
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Par MENDELSSOHN-BARTHOLDY FELIX. Editeur(s) d'origine: Bernstein, Walter H. / Burkhar/ Répertoire / Soliste, Double Choeur Mixte et Basse Continue
29.50 EUR - vendu par LMI-partitions
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Wolfgang Amadeus Mozart: Missa Brevis In B Flat K. 275: Trombone: Parts
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
Barenreiter
The Missa Brevis B-Flat Major K. 275 (272b) was composed in Salzburg probably so...
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The Missa Brevis B-Flat Major K. 275 (272b) was composed in Salzburg probably sometime before 23 September 1777.It is scored for Soprano solo Alto solo Tenor solo Bass solo Mixed choir (SATB) Trombone (3) Violin (2) Basses (Double bass Bassoon) Organ.Full score vocal score & performance material (BA5344) are available for sale.
6.00 GBP - vendu par Musicroom GB
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Wolfgang Amadeus Mozart: Missa Brevis In B Flat K. 275: Continuo: Part
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
Barenreiter
The Missa Brevis B-Flat Major K. 275 (272b) was composed in Salzburg probably so...
(+)
The Missa Brevis B-Flat Major K. 275 (272b) was composed in Salzburg probably sometime before 23 September 1777.It is scored for Soprano solo Alto solo Tenor solo Bass solo Mixed choir (SATB) Trombone (3) Violin (2) Basses (Double bass Bassoon) Organ.Full score vocal score & performance material (BA5344) are available for sale.
4.00 GBP - vendu par Musicroom GB
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Wolfgang Amadeus Mozart: Missa Brevis In B Flat K. 275: Mixed Choir: Part
12.00
Wolfgang Amadeus Mozart: Missa Brevis In B Flat K. 275: Mixed Choir: Part
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
Barenreiter
The Missa Brevis B-Flat Major K. 275 (272b) was composed in Salzburg probably so...
(+)
The Missa Brevis B-Flat Major K. 275 (272b) was composed in Salzburg probably sometime before 23 September 1777.It is scored for Soprano solo Alto solo Tenor solo Bass solo Mixed choir (SATB) Trombone (3) Violin (2) Basses (Double bass Bassoon) Organ.Full score vocal score & performance material (BA5344) are available for sale.
12.00 GBP - vendu par Musicroom GB
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Wolfgang Amadeus Mozart: Missa Brevis In B Flat K. 275: Mixed Choir: Part
4.00
Wolfgang Amadeus Mozart: Missa Brevis In B Flat K. 275: Mixed Choir: Part
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
Barenreiter
The Missa Brevis B-Flat Major K. 275 (272b) was composed in Salzburg probably so...
(+)
The Missa Brevis B-Flat Major K. 275 (272b) was composed in Salzburg probably sometime before 23 September 1777.It is scored for Soprano solo Alto solo Tenor solo Bass solo Mixed choir (SATB) Trombone (3) Violin (2) Basses (Double bass Bassoon) Organ.Full score vocal score & performance material (BA5344) are available for sale.
4.00 GBP - vendu par Musicroom GB
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Wolfgang Amadeus Mozart: Vesperae Solennes De Dominica K.321: Continuo: Part
Solistes (SATB), Choeur Mixte (SATB), Orchestre et
[Partition]
Barenreiter
Violoncello Contrabass and Bassoon-We know that Mozart held his Vespers in high...
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Violoncello Contrabass and Bassoon-We know that Mozart held his Vespers in high regard since he once asked his father in a letter dated 12 March 1783 to send the two works to him in Vienna so that he could show them to Baron Gottfried van Swieten. The Office hymns designated as Vesperae de Dominica K. 321 and Vesperae solennes de Confessore K. 339 both call for four vocal parts two violins two clarini kettledrums basses (violoncello double bass and bassoon) three trombones and organ.They contain settings of Psalms 109 (Dixit) 110 (Confitebor) 111 (Beatus vir) 112 (Laudate pueri) 116 (Laudate Dominum) and of the Magnificat canticle. Each of the Psalms forms an autonomous unit; the Doxology atthe end is derived from the themes of the various Psalms.Urtext of the New Mozart Edition Full score & performance material (BA4893) vocal score (BA4893-90) available for sale
6.00 GBP - vendu par Musicroom GB
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Dan Forrest: St Patrick's Hymn - Wind Ensemble Instr.: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Hinshaw Music Inc.
Instrumental Accompaniment Set-Instrumentation: Piccolo Flute 1&2 Oboe 1&2 Cl...
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Instrumental Accompaniment Set-Instrumentation: Piccolo Flute 1&2 Oboe 1&2 Clarinet In Bb 1&2 Bassoon 1&2 Contrabassoon Horn In F 1&2 Horn In F 3&4 Trumpet In Bb 1&2 Tenor Trombone 1&2 Bass Trombone Tuba Timpani Double Bass Harp and Full Score
59.99 GBP - vendu par Musicroom GB
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Surrexit Pastor Bonus. Motet (Roma 1607)
6.14
Surrexit Pastor Bonus. Motet (Roma 1607)
Chorale SATB
SATB/SATB (Double)
Ut Orpheus
/ Recueil / Choeur en 8 Parties (SATB-SATB) et Basse Continue
6.14 EUR - vendu par LMI-partitions
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Unsers Herzens Freude (BACH JOHANN CHRISTOPH)
7.50
Unsers Herzens Freude (BACH JOHANN CHRISTOPH)
Chorale SATB
SATB/SATB (Double)
[Partition]
Carus Verlag
Horn, Paul (Arr.) - Lunn, Jean (Trad.) -. Par BACH JOHANN CHRISTOPH. Gattungen: ...
