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Partitions De Groupes [ 95 ]
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Trompette, Trombone (duo) [ 81 ]
Hautbois, Clarinette, Basson (trio d'anches) [ 76 ]
Quatuor de Flûtes : Flûte, Violon, Alto, Violoncelle [ 74 ]
Clarinette et Cordes [ 71 ]
Flûte, Clarinette et Basson [ 69 ]
Piano Quintette: piano, violon, alto, violoncelle, contre ba… [ 68 ]
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Quatuor à cordes : 4 altos [ 63 ]
Quintette à cordes : 2 violons, alto et 2 violoncelles [ 61 ]
Quintette à cordes: 2 violons, alto, violoncelle, basse [ 57 ]
Clarinette, Violon, Violoncelle, Piano [ 54 ]
Ensemble de Violons [ 52 ]
Quatuor à Vent : 4 instruments à vents [ 50 ]
Trombone et orchestre [ 47 ]
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Contrebasse, Orchestre [ 45 ]
Harpe, Orchestre [ 42 ]
Soli et Orchestre [ 42 ]
2 Hautbois et Cor anglais [ 40 ]
Flûte, Violon, Piano [ 40 ]
Piano, Violon, Bandoneon, Guitare, Contrebasse [ 38 ]
Violon, Cor et Piano [ 37 ]
Saxophone et Orchestre [ 36 ]
Ensemble d'Altos [ 35 ]
Cor et Orgue [ 33 ]
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones [ 31 ]
Flûte, alto et harpe [ 30 ]
Quintette de Cuivres: autres combinaisons [ 29 ]
Tuba et Orchestre [ 28 ]
Flûte, Alto et Guitare [ 27 ]
Jazz combo [ 27 ]
Quatuor Instruments Mixtes [ 27 ]
2 Flûtes, Basse continue [ 27 ]
Ensemble de cuivres, Percussion [ 25 ]
Flûte et Trio à cordes [ 24 ]
Hautbois, Basson et Piano [ 24 ]
Voix d'Enfants, Instruments [ 24 ]
Flûte, Hautbois, Piano (trio) [ 23 ]
Trio à Vent: 3 instruments à vents [ 22 ]
Voix et Big Band [ 21 ]
2 Hautbois, 2 Clarinettes, 2 Cors et 2 Bassons [ 20 ]
Flûte, Alto (duo) [ 20 ]
Violon, Alto et Orchestre [ 20 ]
Hautbois, Violoncelle et Piano [ 19 ]
Voix Mezzo-Soprano, Orchestre [ 18 ]
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contreba… [ 18 ]
Clarinette, trompette et piano [ 16 ]
Ensemble de cuivres, Orgue [ 16 ]
Piano Quatuor: piano, 2 violons, violoncelle [ 15 ]
Quatuor de percussions [ 15 ]
Trompette et Quatuor à Cordes [ 15 ]
Marimba et ensemble à vent [ 15 ]
Alto, Violoncelle et Contrebasse [ 14 ]
Guitare, Violon, Alto, Violoncelle [ 14 ]
Trompette, Cor et Piano [ 14 ]
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib [ 14 ]
Orchestre d'harmonie, Percussion [ 13 ]
2 Hautbois et Basson [ 12 ]
Clarinette, Alto et Violoncelle [ 12 ]
Orchestre à Cordes, Percussion [ 12 ]
Guitare, Violon, Alto [ 11 ]
3 Violes de Gambe [ 9 ]
Flûte, Violon, Violoncelle et Piano [ 9 ]
Marimba et Orchestre [ 9 ]
2 Guitares et Orchestre [ 7 ]
Quintet (other) [ 7 ]
Cornet et orchestre [ 6 ]
Guitare et Quintette à Cordes [ 6 ]
Violon, Violoncelle et Contrebasse [ 6 ]
Violon, Clarinette et Guitare [ 5 ]
Quintette : Hautbois, Clarinette, Cor, Basson et Piano [ 5 ]
Sextette: Quatuor à cordes, Clarinette, Piano [ 5 ]
Clarinette, Cor et Basson [ 4 ]
Cor et Harpe [ 4 ]
Harpe, Quatuor à cordes [ 4 ]
Orgue et Ensemble de cuivres [ 4 ]
Piano Quintette: Instruments de chambre mixtes [ 4 ]
Alto, Tuba et Piano [ 3 ]
Clarinette, Basson et Cor [ 3 ]
Guitare, Violon, Piano [ 3 ]
Hautbois, Basson et Basse continue [ 3 ]
Hautbois, Clarinette, Basson et Piano [ 3 ]
Saxophone, Bandoneon, Contrebasse, Piano [ 3 ]
Violon, Basson et Basse continue [ 3 ]
Voix, Quatuor à cordes, Piano [ 3 ]
2 Guitares, ensemble de cordes [ 3 ]
Contrebasse et Quatuor à cordes [ 2 ]
Guitare, Bandoneon, Cordes [ 2 ]
Quintette à cordes : Violon, 2 altos, 2 violoncellee [ 2 ]
2 Clarinettes, 2 Violons, Violoncelle, contrebasse et batter… [ 2 ]
Basson, Violoncelle et Piano [ 1 ]
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Elijah (Elias) Opus 70 (MENDELSSOHN-BARTHOLDY FELIX)
19.99
Elijah (Elias) Opus 70 (MENDELSSOHN-BARTHOLDY FELIX)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
Peters
Par MENDELSSOHN-BARTHOLDY FELIX. Felix Mendelssohn’s oratorio Elijah caused a ...
