Par KERNIS AARON JAY. This piece comes from Ecstatic Meditations which includes Effortlessly Love Flows, How the Soul Speaks to God, I Cannot Dance, O Lord, and How God Answers the Soul. / Date parution : 2022-12-20/ Répertoire / Ch?ur Mixte SSAATTBB

This song is an inspired reminder of God's faithfulness. Tender and fragile, the theme opens with innocence and clarity, articulating the seasons of life and the constancy of the Almighty. Though composed in a singer-songwriteridiom, the choral parts are deep and satisfying, bringing warmth and sincerity. A reference to Psalm 119 is crowned with the affirmation, I choose to live in faith, not fear. Truly a song for this season of challenges! NOTE: FullPerformance and Part Dominant MP3's are for the SATB voicing only.

Regina caeli. for SSAA unaccompanied. This Marian text for Eastertide, Regina caeli, was set four times by Morales. This setting for four voices was first published in the Spanish composer's 1543 collection and notated in high clefs.

O Regem caeli. for SSAA unaccompanied. Consisting of two sections, this large-scale Christmas motet opens with a rich homophonic texture that is synonymous with Victoria's compositions. This is followed by imitation in the vocal lines before atriple-metre section of resounding 'alleluia's.

I Wonder as I Wander. Already a haunting melody, this setting is even more captivating with the addition of the oboe obbligato. Although piano can always accompany adequately, the use of harp furthers the mystic sonorities. This is a stunning Christmas concert selection of medium difficulty.

La musique de l'album de vendre des millions de dollars, en vedette sur le Delta Air Lines TV commercial. ' Adiemus ' combine classique et des influences ethniques pour créer un tribal sonore haunting. ' Chansons de sanctuaire ' est une oeuvre de choral-type étendue basée sur la cla européenne / Choeur De Femmes (SSAA), Flûte A Bec, Cordes Et Instruments De Percussions (Ou Choeur De Femmes Et Piano)

O sacrum convivium. For SSAATTBB choir and optional organ/piano. Commissioned by St Mark?s, Hamilton Terrace. A setting of Antiphon for the feast of Corpus Christi, attributed to St Thomas Aquinas.

O gloriosa virginum est l\'une des oeuvres de Penderecki vaste étude de la musique chorale sacrée. Il avait traité des formes, des styles et des harmonies du passé et son présent travail constitue une synthèse de nouveaux sons et les échos du passé.2009, le compositeur s\'est rendu au Venezuela pour travailler avec l\'Orchestre symphonique de la Juventud Venezolana Simón Bolívar. A l\'occasion de la 70e Anniversaire du fondateur de cet orchestre, José Antonio Abreu, O gloriosa virginum Penderecki compose et dirige la première de la pièce elle-même, il a consacré Abreu avec l\'ajout \'pour mon ami José Antonio Abreu son 70e anniversaire.\'L\'Orchestra Sinfonica de la Juventud Venezolana Simon Bolivar formé à partir du plus grand projet musical dans le Venezuela, la Fundación para el del Estado Sistema Nacional de mineurs e Infantiles de Venezuela Orquestas (El Sistema). Alors Abreu offert depuis 1975 vivent dans la pauvreté, les enfants une éducation musicale et de nouvelles perspectives. Son utilisation persistante de payé, parce que maintenant il ya plusieurs écoles de musique financés par le gouvernement, enfants, jeunes et orchestre symphonique au niveau professionnel, qui a émergé à partir d\'El Sistema. / Choeur Mixte (SSAATTBB) A Cappella / 12 pages / Partition

for SSAA Chorus a cappella-Now available for treble choirs this readily accessible setting sounds at once modern and medieval. Starting in unison and evoking plain chant it gradually unfolds into wider harmonies and more modern harmonic language.

Howard Goodall's setting of Love Divine for accompanied SSAA choir uses a well-loved text by Charles Wesley.

For unaccompanied SSAA chorus with divisions; includes a Piano accompaniment for rehearsal purposes.

Hugo Cole (1917-1995) was a British composer cellist and music critic. He studied under Herbert Howells at the Royal College of Music and with Nadia Boulanger in Paris. He is best remembered for writing several operas and choral works as well as much chamber music but he also wrote a series of pedagogical Cello books and had a successful career as a music critic for The Guardian and Country Life. Cole’s Magnificat was set in the key of G major and first published in 1957. It is scored for Female or Boys’ Choir (SSAA) with Piano accompaniment.