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Horn, Paul (Arr.) - Lunn, Jean (Trad.) -. Par BACH JOHANN CHRISTOPH. Gattungen: Motetten - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Langue : Allemand/Anglais / Mottet / Répertoire / Choeur SATB/SATB et Basse Continue
7.50 EUR - vendu par LMI-partitions
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Wolfgang Amadeus Mozart: Vesperae Solennes De Dominica K.321: Mixed Choir: Parts
Solistes (SATB), Choeur Mixte (SATB), Orchestre et
[Partition]
Barenreiter
Set of Wind Parts-We know that Mozart held his Vespers in high regard since he o...
(+)
Set of Wind Parts-We know that Mozart held his Vespers in high regard since he once asked his father in a letter dated 12 March 1783 to send the two works to him in Vienna so that he could show them to Baron Gottfried van Swieten. The Office hymns designated as Vesperae de Dominica K. 321 and Vesperae solennes de Confessore K. 339 both call for four vocal parts two violins two clarini kettledrums basses (violoncello double bass and bassoon) three trombones and organ.They contain settings of Psalms 109 (Dixit) 110 (Confitebor) 111 (Beatus vir) 112 (Laudate pueri) 116 (Laudate Dominum) and of the Magnificat canticle. Each of the Psalms forms an autonomous unit; the Doxology atthe end is derived from the themes of the various Psalms.Urtext of the New Mozart Edition Full score & performance material (BA4893) vocal score (BA4893-90) available for sale
12.00 GBP - vendu par Musicroom GB
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2 vendeurs
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Wolfgang Amadeus Mozart: Vesperae Solennes De Confessore K.339: SATB: Parts
17.00
Wolfgang Amadeus Mozart: Vesperae Solennes De Confessore K.339: SATB: Parts
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
Barenreiter
Set of Wind Parts-We know that Mozart held his Vespers in high regard since he o...
(+)
Set of Wind Parts-We know that Mozart held his Vespers in high regard since he once asked his father in a letter dated 12 March 1783 to send the two works to him in Vienna so that he could show them to Baron Gottfried van Swieten. The Office hymns designated as Vesperae de Dominica K. 321 and Vesperae Solennes De Confessore K. 339 both call for four Vocal parts two Violins two Clarini Kettledrums Basses (Violoncello Double Bass and Bassoon) three Trombones and Organ.They contain settings of Psalms 109 (Dixit) 110 (Confitebor) 111 (Beatus vir) 112 (Laudate pueri) 116 (Laudate Dominum) and of the Magnificat canticle. Each of the Psalms forms anautonomous unit; the Doxology at the end is derived from the themes of the various Psalms.Urtext of the New Mozart EditionPerformance material (BA4894) vocal score (BA4894-90) available for sale
17.00 GBP - vendu par Musicroom GB
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Wolfgang Amadeus Mozart: Vesperae Solennes De Dominica K.321: Mixed Choir: Part
15.50
Wolfgang Amadeus Mozart: Vesperae Solennes De Dominica K.321: Mixed Choir: Part
Solistes (SATB), Choeur Mixte (SATB), Orchestre et
[Partition]
Barenreiter
We know that Mozart held his Vespers in high regard since he once asked his fath...
(+)
We know that Mozart held his Vespers in high regard since he once asked his father in a letter dated 12 March 1783 to send the two works to him in Vienna so that he could show them to Baron Gottfried van Swieten. The Office hymns designated as Vesperae de Dominica K. 321 and Vesperae solennes de Confessore K. 339 both call for four vocal parts two violins two clarini kettledrums basses (violoncello double bass and bassoon) three trombones and organ.They contain settings of Psalms 109 (Dixit) 110 (Confitebor) 111 (Beatus vir) 112 (Laudate pueri) 116 (Laudate Dominum) and of the Magnificat canticle. Each of the Psalms forms an autonomous unit; the Doxology atthe end is derived from the themes of the various Psalms.Urtext of the New Mozart EditionFull score & performance material (BA4893) vocal score (BA4893-90) available for sale
15.50 GBP - vendu par Musicroom GB
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2 vendeurs
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Wolfgang Amadeus Mozart: Vesperae Solennes De Dominica K.321: Mixed Choir: Part
6.50
Wolfgang Amadeus Mozart: Vesperae Solennes De Dominica K.321: Mixed Choir: Part
Solistes (SATB), Choeur Mixte (SATB), Orchestre et
[Partition]
Barenreiter
We know that Mozart held his Vespers in high regard since he once asked his fath...
(+)
We know that Mozart held his Vespers in high regard since he once asked his father in a letter dated 12 March 1783 to send the two works to him in Vienna so that he could show them to Baron Gottfried van Swieten. The Office hymns designated as Vesperae de Dominica K. 321 and Vesperae solennes de Confessore K. 339 both call for four vocal parts two violins two clarini kettledrums basses (violoncello double bass and bassoon) three trombones and organ.They contain settings of Psalms 109 (Dixit) 110 (Confitebor) 111 (Beatus vir) 112 (Laudate pueri) 116 (Laudate Dominum) and of the Magnificat canticle. Each of the Psalms forms an autonomous unit; the Doxology atthe end is derived from the themes of the various Psalms.Urtext of the New Mozart EditionFull score & performance material (BA4893) vocal score (BA4893-90) available for sale
6.50 GBP - vendu par Musicroom GB
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