Bassblockflöte lernen im Ensemble für 3-5 Blockflöten (SA(A)TB) und CD-The bass recorder brings a deep rich timbre to the recorder ensemble. Nevertheless when beginning with the bass recorder even players who have already mastered one or more instruments of the recorder family face the problem of learning a new clef and feeling at home with an instrument which is different from the other recorders in its shape and handling. The Bass Recorder Workshop is a “hands-on” tutor which helps players acquire the bass recorder skills necessary for refined ensemble playing step by step. The bass recorder is incorporated into the ensemble from the beginning. The degree of difficulty in the bass line gradually increases in terms of tonequality rhythm and technical demands.The Bass Recorder Workshop consists of consecutive volumes with music for three to five voice recorder ensembles as well as exercises and information on the following subjects:• the bass recorder – construction instrument types historical background• technical foundations of bass recorder playing posture fingering sound and articulation• practise and rehearsal techniques intonation in ensemble playing• stylistically diverse ensemble repertoire ranging from medieval to contemporary musicThe Bass Recorder Workshop offers the possibility of playing the bass line of the ensemble pieces along with the CD included. The audio examples come in two versions: the full versions are complemented by versions without the bass line which can be used to play along with.Beginners who would like to start with the bass as their first recorder instrument should supplement the Bass Recorder Workshop with lessons from a teacher. Comtents: Paix Jakob: Ungaresca Petruschka (Volkslied aus

The bass recorder brings a deep rich timbre to the recorder ensemble. Nevertheless when beginning with the bass recorder even players who have already mastered one or more instruments of the recorder family face the problem of learning a new clef and feeling at home with an instrument which is different from the other recorders in its shape and handling. The Bass Recorder Workshop is a 'hands-on' tutor which helps players acquire the bass recorder skills necessary for refined ensemble playing step by step. The bass recorder is incorporated into the ensemble from the beginning. The degree of difficulty in the bass line gradually increases in terms of tone quality rhythm andtechnical demands. The Bass Recorder Workshop consists of consecutive volumes with music for three to five voice recorder ensembles as well as exercises and information on the following subjects: o the bass recorder - construction instrument types historical background o technical foundations of bass recorder playing posture fingering sound and articulation o practise and rehearsal techniques intonation in ensemble playing o stylistically diverse ensemble repertoire ranging from medieval to contemporary music The Bass Recorder Workshop offers the possibility of playing the bass line of the ensemble pieces along with the CD included. The audio examples come in two versions: the full versions are complemented by versions without the bass line which can be used to play along with. Beginners who would like to start with the bass as their first recorder instrument should supplement the Bass Recorder Workshop with lessons from a teacher. Learning the bass recorder whilst playing in an ensemble continues in this 3rd volume of Workshop Bassblockflöte. Greater emphasis is placed on the techniques of refining sound quality 2 and 3 part arrangements and playing not only the bass voice but also the middle or even the melodic line. The enclosed CD recorded by the editors Irmhild Beutler

A concise method for the Bass in F or Great Bass in C. This method assumes a working knowledge of the descant and/or treble recorders and is devoted to aspects which are of particular interest to the bass recorder such as notation how to hold the instrument fingering repertoire style and the larger bass instruments. First published in 1974.

Eine Blockflötengeschichte Zum Mitspielen, F. Blfl.Quartett In Wechselnder Besetzung. Par SCHMIDINGER HELMUT. Eine lustige Geschichte für Freunde der großen Blockflötenfamilie (Sopraninoblfl. , Sopranblfl. , Altblfl, Tenorblfl. , Bassblfl, Großbassblfl. , Subbassblfl. , Percussion), geschrieben im Auftrag des Salzburger Blockflötenensembles 'Il Dolcimelo', das das Werk auch auf CD eingespielt hat. Fridolin Flöte und seine kleine Schwester Flora hören jeden Abend eine Gute-Nacht-Geschichte von Vater Flöte und Mutter Cordula. Ganz besonders freut sich Fridolin immer auf die Geschichte vom kleinen Ausreißer und seiner Freundin und stellt sich in den aufregendsten Bildern vor, all die spannenden Abenteuer selbst zu erleben. Eines Nachts nimmt er seinen ganzen Mut zusammen, schleicht auf leisenSohlen durchs Stiegenhaus und verschwindet unbemerkt in der Dunkelheit der Nacht . . ./ Répertoire / Flûte à Bec

