New Edition of the Complete Works V/5. Par SCHUBERT FRANZ. In addition to his symphonies, Franz Schubert also wrote and handed down to posterity a total of eight finished concert overtures (two of them in two versions) between ca. 1811 and 1819. With the exception of the “Overture in D” (D 4) to the comedy “Der Teufel als Hydraulicus” (“The Devil as Engineer”) and the “Overture in D” (D 26), whose original title was cut out of the manuscript, they are all compositions which are associated neither with a drama nor a programme. They thus embody the type of the pure concert overture at an astonishingly early point in the history of music and are also in keeping with this terminologically by virtue of explicitly not having any other appellations whatsoever in the title: the epithet common for two works “in the Italian style” was only added posthumously. Our volume sees publication for the first time of the “Italian Overture in C” (D 591) in its two authentic versions, this being in contrast to the performance tradition based on a potpourri of the sources. The widely handed-down but corrupted musical course of the “Overture in D” (D 590) has likewise been rectified for the first time. Overshadowed by his symphonies, Schubert’s overtures have hitherto been largely undervalued both in their reception and in musical practice – including the “Overture in E minor” (D 648), which sees Schubert venturing into radically new spheres of expression to a greater extent than in virtually any other of his works./ Recueil / Orchestre

Transcribed By Franz Liszt. Par SCHUBERT FRANZ. Durée: 23', Format: ETP small/ Répertoire / Piano et Orchestre

Die Deutsche Messe gehört zu Schuberts populärsten Werken und ist sicher sein mit Abstand bekanntestes Werk im Bereich der geistlichen Musik. Sie steht in der Tradition der Deutschen Singmesse, die sich im späten 18. Jahrhundert entwickelt hatte. / Choeur Mixte Et Orchestre

Octet in F major Op.post.166 D 803 for Clarinet (in B-flat) Bassoon Horn Violin (2) Viola Violincello Double Bass?I have done little new by way of lieder. In compensation I have tried my hand at several instrumental things for I have composed two quartets for Violins Viola and Violincello [A minor D 804; D minor D 810] and an octet [F major D 803] and will write yet another quartet [not carried out]. Indeed in this way I hope to prepare the way to the full-scale symphony. The latest news in Vienna is that Beethoven will give a concert [on 7 May 1824] ...I too am inclined to give a similar concert next Year God willing.?ThusSchubert writing on 31 March 1824 to his friend Leopold Kupelwieser in Rome in a lengthy letter whose first section is decidedly low-spirited. In order to prepare the way to the full-scale symphony by which he doubtless meant the genre as a whole rather than any specific work he wrote string quartets and a large-scale piece of chamber music for strings and winds taking Beethoven as his guide.Urtext of the New Schubert EditionParts (BA5617) and study score format 22.5 x 16.5cm (TP302) available for sale

Par SCHUBERT FRANZ. Dating from the Autumn of 1828, Schubert's 10th Symphony is arguably the composer's final creative endeavour. Using Schubert's extensive piano sketches - substantially complete for movements two and three, and containing the principle material for the movement - the renowned Schubert scholar, Brian Newbould, has realised the work as Schubert himself might have done. The editor's judicious and sensitive realisation, born out of a life-long study of the composer's workings, has resulted in a fascinating and rewarding addition to the symphonic repertoire. The 10th Symphony offers a unique insight into the startling, pioneering style of Schubert on the threshold of his fourth decade./ Répertoire / Conducteur

