Notre fac-similé donne toutes les différentes sources de ces deux remarquables pièces, que l'on peut jouer en trio ou en orchestre de chambre.Les sources sont regroupées : Caprice et Boutade, Paris, Leclerc, s.d. - Caprice, Paris, Ballard, 1711 - Boutade, Paris, l'auteur, Foucault, 1712 - Caprice, parties séparées manuscrites. Présentation de Catherine Cessac.1 - Caprice et Boutade, Paris, Leclerc, s.d. - Partition gravée2 - Caprice, Paris, Ballard, 1711. Partition imprimée3 - Boutade, Paris, l'auteur, Foucault, 1712. Partition gravée4 - Caprice : Parties séparées manuscrites : premier violon (en double) - deuxième violon (en double) - Basse de violon sans chiffrage - Basse de violon avec chiffrage (en double) / Violon Et Basse Continue, 2 Violons Et Basse Continue, Musique De Chambre / 63 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

Trio for two Violins and Basso continuo in E-flat major (TWV 42:Es1)Tafelmusik IIf Telemann was regarded by his contemporaries as one of the greatest of all composers his star faced with the overwhelming presence of Bach and Handel paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music Telemann once considered purely an instrumental composer has emerged into a highly cultivated culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again and againwe discover an individual approach in his works that seems to abandon the musical conventions of his day both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733 the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments.- Urtext of the Telemann Edition