One of Mozarts most famous operas and one of his last works Die Zauberflöte (“The Magic Flute”) continues to be performed worldwide each year. From its iconic majestic opening three chords Mozartsoverture is a wonderfulcombination of the sentiment and spirit of the opera that follows. This adaption for strings is classical programming at its very best.

Excerpts from Movement 1-Mozart belongs to everyone! The experience of actually playing Mozart's music makes him real and more than just a name we associate with old music. Stephen Bulla's arrangement of the first movement of what may arguably be Mozart's greatest symphony has a great deal of authenticity. Much more than many 'just the tune' type transcription/ arrangements Mr. Bulla's work ambitiously explores a good portion of Mozart's miraculous musical development so that your musicians can begin to understand the true genius of the Classical icon. Those who know Mozart will appreciate the integrity of the transcription. Those who don't know Mozart have a wonderful treat in store!A classic!

Excerpts from Movement 1-Mozart belongs to everyone! The experience of actually playing Mozart's music makes him real and more than just a name we associate with old music. Stephen Bulla's arrangement of the first movement of what may arguably be Mozart's greatest symphony has a great deal of authenticity. Much more than many 'just the tune' type transcription/ arrangements Mr. Bulla's work ambitiously explores a good portion of Mozart's miraculous musical development so that your musicians can begin to understand the true genius of the Classical icon. Those who know Mozart will appreciate the integrity of the transcription. Those who don't know Mozart have a wonderful treat in store!A classic!

Written in the final years of Mozart's life, this piece features a slow lyrical opening followed by an exuberant journey through major and minor tonalities. Students practice Classical style along with multiple slurred notes, scale-like passages, and accidentals. Open your next concert with this Mozart opera classic. (5:00) / Orchestre A Cordes

KV 467-Wolfgang Amadeus Mozart's concertos for Piano and Orchestra reveal the then young form in classical perfection. Among the most beautiful of them which are quite equals of his great symphonies are the works which he composed in a two year period (1784- 1786) which marks the highest peak in Mozart's instrumental writing and in his career as a virtuoso.- Urtext of the New Mozart Edition- Full score & parts (BA5317) two-Piano reduction (BA5317-90) and study score format 22.5 x 16.5cm (TP148) available for sale.

KV 467-Wolfgang Amadeus Mozart's concertos for Piano and Orchestra reveal the then young form in classical perfection. Among the most beautiful of them which are quite equals of his great symphonies are the works which he composed in a two year period (1784- 1786) which marks the highest peak in Mozart's instrumental writing and in his career as a virtuoso.- Urtext of the New Mozart Edition- Full score & parts (BA5317) two-Piano reduction (BA5317-90) and study score format 22.5 x 16.5cm (TP148) available for sale.

for Piano and Band-Best-loved themes from Mozart and Haydn for Piano soloist with band! These two great Classical themes have been carefully arranged with detailed attention to the Classical idiom and performance practice. This piece acts as a perfect change-of-pace during the band concert giving your show a refreshingly contrasting sound to reinvigorate the audience's ears. While being a nice reward for the young Piano soloist's hard work having the band play in the Classical style in an accompanying manner allows for exploration of all kinds of control and sensitivity issues in rehearsal.A great experience for everyone!

The music of Mozart remains at the top of every Classical listener's list and continues to be some of the best teaching material for student orchestras. Jon Bauman has combined two of Mozart's delightful canons into a concert andlearning piece for strings. Includes O du eselhafter Peierl (K 560) and Bona nox (K 561). Dur: 2:45

Intermediate-level arrangements of well-known Classical and Romantic works. Par AUTEURS DIVERS / BROOKER DAVID (Arr.). In his preface to 'Piano Trios on Stage”, the arranger, David Brooker, reminds us that, just as the string quartet, the piano trio has always been one of the pillars of chamber music. In the 19th and early 20th century, it was almost like the later invention of the gramophone record, allowing larger works, in arrangement, as well as lighter pieces to be presented to small audiences, often as background music. David comments that string players have plenty of easy material to introduce them to the pleasure of making music with other instrumentalists but when it comes to piano parts these are usually written or arranged with a teacher or more advanced student in mind. David sets out to rectify that imbalance and his arrangements aim to put all three players on an equal footing. Of easy to intermediate standard, they are ideal for violinists, cellists and pianists who are now ready to try their hand at proper chamber music. The music is fun and instantly recognizable, drawing on Grieg's 'Peer Gynt”, Tchaikovsky's 'Nutcracker” and Leopold Mozart's 'Musical Sleigh Ride”./ Recueil / Violon Ou Flûte, Violoncelle Et Piano

With the 250th anniversary of Mozart’s birth quickly approaching you will want to take a look at this arrangement by Robert Longfield. This classical minuet comes from the third movement of Mozart’s Symphony No. 40 considered by many to be one of his greatest masterpieces. With this transcription you can finally bring this work to life with your concert band!

Mozart's Clarinet Concerto is one of the most popular works in the classical concert repertoire. This edition, edited by Sabine Meyer and Reiner Wehle, reconstructs the original version written by Mozart for the basset horn. / Clarinette Et Orchestre

Mozart's Horn Concerti display the pinnacle of classical elegance with delightfully playful melodies and musical interaction. This arrangement is for solo Horn with a Piano reduction of the original orchestral material by W. Salomon.

Mozart In Miniature-Easy music for string groups. Playstrings provides an enjoyable and varied repertoire for young string orchestras carefully structured in two levels. The ‘Easy’ level does not normally exceed Grade 2 in difficulty with most partsplayable in first position while the ‘Moderately Easy’ level includes some parts of around Grade 3 standard. At easy level alternative parts are provided so that the absence of viola or a double bass does not prevent the piecefrom being performed. Available in score or sets of instrumental parts. There are over 30 titles covering a wide range of styles including classical pieces folk tunes and Christmas collections. Playstrings is an idealintroduction to orchestral playing for young string players. Set of 19 parts contains: 4 x Violin 1 4 x Violin 2 4 x Violin 3 2 x Viola 3 x Cello 2 x Double Bass/Cello 2.

This classical horn concerto has been masterfully transcribed for wind ensemble accompaniment by Robert W. Rumbelow. The first movement, Allegro Maestoso, is in traditional sonata form; the second, Andante, is virtually an ensemble piece with featured horn solo; and the third, Rondo, contains elements of the hunting horn motif that Mozart favored with the horn. This superb selection is an unforgettable opportunity to feature an outstanding horn soloist.

Clearly one of Mozart's most well-known and beloved compositions this overture will be sure to thrill both your audience and students from the immediately recognizable opening statement through the triumphant final chords. Anoutstanding arrangement of a classical masterwork! Dur: 3:40