Anthologie de passages importants tirés d' opéras, oratorios ou d' oeuvres symphoniques

Two volumes entitled Cello Meets Piano edited and published by Árpád Pejtsik were issued many years ago by the Könemann Music Budapest. The first edition was quickly sold out and no further editions followed. EMB has undertaken to issue a new edition entitled Cello & Piano with the content unchanged. The two volumes contain a selection from 200 years of music. Eight Baroque sonatas are included apart from the famous D minor one by Corelli there are some that are appearing in a modern edition for the first time in 300 years. In addition to cyclical works (Haydn: Sonatina Mozart: Divertimento Vivaldi: Concerto)and sets of variations (Beethoven Tartini) there are many shorter pieces as well not only the famous minuets by Boccherini Mozart and Beethoven but also works published for the first time here. Virtuoso pieces are represented by Goltermann's Etude-caprice and Jenkinson’s Dance of the sylphids the lighter kind include Joplin's Ragtime. Book II Contents: 1. Aldrovandini G. A. V.: Sonata2. Bella Domenico dalla: Sonata 3. Boni Pietro Giuseppe Gaetano: Sonata Op. 1 No. 5 4. Passionei Carlo: Sonata 5. Bach Johann Sebastian: Air BWV 1068/II 6. Tartini Giuseppe: L'arte del arco 7. Haydn Joseph: Sonatina Hob. XI:101 5 108 8. Albrechtsberger Johann Georg: Scherzando 9. Boccherini Luigi: Minuetto 10. Mozart Wolfgang Amadeus: Divertimento from KV 487 11. Beethoven Ludwig van: Andante con variazioni WoO 44b 12. Schubert Franz: Ave Maria Op. 52 No. 6 13. Mendelssohn-Bartholdy Felix: Lied ohne Worte Op. 19 No. 4 14. Schumann Robert: Schlummerlied Op. 124 No. 16 15. Goltermann Georg: Étude-caprice Op. 54 No. 4 16. Tchaikovsky P. I.: Chanson triste Op. 40 No. 2 17. Dvorák Antonín: Appassionato Op. 75 No. 3 18. Massenet Jules: Air de Ballet (Scene pittoresque)

Instrument : violinType : performance bookNombre de Pages : 24Part 2 of Sheila Nelson's Tetratunes Series.Stringsongs develops reading skills begun in Tetratunes, by the use of singing and part-playing. The edition is part of the ABRSM syllabus (grade 2).Content : Anon: Sound for us - Traditional: London's burning - Sheila M. Nelson: Drummer's march - Traditional: Fiddle and flute - Anon: Favourite round - T.H. Bayley: Long, long ago - Traditional: My dame hath a lame, tame crane - Thomas Tallis: Tallis' canon - Sheila M. Nelson: Summer song - Anon: Summer is a-coming in - Sheila M. Nelson: Echo dance - Anon: Ave Maria - Sheila M. Nelson: Idle cowboy - Traditional: Three blind mice - G.F. Handel: Gavotte - Sheila M. Nelson: I sing when I'm happy - Philip Hayes: The rose - Anon: Oh, how lovely is the evening - Sheila M. Nelson: Rumba time - John Jenkins: A boat, a boat - John Arnold: Haste thee, nymph - L. van Beethoven: The flower wondrous-fair - John Hilton: Come, follow - Anon: O my love - Country dance: The four posted bed - Johann Strauss: Emperor waltz - R.A. Eastburn: Little brown jug

Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the premi?re; the ‘child prodigy’ Joseph Joachim; and Hubert L?onard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to L?onard.The letter informs us that the composer invited L?onard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to L?onard.The recently discovered proofs reveal how L?onard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how L?onard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for L?onard’s playing and offers to lend his support in finding employment in Germany.This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (BA9060) (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099)

Well known for his style of bowing his splendid tone and the clearness of his execution French violinist teacher and composer Rodolphe Kreutzer (1766-1831) composed nineteen Violin concertos and forty operas during his life time and is perhaps best known for his 42 Études or Capriccios 1796. Born in Versailles Kreutzer was initially taught by his German father who was a musician in the royal chapel with later lessons from Anton Stamitz. He quickly rose to fame as a Violinist appearing as a soloist until 1810. In 1798 when at Vienna in the service of the French ambassador Jean-Baptiste Bernadotte (later King ofSweden and Norway) Kreutzer the made the aquaintance of Beethoven and became the dedicatee of his Violin Sonata No. 9 Op. 47 (1803). Kreutzer however never played the work declaring it unplayable and incomprehensible. From 1795 until 1826 Kreutzer taught at the Conservatoire de Paris where he became co-author of the Conservatoire's Violin method with Pierre Rode and Pierre Baillot. He was also leader of the Paris Opera for a time. This volume contains Kreutzer's 42 Études which are to this day considered fundamental studies for student Violinists.

Austrian-born composer (1757-1831) Ignaz Pleyel was regarded as a famous composer of the time having benefited from studying with Haydn and Beethoven however many of his works remain obscure in today’s performance repertoire. Pleyel does however continue to be known today as a composer of didactic music: generations of beginning violin and flute students for example learn to play the numerous duets he wrote for those instruments.Available here as part of the Collection Litolff are Pleyel’s set of three duets theTrois Grands Duos Op.69 for Violin and Viola.