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Par MENDELSSOHN-BARTHOLDY FELIX. Felix Mendelssohn’s oratorio Elijah caused a sensation at its world première performance, sung in English, in Birmingham UK in August 1846. The huge forces marshalled for the occasion delighted the audience, who demanded no fewer than eight encores and loudly acclaimed the composer despite an injunction to observe the solemnity of the occasion by refraining from applause. Elijah has been an essential repertoire work for choral societies ever since. Published on the 175th anniversary of that famous premiere, Edition Peters is proud to present a new English-language Urtext edition of the vocal score containing the original libretto by William Bartholomew. Edited and with a preface by the highly respected musicologist Klaus Burmeister, the edition also includes a foreword ‘Mendelssohn and Birmingham’ by Simon Halsey, one of the world’s foremost choral directors (Chorus Director City of Birmingham Symphony Orchestra Choruses; Artistic Director, Orfeó Català Choirs and Artistic Adviser, Palau de la Música, Barcelona; Choral Director, London Symphony Orchestra and Chorus; Artistic Director, Berliner Philharmoniker ‘Vokalhelden’ Programme). The edition complements and is designed to be used in conjunction with the existing German/English full score (EP11345) and orchestral parts. An associated German language vocal score is also available (EP11347). Edition Peters Vocal Scores are the choice of the world’s leading choirs and chorus masters. They are practical, reliable, high-quality editions containing expert piano reductions. / Date parution : 2022-07-20/ Répertoire / Solistes, Choeur et Orchestre
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Robert Schumann: Concerto for Cello and Orchestra (Concertstück): Cello and
52.00
Robert Schumann: Concerto for Cello and Orchestra (Concertstück): Cello and
Violoncelle, Orchestre
Peters
Original Version. Schumann?s Cello Concerto Rediscovered In her first Urtext edi...
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Original Version. Schumann?s Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann?s original version of his Cello Concerto in A minor Op. 129 ? a piece he actually called a ?Concertstück? ? removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer?s manuscript held in the Biblioteka Jagiello?ska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann?s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann?s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann?s original conception of the work ? not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann?s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiello?ska in Kraków, to reveal Schumann?s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann?s original conception of the work as a Concertstück and restores Schumann?s musical text, free of posthumous interventions. ?My ultimate wish,? says the editor, ?is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character ? one that is lighter and happier, even ?cheerful?, as Schumann himself described the work.'
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For George Lewis (TYSHAWN SOREY)
125.55
For George Lewis (TYSHAWN SOREY)
Orchestre
Peters
Par TYSHAWN SOREY. Tyshawn Sorey\'s For George Lewis draws inspiration from The ...
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Par TYSHAWN SOREY. Tyshawn Sorey\'s For George Lewis draws inspiration from The Will to Adorn, a dense work for chamber orchestra by the composers friend, collaborator and mentor George Lewis. Where Lewis\'s score is frenetic, however, Sorey\'s enters into a meditative stasis for most of its 51-minute duration, slowly accumulating and breaking down different sonorities of harmony and colour. Alarm Will Sound, for whom the piece was composed, gave the world premiere in November 2019 at Washington University in St. Louis, Missouri, conducted by Alan Pierson, who also worked closely with the composer to edit this score. Calling for 16 players including a double bass with a fifth string tuned down to A-the score offers extensive performance notes and is available for sale as part of the Peters Contemporary Library, with performance materials available on hire. / Date parution : 2022-09-07/ Répertoire / Orchestre
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Zoom! (OKPEBHOLO SHAWN E)
52.70
Zoom! (OKPEBHOLO SHAWN E)
Orchestre de chambre
Peters
Par OKPEBHOLO SHAWN E.. Although Zoom! by Shawn Okpebholo was commissioned by th...
