Now adapted for SSAA by Richard Gabrillo Craig Hella Johnson's setting of Dolly Parton's Light of a Clear Blue Morning is infused with light and hopefulness as it opens with a solo soprano and gradually builds to a joyful overflowing of sound and vocal texture then gently relaxing into a reflective conclusion. With soprano recorder.

Now available for SSAA, this exciting mixed-meter festival piece features both Latin and English versions of Psalm 130: 'Out of my depths I have cried to thee, O Lord.? Recording provided by the Virginia District XV High School Women's Honor Choir, directed by Russell Robinson, RonArt Associates Recordings. Optional rental orchestration available at alfred.com/rental. / Choeur SSAA

This doo-wop novelty favorite from 1957 was recorded by both The Rays and Herman's Hermits and will surely be an audience favorite! This doo-wop novelty favorite from 1957 was recorded by both The Rays and Herman's Hermits and will surely be an audience favorite!

Recorded by hundreds of major artists over the years the classic simplicity of this Irving Berlin song makes it one of our most treasured standards. This expressive a cappella setting for women's voices will create a magicalmoment in performance! Available separately: SSAA. Duration: ca. 2:10.

Most recently recorded by Clay Aiken this contemporary carol has continued to grow in popularity. Equally suited for use in school or church this well-crafted a cappella arrangement is sure to be the highlight of any concert. Absolutely stunning!Available separately: SATB and SSAA a cappella.

Straight out of the hip and swinging 1960s, here's a sparkling setting of the favorite holiday tune for choirs in four parts! First featured on The Andy Williams Christmas Album, and recorded by a myriad of artists since then, it's a real show-stopper! / Choeur SSAA

Originally recorded by young R and B star Tevin Campbell on his Grammy-nominated debut album in 1991, this soulful ballad is truly stirring. An optional solo at the opening provides the opportunity to feature a star singer, while solid choral writing throughout leads to an uplifting and inspiring finish. / Choeur SSAA

Originally composed for solo voice Dona nobis pacem combines the vocal style of the yoik tradition (a Sámi form of song) and a more classical female vocal style. This arrangement for upper voices as recorded by Cantus on their album Northern Lights develops this vocal palette further (as does the SATB version also available).Mo

‘Njoktje’ is the South Sámi word for a swan and this music is based on an old yoik (a traditional Sámi form of song) which creates and ‘audio image’ of this beautiful bird rather than simply describing it. In this piece which was recorded by Cantus on their album Northern Lights elements from the original yoik have been used together with the composer’s own experience of the bird as well as his own musical language.   An independent four-part yoik ostinato in the alto 2 part underpins much of this work and that combined with the flowing melodies and close harmonies creates a unique and very attractivesoundscape.   Fjellheim’s distinctive and approachable musical language which many will recognise from the use of his music at the opening of Disney’s Frozen will appeal to both singers and audience.

Now available for women's voices this exciting work was recorded by First Call. Based on ?All Creatures of Our God and King? and paired with a powerful Swahili chorus.

Sacred was originally part of a Mass setting in which the composer combined the traditional Latin Mass movements with elements from the Sámi yoik tradition other Norwegian folk music and traditional Finnish music. This version for upper voices was recorded by Cantus on their album Northern Lights and is very approachable for choirs of all abilities. There are no words only ‘yoik syllables’ with no meaning for which a pronunciation guide is included. Fjellheim’s distinctive and approachable musical language which many will recognise from the use of his music at the opening of Disney’s Frozen will appeal to both singers andaudience.

Choirs will love singing the beautiful chords of this storied song famous the world over! Topping the charts in 1961 in a recording by the Tokens it is now available in this a cappella setting that will fill your performance space with harmony!

This women's arrangement was designed specifically for female quartets and choruses looking for something with flair. Written and recorded by KT Tunstall the song became a hit after being featured prominently in the 2006 film The Devil Wears Prada and has been used numerous times since in TV film and other media. Rund's approach is simple accessible and builds toward a powerful ending.

A fun swingin' chart for your holiday show Adam Scott delivers a crowd-pleasing arrangement based on the original Andy Williams recording that paired these two holiday favorites together. Accessible for almost any level ensemble this chart works great as a show opener or closer.