After The Piano Sonata D 960. Par SCHUBERT FRANZ. Sonate dernier pour piano de Schubert dans une version de Symphonie de chambre pour octet classique : conscient qu'aucun travaux vraiment adéquate de l'instrumentation même n'existence qui pourraient compléter un programme de concert avec singulier Octet opus Schubert 166, Heribert Breuer a choisi la Sonate de Piano majeur en Bb majeur, publié à titre posthume, d'une nouvelle version de l'instrumentation. Breuer appelle sa version une 'Symphonie de chambre' pour exprimer l'idée de base symphonique de ce travail extraordinaire dans le titre. Il n'échappera pas à l'avis de l'expert qu'en instrumentation et articulation, un pont est construit dans le mouvement lent à l'adagio de la quintette à cordes également créé en 1828, l'année de la mort de Schubert: ' Fülle des Wohllauts './ Répertoire / Clarinette, Basson, Cor, 2 Violons, Alto, Violonce

Despite the pressures of his teaching position Franz Schubert created a particularly large number of works in the year 1815. Besides around 140 new Lieder he composed the second and third symphonies four stage works the first important compositions for piano the String Quartet in G minor (D 173) and two Masses: the Mass in G major (D 167) and the Mass in B-flat major the object of this edition. Considering that the Mass in F major (D 105) was written from May to July 1814 and the Mass in C major (D 452) during June and July 1816 we can see that Schubert composed four of the six complete Mass settings which have survived from his hand within the short span of twoyears.The Mass was presumably first performed in Lichtental shortly after its completion. The fact that some partly autographic parts the organ part three soprano and three alto parts were made around 1820 seems to point to a second performance. And from Schubert’s brother Ferdinand we know that the Mass was performed a third time at the parish church in Hainburg at the beginning of October 1824 since Ferdinand played the organ on that occasion. The Mass was first issued in 1837 as Opus 141 by the Viennese publisher Tobias Haslinger.Urtext of the New Schubert EditionFull score performance material (BA5621) and vocal score (BA5621-90) available for sale

Octet in F major D 803-Franz Schubert's Octet In F major D 803 for Clarinet (B flat/C) Bassoon Horn (F/C) 2 Violins Viola Violoncello and Double Bass.This composition was modelled on Beethoven?s Septet op. 20 whose Divertimento character and six-part layout were adopted by Schubert although he merely expanded the instrumentation by adding a second Violin.In a letter he numbered his octet amongst the chamber music workswith which he desired to blaze a ?path to the great symphony?. It can no longer be ascertained whether the composition was commissioned by Count Ferdinand Troyer who had a musical salon in Vienna and played the Clarinet. We onlyknow that Schubert composed the work at the beginning of 1824 taking only a few weeks to do so and that it was performed at Troyer?s shortly afterwards. Today it is one of the most popular larger chamber music works.

Miniature Score of D759 'Unfinished' and D944 'The Great'. Par SCHUBERT FRANZ. The least schooled of the great German musicians, Schubert amply compensated for his lack of formal training with his keen musical intuition and limitless melodic invention. This volume comprises two of his greatest and best-loved orchestral works. Although the Unfinished consists of only two movements, it is one of the composer's most popular compositions, cherished for the quiet intimacy of its emotion and its beautiful melody. Symphony No. 9 composed in the final year of Schubert's life, is his ultimate masterpiece- a vast work with extensive development and great breadth of musical ideas. Both are in full score with original instrumentation. Idealfor study purpose./ Répertoire / Partition de Poche

Arrangeur: Eric Vireton. Par SCHUBERT FRANZ. Formation : Musique de Chambre, Quatuor - Instrumentation :Quatuor à Vent : 1 Flûte 1 Hautbois 1 Clarinette Sib 1 Basson - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 0 mn 55 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Franz SCHUBERT - Arrangeur : Eric VIRETON / Niveau : Intermédiaire / Répertoire / Quatuor à vent

The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing lending these works a transparency lacking in earlier editions of a more romantic bent.The eight symphonies trace Schubert’s artistic evolution from the First Symphony which develops a theme from Beethoven’s Eroica to the Mozartean Fifth and the romanticism of the 'Great' Eighth.Full score performance material and study score for all symphonies are available for sale.Symphony No.1 in D major D 82 (BA5601 TP401)Symphony No.2 in B-flat major D 125 (BA5602 TP402)Symphony No.3 in D major D 200 (BA5603 TP403)Symphony No.4 in C minor D 417 Tragic (BA5604 TP404)Symphony No.5 in B-flat major D 485 (BA5645 TP405)Symphony No.6 in C major D 589 (BA5646 TP406)Symphony No.7 in B minor D 759 Unfinished (BA5647 TP407)Symphony No.8 in C major D 944 The Great (BA5648 TP408)