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Par OKPEBHOLO SHAWN E.. Although Zoom! by Shawn Okpebholo was commissioned by the US Air Force Band, its title refers less to the speed of supersonic fighter jets than to the brand of telecommunications software that allowed digital reunions between isolated loved ones during the 2020 pandemic, and to the race for a life-saving vaccine. The seven-minute piece for strings and percussion evokes the glimmers of hope and joy that manage to survive in times of darkness. Zoom! received a streaming premiere, performed in December 2021 by the strings and percussion of the US Air Force Band under the baton of Col. Don Schofield. This score is published as part of the Peters Contemporary Library, with parts available on hire. / Date parution : 2022-09-07/ Répertoire / Ensemble de Chambre
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Z-4383 (BORBOUDAKIS MINAS)
93.90
Z-4383 (BORBOUDAKIS MINAS)
Orchestre
[Conducteur et Parties séparées]
Peters
for Large Ensemble. Par BORBOUDAKIS MINAS. Z-4383 by Minas Borboudakis is a 12-m...
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for Large Ensemble. Par BORBOUDAKIS MINAS. Z-4383 by Minas Borboudakis is a 12-minute work for large ensemble (1(=Picc).1.1(=BCl).1 – 1.1.1(=BTbn).0 – 2Perc – Acdn – Pf – Str(1.1.1.1.1 or String Orchestra) – Electronics). It describes the journey of the wagon of the same name in which the body of the politician and pacifist Grigoris Lambrakis, also called 'Z', who was murdered in 1963, was transported from Thessaloniki to Athens. In the scene from the cult novel Z by Vassilis Vassilikos, the author lets the soul of Grigoris Lammbrakis fly over the train. Train noises, distorted fragments of speech, as well as lines rising ever higher unfold in the music. Sequences expressing pain, longing, hope and despair return as wordless instrumental quotations, attempting to portray the unspeakable before the soul leaves the body at the work's conclusion. The world premiere took place on 20 July 2018 with the Academy of the Bavarian Radio Symphony Orchestra conducted by Daniel Carter. The score (EP 14315) is available for sale as part of the Peters Contemporary Library. The performance material can be hired. / Date parution : 2022-09-07/ Répertoire / Orchestre
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fourchanniballads (GANDER BERNHARD)
83.35
fourchanniballads (GANDER BERNHARD)
Orchestre
Peters
Par GANDER BERNHARD. fourchanniballads by Bernhard Gander is an 11-minute work f...
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Par GANDER BERNHARD. fourchanniballads by Bernhard Gander is an 11-minute work for orchestra scored for: 2Ob, EHn, 2BCl, CbCl, 2Bsn, Cbsn – 3Hn, 3Tpt, Tbn, BTbn, CbTbn, Tba – 3Perc – Str(12.12.12.8.6). It is influenced by riff-accentuated heavy metal and focuses on the themes of the downfall of the individual through the supremacy of masses, power, politics and greed. Commissioned by Westdeutscher Rundfunk (West German Broadcasting), the work was premiered on 4 May 2015 by the WDR Symphony Orchestra conducted by Jonathan Stockhammer at the Cologne Philharmony. The full score (EP 14026) is available for sale as part of the Peters Contemporary Library. The performance material can be hired. / Date parution : 2022-09-07/ Répertoire / Orchestre
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Fairfield Fanfare (expanded version) (PANUFNIK ROXANNA)
52.70
Fairfield Fanfare (expanded version) (PANUFNIK ROXANNA)
Brass Band, Voix d'Enfants, Orchestre, Voix Mixtes
Peters
Par PANUFNIK ROXANNA. Fairfield Fanfare (expanded version) by Roxanna Panufnik i...
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Par PANUFNIK ROXANNA. Fairfield Fanfare (expanded version) by Roxanna Panufnik is a 4-minute work for youth and mixed choirs, brass band and orchestra. Originally commissioned to celebrate the 50th anniversary of the Fairfield Halls, Croydon in 2012, the opening chords are based on all the alphabetic note names from FA-ir-F(#)-i-E-l-D, heralding a flourishing section of hustle and bustle that is the city of Croydon today. This expanded version includes brass band and choirs, with a setting of the text from Psalm 127. The expanded version was commissioned by the London Mozart Players, who premiered the piece on 30 June 2016 at Fairfield Halls, Croydon. This edition is the full score in C (EP 72880). It is available for sale as part of the Peters Contemporary Library. The performance material can be hired as well as a transposed full score, if preferred. / Date parution : 2022-09-07/ Répertoire / Brass Band, Voix d'Enfants, Orchestre, Voix Mixtes
52.70 EUR - vendu par LMI-partitions
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Constellation (BORBOUDAKIS MINAS)
93.90
Constellation (BORBOUDAKIS MINAS)
Orchestre
Peters
Par BORBOUDAKIS MINAS. Constellation by Minas Borboudakis is a 14-minute work fo...