Schumann’s Violin Sonatas were taken up with enthusiasm very soon after they were first performed. The Second Sonata was described at the time as 'Second only to Beethoven's Sonata in A'. Sonatas Op. 105 and Op. 121 are now presented in the first volume of this Wiener Urtext edition. It is based on the score in the new complete Schumann edition which draws not only upon the authorised first editions of both works but also upon Schumann’s working manuscripts and – in the case of the 2nd Sonata – the score used by the engravers and extensive correspondence between the composer and the originalpublishers. Meticulous comparison of these original documents has made it possible to determine numerous details regarding dynamics and articulation. Schumann’s autograph manuscript has been of significant help in this respect. The edition is part of the ABRSM syllabus (grade 8).

G Major and F Major-Beethoven's 2 Romances Op.40 and Op.50 have been beautifully arranged for Violin with Piano Accompaniment by Joseph Joachim and edited by Ossip Schnirlin. The 2 Romances were originally composed for Solo Violin and Orchestra however this adaptation still captures the lyrical and expressive beauty of the piece. This piece will provide an enjoyable challenge for the advancing violinist and pianist alike.The solo violin part is also included on a separate insert.

This handbook features everything required for the London College of Music Grade 4 Violin exam from 2011: scales and arpeggios study pieces sample viva voce questions sample sight reading tests and sample aural tests. Pieces included are: Beethoven: Ode to Joy; Bach: Gavotte from BWV811; Corelli: Allemande; Handel: He Shall Feed His Flock; Beriot: Rondo; Carse: Study No. 17; Trad.:Brochan Lom; Kabalevsky: The Clown; Trad. arr Radanovics: Polly Wolly Doodle; Woolrich: Midnight Song.

Easy to play melody line arrangements for violin complete with chord symbols in concert pitch. Includes music by Mozart Beethoven Elgar Bach and Handel.

Media : Book
Author : by Craig Duncan
Level : Beginning
Date published : 4/27/1993
Style : Classic
Type : Solos
Description :
Teacher and recording artist Craig Duncan has penned yet another excellent solo collection for the violin student. These solos are well within the capabilities of the beginning violin student playing in first position. The compositions feature works by Bartok, Purcell, Haydn, von Gluck, Handel, Telemann, Corelli, Kabalevsky, Beethoven, Mozart, C.P.E. Bach, J.S. Bach, and Dandrieu. Keyboard accompaniment is included. These pieces are excellent for recitals or contests, and can be used to teach important techniques.

Instrumental Play-Along-A wonderful and exciting collection of Classical favourites from the Hal Leonard Instrumental Play-Along Series. Featuring fifteen solo arrangements of pieces from some of the great composers such as Beethoven's Ode To Joy Tchaikovsky's The Sleeping Beauty Waltz and Blue Danube Waltz by Strauss. Backing tracks are included to access online with and without melody for you to play with accompaniment as if part of a full ensemble or orchestra. This volume is also available with arrangements for individual Woodwind Brass and String instruments.

This text presents beginning Violin technique and basic music-reading fundamentals with an emphasis on the use of melodies and classical pieces to teach each new concept.The 28 lessons include basic technique andreading skills scales in the keys of A D G and C as well as bowing techniques such as dynamic contrast slurs accents and staccato bowing.There are 47 melodies presented including works by Bach Beethoven Brahms Handel Mozart and other classical composers. The companion audio features all of the exercises and pieces recorded with solo Violin and Piano accompaniment. Includes access to online audio.

Description This text presents beginning violin technique and basic music-reading fundamentals, with an emphasis on the use of melodies and classical pieces to teach each new concept. The 28 lessons include basic technique and reading skills, scales in the keys of A, D, G, and C as well as bowing techniques such as dynamic contrast, slurs, accents, and staccato bowing. There are 47 melodies presented including works by Bach, Beethoven, Brahms, Handel, Mozart and other classical composers. The companion CD features all of the exercises and pieces recorded with solo violin and piano accompaniment. ?

This huge collection offers instrumentalists the chance to play 101 of the most popular classical themes including Ave Maria (Bach/Gounod & Schubert) • Bist du bei mir (You Are with Me) (Stözel) • Canon in D (Pachelbel) • Clair de Lune (Debussy) • Dance of the Sugar Plum Fairy (Txhaikovsky) • 1812 Overture (Tchaikovsky) • Eine Kleine Nachtmusik (“Serenade”) First Movement Excerpt (Mozart) • The Flight of the Bumble Bee (Rimsky-Korsakov) • Funeral March of a Marionette (Gounod) • Für Elise (Beethoven) • Gymnopedie No. 1 (Satie) • Jesu Joy of Man's Desiring (Bach) • Lullaby (Brahms)• Minuet in G (Bach) • Ode to Joy (Beethoven) • Piano Sonata in C (Mozart) • Pie Jesu (Fauré) • Rondeau (Mouret) • Swan Lake (Tchaikovsky) • Wedding March (Mendelssohn) • William Tell Overture (Rossini) and many more.