A dynamic arrangement of a beloved African-American spiritual by Philip Kern a jubilant selection for Palm Sunday Eastertide or Christ the King Sunday.

No. 1 from Heavenly Home: Three American Songs-This enduring gospel favourite is set with a straight-forward first verse and chorus. The next two verses combine traditional bluegrass vocal style with counterpoint and fugue resulting in a crescendo of excitement.

Based on the traditional African American spiritual this setting depicts the story of Noah and the flood. After the baritone soloist introduces the chorus of the spiritual the SSATB choir responds with a harmonized version. Theaudience gets the opportunity to participate in this gospel-style arrangement by making percussive rain sounds during the 2-measure breaks of the closing section. Rhythm/Trumpets parts available as a digital download (tpt 1-3 b dm). Duration: ca. 3:30.

Here's a pure gospel celebration! The classic Hallelujah We Shall Rise is given a singable treatment sure to get feet tapping. The 2-part (optional 3-part) voicing makes this one accessible to choirs of all sizes including senior choirs. Sure to become a favorite of your group. Available: SA(T)B ChoirTrax CD.

The Gospel Mass ??? messe pour ch??ur mixte combo et orchestre d???harmonie fut compos?e ? partir du style gospel qui depuis ses origines en Am?rique s???est peu ? peu ?tendu dans le monde entier. Les diff?rents mouvements de la composition de Jacob de Haan s???articulent selon le d?roulement d???une c?l?bration liturgique ordinaire. La Gospel Mass comporte divers styles pop qui trouvent leur origine dans la musique gospel. Nous entendonsalors non seulement le style classique am?ricain des chants gospels (y compris les applaudissements caract?ristiques et rythmes swinguant) mais aussi une plus grande libert? d???usage des styles de gospel qui se sont d?velopp?s au fil dutemps. Pourautant que nous sachions The Gospel Mass est la seule v?ritable messe gospel existante pour orchestre d???harmonie. Partitions pour ch??ur disponibles s?par?ment.

In terms of longevity and versatility there are few who can match Al Jarreau with a catalog that ranges from RandB to jazz and pop! This bubbly song from 1983 is so positive and uplifting your audience can't help but smile! Awonderful showcase for jazz and pop ensembles! Available separately: SATB SAB SSA ShowTrax CD. Rhythm parts available digitally (syn gtr b dm). Duration: ca. 4:00.

Dale Warland Choral Series-This sturdy arrangement is based on a spiritual folk song that appeared in a number of American hymnals beginning in the mid 19th century. Angels Hovering Round appears in The Revivalist hymnal of 1868 and in The Sacred Harp asGolden Streets. This setting combines the first verse of the revival song and the two verses of Golden Streets in homage to the revival and shape note traditions.

Gospel & Spirituals für gemischten Chor arrangiert von Matthias Pogoda. 6 lebendige Chorsätze stilgetreu notiert. Chorpartitur.

This upbeat gospel-flavored anthem is a real treat. With a quiet energy it soon builds to a celebrative song of praise. Beginning with a basic melodic pattern from the men the other voices join for a rich and spirited anthem with a hushed conclusion.

Traditional Ghanian Folk Song-Raymond Wise arranged this song of thanks from Ghana for mixed voices with piano. The work is enhanced by the use of African drums rattles shakers gourds and bells.See the performance notes for assistance.

Based on the poem Dreams by Paul Laurence Dunbar one of the first African American poets to gain national prominence and recognition. Singing of the power of dreams and how they take flight. When they do they take all of us singers and listeners to higher heights of hope and inspiration.

Composed in an African-American gospel style this work of joy and commitment may be performed in both sacred and secular settings. My heart is overflowing my heart is growing in gratitude - this will create a powerful connection between singers andaudience!

Get your boogie down with this 80s classic by Al Jarreau that has a funky feel that still grooves! Great solo opportunities and vocal riffs make it a super feature for pop jazz and show choirs from high school and up.

This traditional African-American slave song comes from the Georgia Sea Islands. The a cappella Spiritual style rocks this energetic and evangelizing song. Brian Tate brings a soulful passion to his arrangements and this one does not disappoint. Easy to medium excellent for high school community and church choirs.