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Par BORBOUDAKIS MINAS. Constellation by Minas Borboudakis is a 14-minute work for orchestra (4 Horns in F, Timpani, 3 Percussion, Strings – Sampler). 'The first version of Constellation for octet was written in 2002 when Gidon Kremer asked me to write a new piece for the sextet of the Kremerata Baltica during a series of performances of my works in his festival in Lockenhaus', says the composer. In the version for orchestra, glissandi spread out from a single note phrase by phrase. The four horns, placed stereophonically in pairs to the right and left of the conductor, create explosions of sound through repetitive lines and motivic escapades. The premiere took place on 7 January 2011 at the Tonhalle Zurich by the Tonhalle-Orchester Zurich under the baton of Constantinos Carydis. The score (EP 12575) is available for sale as part of the Peters Contemporary Library. The performance material can be hired. / Date parution : 2022-09-07/ Répertoire / Orchestre
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Maximal Funeral (GANDER BERNHARD)
52.70
Maximal Funeral (GANDER BERNHARD)
2 Trompettes, Percussion et Cordes
Peters
for 2 Natural Trumpets, Percussion (2 players) and String Orchestra. Par GANDER ...
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for 2 Natural Trumpets, Percussion (2 players) and String Orchestra. Par GANDER BERNHARD. Maximal Funeral by Bernhard Gander is a 13-minute work for two natural trumpets, percussion (two players) and string orchestra. The piece is a long funeral march and was inspired by the fact that years before his death Emperor Maximilian always took a coffin with him on his travels to be prepared for it. Maximal Funeral was made possible by the Hilde Zach Scholarship 2017 by the City of Innsbruck. The premiere performance by the Tiroler Kammerorchester InnStrumenti conducted by Gerhard Sammer took place on 9 March 2019 at the Canisianum, Innsbruck (Austria). T he full score (EP 14361) is available for sale as part of the Peters Contemporary Library. The performance material can be hired. / Date parution : 2022-09-07/ Répertoire / 2 Trompettes, Percussion et Cordes
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take nine (BERNHARD GANDER)
83.35
take nine (BERNHARD GANDER)
Orchestre de chambre
Peters
for Ensemble. Par BERNHARD GANDER. take nine by Bernhard Gander is a 12-minute w...
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for Ensemble. Par BERNHARD GANDER. take nine by Bernhard Gander is a 12-minute work for a 12-part ensemble scored for: BCl(Cl), CbCl, Cbsn(Bsn) – Hn, Tpt, Tba – Perc – Pf – Vln, Vla, Vlc, DB. The work is based on rhythms in 9/16 and 9/8 time, but also 8/16, 8/8, 10/16 and 10/8 beats, which may seem complex at first, but sounds transparent to the audience. The main musical inspirations of Bernhard Gander are rock and heavy metal along with the jazz classics Take Five and Blue Rondo a la Turk by Dave Brubeck and Paul Desmond. take nine was commissioned by the Ensemble Intercontemporain and premiered on 23 March 2012 at the Centre Pompidou, Paris conducted by Pablo Heras-Casado. The full score (EP 125569) is available for sale as part of the Peters Contemporary Library. The performance material can be hired. / Date parution : 2022-09-07/ Répertoire / Ensemble de Chambre
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Heritage (OKPEBHOLO SHAWN E)
27.38
Heritage (OKPEBHOLO SHAWN E)
Orchestre d'harmonie
[Conducteur]
Peters
Par OKPEBHOLO SHAWN E.. Shawn Okpebholo?s Heritage, in the Edition Peters Concer...
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Par OKPEBHOLO SHAWN E.. Shawn Okpebholo?s Heritage, in the Edition Peters Concert Band Series, evokes moods, events and sounds (including West African drumming and indigenous melodies) from an ethnomusicological research visit the composer undertook to Nigeria. One of the primary musical themes of the work is an adaptation of a song that comes from the Esan people, a small ethnic group in the southern part of Nigeria and the tribe to which the composer has deep historical and family ties. The Esan language is poetic in nature and, at various moments in the work, the musicians chant the text from an Esan song: Ekine leleyea do obhimen la doeki nalo (My investment in you is paid off. Because of your hard work, your future is bright). Heritage is a revised version of a work previously entitled This is Africa, which was commissioned by Professor Marcellus Brown and the Boise State University Symphonic Winds for the 2011 National CBDNA Convention and is dedicated to the memory of Dr Harry Begian. / Date parution : 2022-05-31/ Répertoire / Concert Band
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Heritage (OKPEBHOLO SHAWN E)
142.43
Heritage (OKPEBHOLO SHAWN E)
Orchestre d'harmonie
Peters
Par OKPEBHOLO SHAWN E.. Shawn Okpebholo?s Heritage, in the Edition Peters Concer...
