John David is a Welsh musician and songwriter known equally for his work with Dave Edmunds and for his song writing. In 1978 his group Airwaves recorded an album and single ‘New Day’ with You Are The New Day on it. A choral a cappella version of You Are The New Day was later recorded by The King's Singers. The song has been covered by some 150 artists around the world.Part of the ‘King’s Singers Choral Series’ the top-selling hit from The King's Singers' 25th Anniversary Jubilee series is now available for SATB a cappella and SSA a cappella. Duration ca. 2:30.The King’s Singers is aGrammy Award-winning British male sextet founded in 1968 at King’s College Cambridge. The group has always consisted of six singers in total with their membership constantly changing. Over the decades the ensemble has reached an ever-widening international audience and popularity today appearing in around 125 concerts each year mostly in Europe the US and the Far East.

These two three-voice motets make excellent choices for contest. Includes: In monte Oliveti Tristis est anima mea. Available: SSA/TBB a cappella. Peformance Time: Approx. 2:30.

Chor zu dritt Band 5-Chor zu dritt with its three-part settings is aimed at the large number of choirs which cannot do full justice to the mainly four-part choral literature with divoded male voices. In Vol. 5 O little Town of Bethlehem the singers can look forward to many national and international Advent songs and Christmas carols ? and to successful concerts in the Christmas season even with only one male voice!

How Can I Keep From Singing? (SAB)-Emily Crocker's arrangement of How Can I Keep From Singing? by Rev. Robert Lowry is a moving and inspiring song of celebration for unaccompanied SAB chorus.

He Hath Entered The Heven is a work by John Tavener originally composed for Upper Voices while this is the Vocal Score for Mixed Voices arranged by Gregory Rose. Lasting around 8 minutes itwas commissioned by Lady Margaret Hall Oxford. This new arrangement for Mixed Voices was made in 2013 and was first performed on the 9th of August 2013 by the CoMA Summer School Voices and the St VedastHandbell Ringers at St James' Church High Melton Doncaster conducted by Rose himself. In the September 2015 issue of the Organists' Review David Lindley writes: 'the piece is a powerfulone ending with an imploring repetition of the refrain in octaves'

John Rutter's A Clare Benediction for SAMen and Piano.An easy anthem with words and music by John Rutter. There are four different versions of the vocal parts: unison (or two-part) with Keyboard upper voices with Keyboard SA and Men with Piano or SATB unaccompanied or with Keyboard.

Messe - for ligestemmigt kor (SSA) og orgel af Bendt Fabricius. Fra forordet: I 1980'erne var jeg organist i Mosede Kirke og jegvar så heldig her at have et dygtigt pigekor. DenneMesse for lige-stemmigt kor og orgel er komponerettil mine piger i Mosede.Messen tager sit tekstlige udgangspunkt i denromersk-katolske højmesse på latin med dens femfaste liturgiske led Kyrie Gloria Credo Sanctus ogAgnus Dei. Jeg har valgt i min messe at oversætteteksterne til dansk hvilketgør at værket bådeved indstudering og fremførelse får det speciellenærvær som en umiddelbar forståelse af en tekstaltid vil fremkalde. De fem satser kan opføres enten samlet eller hverfor sig. Satserne har forskellige sværhedsgrader således at Kyrie og Credo er de enkleste at udføre mens de tre øvrige satser stiller større krav bådehvad angår melodik rytmik og harmonik.En stor udfordring ved fremførelsen af messenvil være den obligate orgelstemme som udgør etkoncertant element i forhold til korstemmerne.Orgelstemmen er overordnet akkompagnerende men optræder af og til solistisk på en måde derudfordrer og kontrasterer korstemmerne. Bendt Fabricius 2018

(in C with Orchestra)-Malotte's setting of The Lord's Prayer has been lovingly adapted for SSA chorus in the key of C by Janet Klevberg Day.This heart-warming version is the perfect choice whatever the service or occasion.

Score and Parts (pno perc 1-2 vn 1-2 va vc db) available as a digital download.

Perfect for concert or contest use this buoyant setting dances along from the strong opening through the echo-based middle section and on to a triumphant finish.

How Can I Keep From Singing? (SSA)-Emily Crocker's arrangement of How Can I Keep From Singing? by Rev. Robert Lowry is a moving and inspiring song of celebration for unaccompanied SSA chorus.

This beautiful piece by Tobin Stokes is loosely based on the five stages of grieving by Elisabeth Kubler-Ross. The first section of the music set for 6-part treble choir on the text ?Hear my prayer Oh Lord ?is polyphonic at a subdued dynamic level. The second phrase of the verse ?and let my crying come unto thee ? is homophonic and builds to a full climax before diminishing to a very soft and passionate ending.