Dans le ' Schulwerk ' l'enregistreur souvent met bien en évidence à côté de divers instruments de percussion. La sélection actuelle de pièces de 5 volumes de ' Music for Children ' fournit le matériel didactique complémentaire supérieure. Comme les groupes enregistreur nécessairement n'ont pas accès aux instruments Orff, tympanon ou d'instruments de bass, ces pièces ont été pris pour piano. / Flûte A Bec Soprano Et Piano

8 Easy To Intermediate Play-Alongs Of Well-Known Pieces From Ireland, Scotland, Wales, Cornwall And Brittany. Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. 'World Music - Celtic” presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music is often 'skeletal”, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice. The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes. 'World Music - Celtic” is available in eight formats, each with complete recordings and backing tracks on CD: as solo versions for violin, violoncello, flute, clarinet, saxophone, recorder or trumpet (with piano) and in an ensemble version for two melodic instruments (C, Bb or Eb), piano, guitar, bass and bodhrán. In addition to the alto recorder part, this edition also contains a part for soprano or tenor recorder. / Niveau : Facile à Intermédiaire / Recueil / Flûte à Bec Alto

'The Schott Recorder Consort Anthology' presents a wealth of music from the fifteenth to the seventeenth centuries. Although the bulk of the collection is laid out for a variety of four-part ensembles there are also duets and trios, as well as five- and six-part pieces. The repertoire includes both original instrumental works and transcriptions of vocal pieces. There are lively and stately dances, fantasias, and arrangements of expressive madrigals, catchy chansons and more restrained religious pieces; all are chosen for their effective realization by recorder consorts. 136 Renaissance pieces with notes on sources, editorial technique and interpretation. Volume I contains a valuable introduction to the series and to the art of consort playing. 2-6 recorders: Descant, Treble, Tenor, Bass in various combinations./ Recueil / Flûte à Bec

/ Flûte A Bec Soprano Avec Instruments Divers (Flûtes A Bec (SATB), Piano, Guitare, Percussions Et Basse Ad Libitum)

3 Concerti Für 2 Sopranblockflöten, Streicher Und Basso Continuo. Par WOODCOCK ROBERT. 2BlflS 2Vl Vc Kb Bc/ Répertoire / Flûte à Bec

3 Concerti Für 2 Sopranblockflöten, Streicher Und Basso Continuo. Par WOODCOCK ROBERT. 2BlflS 2Vl Vc Kb Bc/ Répertoire / Flûte à Bec

Le créateur de la série de tuteur par apprendre comme vous jouez primé, Peter Wastall, est ce régime d'enseignement enregistreur complète pour les débutants. Cette méthode enregistreur coloré a été spécialement conçue pour aider les enseignants de l'école primaire à intégrer l'enseignement de l'enregistreur avec les compétences de base en classe musique. Vieux MacDonald et ses amis de basse-cour introduisent les bases de l'enregistreur jouant à travers des jeux, des activités, des chansons et des pièces. Elle allie plaisir avec les méthodes d'enseignement avec succès et a été soigneusement étudiée pour répondre aux besoins des enseignants des écoles primaires d'aujourd'hui. Facile à utiliser, cette méthode a une approche étape par étape clairement structurée et idéale pour les généralistes et les professeurs de musique de spécialiste. Matériel musical est introduit en étapes claires et progressives. Le cours peut être utilisé en classe ou avec le groupe jouant des pièces pour des groupes de toutes tailles et groupes parascolaires offre beaucoup de possibilités pour la performance. / Flûte A Bec

Bancalari. Par BANCALARI ROBERT. Un assortiment unique de 40 pièces courtes écrites pour enregistreur de soprano avec cordes de guitare suggérées. Sélection comprennent : Trouvere (ou la Truix) - Estampie - La Rotta - Saltarello - Der Neve Villancico - Basse danse (La Volunte') - Hoboeckentanz - Der Heiligen Drei Konige Aufzug - Polnischer Tanz - et plus encore. Un glossaire et notes brèves de performance sont fournis. / Niveau : Débutant à Intermédiaire / Recueil / Flûte à Bec

Réalisation de la basse continue par Nándori JuditInstrument: Flute a bec et pianoGenre: MethodsLangue: Hungarian, English, German, FrenchPages: 154 ppDate du parution: Avril 2005