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Par OKPEBHOLO SHAWN E.. Shawn Okpebholo?s Heritage, in the Edition Peters Concert Band Series, evokes moods, events and sounds (including West African drumming and indigenous melodies) from an ethnomusicological research visit the composer undertook to Nigeria. One of the primary musical themes of the work is an adaptation of a song that comes from the Esan people, a small ethnic group in the southern part of Nigeria and the tribe to which the composer has deep historical and family ties. The Esan language is poetic in nature and, at various moments in the work, the musicians chant the text from an Esan song: Ekine leleyea do obhimen la doeki nalo (My investment in you is paid off. Because of your hard work, your future is bright). Heritage is a revised version of a work previously entitled This is Africa, which was commissioned by Professor Marcellus Brown and the Boise State University Symphonic Winds for the 2011 National CBDNA Convention and is dedicated to the memory of Dr Harry Begian. / Date parution : 2022-05-31/ Répertoire / Concert Band
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Caprice No. 5 Zürcher Art (DUBUGNON RICHARD)
83.35
Caprice No. 5 Zürcher Art (DUBUGNON RICHARD)
Orchestre
[Conducteur]
Peters
Par DUBUGNON RICHARD. Caprice No.5 ‘Zürcher Art’ is the fifth work in a ser...
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Par DUBUGNON RICHARD. Caprice No.5 ‘Zürcher Art’ is the fifth work in a series of short orchestral concert openers by Richard Dubugnon. Written as a set of variations on a single theme, the 12-minute work was commissioned by Tonhalle-Gesellschaft Zürich AG, Sinfonieorchester Basel and Fondation du Septembee Musical Montruex-Vevey. It is dedicated to Paavo Järvi and the musicians of the Tonhalle Orchestra, who premiered the piece on 24 September 2021. The full score (EP 73612) is available for sale as part of the Peters Contemporary Library. The performance material can be hired. / Date parution : 2022-03-15/ Répertoire / Orchestre
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The 6 String Quartets Op. 50 (Full Score And Parts)
79.13
The 6 String Quartets Op. 50 (Full Score And Parts)
Quatuor à cordes: 2 violons, alto, violoncelle
[Partitur und Stimmensatz]
Peters
Présente sa nouvelle édition de joueur facile des quatuors de Haydn, Simon Row...
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Présente sa nouvelle édition de joueur facile des quatuors de Haydn, Simon Rowland-Jones écrit: ' on peut rien de tel qu'une version finale, parfaite - Haydn laissé trop de questions ouvertes '. La nouvelle édition de Peters est fondée sur cette évaluation honnête. Par notre sensibilisation des questions qui restent ' ouvert ', cette édition libère l'inspiration d'interprétation des interprètes comme jamais auparavant. En conséquence, la nouvelle édition est susceptible de devenir indispensable pour tous qui exécutent ou étudier ces SCE masterpie. Chaque volume comprend: - partition complète - inclus avec les parties pour la première fois - une valeur inestimable pour la préparation de la performance - Pages de pliage - tel que requis par les parties distinctes, éliminant tous les virages-page au sein de mouvements - lignes directrices pour les artistes interprètes ou exécutants - ainsi que donner le contexte historique pour les quatuors, les préfaces à chaque volume contient un trésor d'informations sur tous les aspects de la performance - commentaire critique - dans le commentaire critique approfondie de chacun... / Quatuor A Cordes
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The 6 String Quartets Op. 76 (Full Score And Parts)
79.13
The 6 String Quartets Op. 76 (Full Score And Parts)
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Peters
Présente sa nouvelle édition de joueur facile des quatuors de Haydn, Simon Row...
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Présente sa nouvelle édition de joueur facile des quatuors de Haydn, Simon Rowland-Jones écrit: ' on peut rien de tel qu'une version finale, parfaite - Haydn laissé trop de questions ouvertes '. La nouvelle édition de Peters est fondée sur cette évaluation honnête. Par notre sensibilisation des questions qui restent ' ouvert ', cette édition libère l'inspiration d'interprétation des interprètes comme jamais auparavant. En conséquence, la nouvelle édition est susceptible de devenir indispensable pour tous qui exécutent ou étudier ces SCE masterpie. Chaque volume comprend: - partition complète - inclus avec les parties pour la première fois - une valeur inestimable pour la préparation de la performance - Pages de pliage - tel que requis par les parties distinctes, éliminant tous les virages-page au sein de mouvements - lignes directrices pour les artistes interprètes ou exécutants - ainsi que donner le contexte historique pour les quatuors, les préfaces à chaque volume contient un trésor d'informations sur tous les aspects de la performance - commentaire critique - dans le commentaire critique approfondie de chacun... / Quatuor A Cordes
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The 6 String Quartets Op. 33 (Full Score And Parts)
79.13
The 6 String Quartets Op. 33 (Full Score And Parts)
Quatuor à cordes: 2 violons, alto, violoncelle
[Partitur und Stimmensatz]
Peters
Présente sa nouvelle édition de joueur facile des quatuors de Haydn, Simon Row...