Pour cette composition, Schubert s'inspira du Septuor op. 20 de Beet­hoven, dont il reprit le caractère divertissant et la structure en six parties, en rajoutant seulement un deuxième violon à l'instrumentation. Dans une lettre, il fit figurer son octuor parmi les oeuvres de musique de chambre qui lui permettraient de se frayer 'la voie vers la grande symphonie'. On ne peut plus déterminer si la composition fut commandée par le comte Ferdinand Troyer, lequel tenait un salon musical à Vienne et jouait personnellement de la clarinette. En revanche, il est certain que Schubert composa l'oeuvre en quelques semaines au début de l'année 1824 et que la création eut lieu peu après chez Troyer. Elle figure aujourd'hui parmi les oeuvres les plus populaires pour les grands ensembles de musique de chambre. / Octuor A Vent

The Great-The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing lending these works a transparency lacking in earlier editions of a more romantic bent.The eight symphonies trace Schubert’s artistic evolution from the First Symphony which develops a theme from Beethoven’s Eroica to the Mozartean Fifth and the romanticism of the 'Great' Eighth.Full score performance material and study score for all symphonies are available for sale.Symphony No.1 in D major D 82 (BA5601 TP401)Symphony No.2 in B-flat major D 125 (BA5602 TP402)Symphony No.3 in D major D 200 (BA5603 TP403)Symphony No.4 in Cminor D 417 Tragic (BA5604 TP404)Symphony No.5 in B-flat major D 485 (BA5645 TP405)Symphony No.6 in C major D 589 (BA5646 TP406)Symphony No.7 in B minor D 759 Unfinished (BA5647 TP407)Symphony No.8 in C major D 944 The Great (BA5648 TP408)

The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing lending these works a transparency lacking in earlier editions of a more romantic bent.The eight symphonies trace Schubert’s artistic evolution from the First Symphony which develops a theme from Beethoven’s Eroica to the Mozartean Fifth and the romanticism of the 'Great' Eighth.Full score performance material and study score for all symphonies are available for sale.Symphony No.1 in D major D 82 (BA5601 TP401)Symphony No.2 in B-flat major D 125 (BA5602 TP402)Symphony No.3 in D major D 200 (BA5603 TP403)SymphonyNo.4 in C minor D 417 Tragic (BA5604 TP404)Symphony No.5 in B-flat major D 485 (BA5645 TP405)Symphony No.6 in C major D 589 (BA5646 TP406)Symphony No.7 in B minor D 759 Unfinished (BA5647 TP407)Symphony No.8 in C major D 944 The Great (BA5648 TP408)

The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing lending these works a transparency lacking in earlier editions of a more romantic bent. The eight symphonies trace Schubert’s artistic evolution from the First Symphony which develops a theme from Beethoven’s Eroica to the Mozartean Fifth and the romanticism of the 'Great' Eighth. Full score performance material and study score for all symphonies are available for sale. Symphony No.1 in D major D 82 (BA5601 TP401) Symphony No.2 in B-flat major D 125 (BA5602 TP402) Symphony No.3 in D major D 200 (BA5603 TP403) Symphony No.4 in C minor D 417 Tragic (BA5604 TP404) Symphony No.5 in B-flat major D 485 (BA5645 TP405) Symphony No.6 in C major D 589 (BA5646 TP406) Symphony No.7 in B minor D 759 Unfinished (BA5647 TP407) Symphony No.8 in C major D 944 The Great (BA5648 TP408)