(+)
Présente sa nouvelle édition de joueur facile des quatuors de Haydn, Simon Rowland-Jones écrit: ' on peut rien de tel qu'une version finale, parfaite - Haydn laissé trop de questions ouvertes '. La nouvelle édition de Peters est fondée sur cette évaluation honnête. Par notre sensibilisation des questions qui restent ' ouvert ', cette édition libère l'inspiration d'interprétation des interprètes comme jamais auparavant. En conséquence, la nouvelle édition est susceptible de devenir indispensable pour tous qui exécutent ou étudier ces SCE masterpie. Chaque volume comprend: - partition complète - inclus avec les parties pour la première fois - une valeur inestimable pour la préparation de la performance - Pages de pliage - tel que requis par les parties distinctes, éliminant tous les virages-page au sein de mouvements - lignes directrices pour les artistes interprètes ou exécutants - ainsi que donner le contexte historique pour les quatuors, les préfaces à chaque volume contient un trésor d'informations sur tous les aspects de la performance - commentaire critique - dans le commentaire critique approfondie de chacun... / Quatuor A Cordes
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The 6 String Quartets Op. 54 And Op. 55 (Full Score And Parts)
79.13
The 6 String Quartets Op. 54 And Op. 55 (Full Score And Parts)
Quatuor à cordes: 2 violons, alto, violoncelle
[Partitur und Stimmensatz]
Peters
Présente sa nouvelle édition de joueur facile des quatuors de Haydn, Simon Row...
(+)
Présente sa nouvelle édition de joueur facile des quatuors de Haydn, Simon Rowland-Jones écrit: ' on peut rien de tel qu'une version finale, parfaite - Haydn laissé trop de questions ouvertes '. La nouvelle édition de Peters est fondée sur cette évaluation honnête. Par notre sensibilisation des questions qui restent ' ouvert ', cette édition libère l'inspiration d'interprétation des interprètes comme jamais auparavant. En conséquence, la nouvelle édition est susceptible de devenir indispensable pour tous qui exécutent ou étudier ces SCE masterpie. Chaque volume comprend: - partition complète - inclus avec les parties pour la première fois - une valeur inestimable pour la préparation de la performance - Pages de pliage - tel que requis par les parties distinctes, éliminant tous les virages-page au sein de mouvements - lignes directrices pour les artistes interprètes ou exécutants - ainsi que donner le contexte historique pour les quatuors, les préfaces à chaque volume contient un trésor d'informations sur tous les aspects de la performance - commentaire critique - dans le commentaire critique approfondie de chacun... / Quatuor A Cordes
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Franz Joseph Haydn: Six String Quartets Op.20 Hob.III: String Quartet: Score and
66.00
Franz Joseph Haydn: Six String Quartets Op.20 Hob.III: String Quartet: Score and
Quatuor à cordes: 2 violons, alto, violoncelle
[Partitur und Stimmensatz]
Peters
Introducing his new player-friendly edition of the Haydn Quartets Simon Rowland...
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Introducing his new player-friendly edition of the Haydn Quartets Simon Rowland-Jones writes: 'There can be no such thing as a final perfect version; Haydn left too many questions open.' The new Peters Edition is founded upon this honest assessment. By heightening our awareness of the questions that remain 'open' this edition liberates the interpretative inspiration of performers as never before. As a result the new edition is likely to become indispensable for all who perform or study these masterpieces. Each volume includes: Full Score – included with the parts for the first time – invaluable for performance preparationFold-out Pages – as required in the separate parts eliminating all page-turns within movements Guidance for Performers – as well as giving historical background to the quartets the prefaces to each volume contain a treasure trove of information about all aspects of performance practice Critical Commentary – in the extensive Critical Commentary to each volume the most authoritative early sources for Haydn's quartets are carefully evaluated and full details of their variant readings given for comparison. Naturally the composer's autograph where extant assumes pre-eminence but alternative primary sources are also considered and secondary sources drawn upon where appropriate.
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Dualities (HOWARD EMILY) (HOWARD EMILY)
94.95
Dualities (HOWARD EMILY) (HOWARD EMILY)
Orchestre
Peters
Par HOWARD EMILY. Dualities by Emily Howard is a contemporary work for an Ensemb...
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Par HOWARD EMILY. Dualities by Emily Howard is a contemporary work for an Ensemble of 14 players. The work is an expression of the fascination with the juxtaposition of extremes and explores relationships between emotion and reason, constructivism and spontaneity, complexity and simplicity. The resultant musical structure is an accumulation of transitions between contrasting soundworlds. Dualities was commissioned by Ensemble 10/10, the Contemporary Music Group of the Royal Liverpool Philharmonic who gave the first performance on 5 October 2005 at the Eleanor Rathbone Theatre, University of Liverpool. / Date parution : 2023-03-11/ Répertoire / Ensemble
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At 80, Plus for Alvin Lucier (WOLFF CHRISTIAN)
21.05
At 80, Plus for Alvin Lucier (WOLFF CHRISTIAN)
Orchestre de chambre
[Conducteur]
Peters
Par WOLFF CHRISTIAN. Composed, as the title suggests, for the 80th birthday of A...
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Par WOLFF CHRISTIAN. Composed, as the title suggests, for the 80th birthday of Alvin Lucier on May 14, 2011, At 80, Plus for Alvin Lucier by Christian Wolff is largely open in form and can be performed by any players, with variable duration. The performing score, published here as a facsimile of the autograph manuscript, consists of 14 short phrases to be performed in any sequence, followed by a 15th concluding phrase. In addition, all but one of the phrases may be performed in any clef or any transposition. / Date parution : 2022-09-07/ Répertoire / Ensemble de Chambre
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The Traveller (ROTH ALEC)
157.20
The Traveller (ROTH ALEC)
Ténor Solo, Violon Solo, SATB, Chœur d'Enfants et
[Conducteur]
Peters
Oratorio for Solo Tenor, Solo Violin, SATB, Children's Choir and Orchestra of St...
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Oratorio for Solo Tenor, Solo Violin, SATB, Children's Choir and Orchestra of Strings, Harp and Perc. Par ROTH ALEC. Alec Roth’s The Traveller is an oratorio for solo tenor, solo violin, SATB choir, children’s choir and an orchestra of strings, harp and percussion. In addition to writing six new poems for the piece, Vikram Seth has made English translations of twenty Indian texts from a rich variety of traditions and languages, including Sanskrit, Pali, Hindi, Urdu, Bengali, and Tamil. Taking as its theme the Ages of Man, the work is divided into six main sections: Unborn – Child – Youth – Adult – Old – Dead, followed by a short epilogue. In this universal tale of Man’s journey through life, the role of The Traveller is taken by the solo violin, The Companions by the Choir and The Poet by the tenor soloist. The Traveller was commissioned jointly by the Salisbury, Chelsea and Lichfield Festivals with funds provided by the Arts Council of England and the PRS Foundation. It was first performed by Mark Padmore (tenor), Philippe Honoré (violin) and the Britten Sinfonia, conducted by the composer, with the Salisbury Festival Chorus and Salisbury Area Young Musicians Junior Choir, at Salisbury Cathedral on 31 May 2008. This edition (EP73536) is the full score. The vocal score (EP73536a) is available to purchase and the orchestral materials are available for hire. / Date parution : 2022-07-23/ Répertoire / Ténor Solo, Violon Solo, SATB, Chœur d'Enfants et
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For Fred Lerdahl (TYSHAWN SOREY)
14.72
For Fred Lerdahl (TYSHAWN SOREY)
Violon, Piano et Vibraphone
[Conducteur]
Peters
Par TYSHAWN SOREY. Commissioned by the Los Angeles Philharmonic Association for ...
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Par TYSHAWN SOREY. Commissioned by the Los Angeles Philharmonic Association for a world premiere by the LA Phil New Music Group in January 2019, Tyshawn Sorey's gently tolling chamber work For Fred Lerdahl is dedicated to the elder composer on the occasion of Lerdahl's retirement. Sorey credits Lerdahl as one of two teachers who helped him to find his own voice as a composer. A single, 13-minute movement, it features a highly lyrical, muted viola solo over gentle, softly rhythmic dissonances from the two vibraphones and piano. This edition is a performing score, one of four required for performance. / Date parution : 2022-09-07/ Répertoire / Violon, Piano et Vibraphone
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Only In Sleep (ESENVALDS ERIKS)
47.42
Only In Sleep (ESENVALDS ERIKS)
Ensemble de cuivres
[Conducteur et Parties séparées]
Peters
Par ESENVALDS ERIKS. Only in Sleep is a nostalgic vision of childhood re-experie...
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Par ESENVALDS ERIKS. Only in Sleep is a nostalgic vision of childhood re-experienced through dreams. Eriks E?envalds has created a work of subtlety, yet powerful and expressive. The music has an incandescent freshness and the Flugel Horn soloist heard at the opening returns at the close, lost in reverie, whilst florid arabesques float over one last pair of chordal oscillations, winding down to nothing. This brilliant arrangement for brass band has become every bit as popular as the original choral setting. Brings contemporary choral repertoire by a leading international composer to the band world. Arrangement of Eriks E?envalds' highly successful choral piece 'Only in Sleep'. Arranged by brass and brass band specialist Phillip Littlemore. Part of EP Brass Band Series. Meditative, beautiful piece, highly attractive for audiences, and proven success as a choral work. Suitable for intermediate band at 2nd Section and above. / Date parution : 2022-05-17/ Répertoire / Brass Band
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O Salutaris Hostia (ESENVALDS ERIKS)
15.77
O Salutaris Hostia (ESENVALDS ERIKS)
Ensemble de cuivres
[Conducteur]
Peters
Par ESENVALDS ERIKS. O Salutaris Hostia is one of Eriks E?envalds? most popular ...
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Par ESENVALDS ERIKS. O Salutaris Hostia is one of Eriks E?envalds? most popular pieces. Originally written for female voices, the composer later created a version for full choir on which this arrangement is based. It has a gentle meditation with the two soloists drifting across the soft band accompaniment, alternately echoing and imitating each other or joining together in thirds. The effect is quietly ecstatic, a brief moment of adoration and wonderment. This arrangement can be played with either two cornets or two euphoniums as soloists as the accompaniment works just as effectively with either. Brings contemporary choral repertoire by a leading international composer to the band world. Arrangement of Eriks E?envalds' highly successful choral piece 'O Salutaris Hostia'. Arranged by brass band specialist Phillip Littlemore. Part of EP Brass Band SeriesMeditative, beautiful piece, highly attractive for audiences, and proven success as a choral work. Suitable for intermediate band at 2nd Section and above. / Date parution : 2022-05-17/ Répertoire / Brass Band
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Stars (ESENVALDS ERIKS)
15.77
Stars (ESENVALDS ERIKS)
Ensemble de cuivres
[Conducteur]
Peters
Par ESENVALDS ERIKS. Stars is one of the most popular of all contemporary choral...
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Par ESENVALDS ERIKS. Stars is one of the most popular of all contemporary choral works by Latvian composer Eriks E?envalds. The music begins with water-tuned glasses playing a sequence of chord clusters, which are heard throughout the whole piece. It creates an evocative effect, which is both imaginative and inventive prodcing an ethereal shimmering beauty. Phillip Littlemore's expert arrangement for brass band will bring a moment of enthralling stillness to any concert programme. Brings contemporary choral repertoire by a leading international composer to the band world. Arrangement of Eriks E?envalds' highly successful choral piece 'Stars'. Arranged by brass and brass band specialist Phillip Littlemore. Part of EP Brass Band Series. Meditative, beautiful piece, highly attractive for audiences, and proven success as a choral work. Suitable for band at all levels. / Date parution : 2022-05-17/ Répertoire / Brass Band
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Stars (ESENVALDS ERIKS)
42.15
Stars (ESENVALDS ERIKS)
Ensemble de cuivres
Peters
Par ESENVALDS ERIKS. Stars is one of the most popular of all contemporary choral...
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Par ESENVALDS ERIKS. Stars is one of the most popular of all contemporary choral works by Latvian composer Eriks E?envalds. The music begins with water-tuned glasses playing a sequence of chord clusters, which are heard throughout the whole piece. It creates an evocative effect, which is both imaginative and inventive prodcing an ethereal shimmering beauty. Phillip Littlemore's expert arrangement for brass band will bring a moment of enthralling stillness to any concert programme. Brings contemporary choral repertoire by a leading international composer to the band world. Arrangement of Eriks E?envalds' highly successful choral piece 'Stars'. Arranged by brass and brass band specialist Phillip Littlemore. Part of EP Brass Band Series. Meditative, beautiful piece, highly attractive for audiences, and proven success as a choral work. Suitable for band at all levels. / Date parution : 2022-05-17/ Répertoire / Brass Band
42.15 EUR - vendu par LMI-partitions
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O Salutaris Hostia (ESENVALDS ERIKS)
42.15
O Salutaris Hostia (ESENVALDS ERIKS)
Ensemble de cuivres
Peters
Par ESENVALDS ERIKS. O Salutaris Hostia is one of Eriks E?envalds? most popular ...
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Par ESENVALDS ERIKS. O Salutaris Hostia is one of Eriks E?envalds? most popular pieces. Originally written for female voices, the composer later created a version for full choir on which this arrangement is based. It has a gentle meditation with the two soloists drifting across the soft band accompaniment, alternately echoing and imitating each other or joining together in thirds. The effect is quietly ecstatic, a brief moment of adoration and wonderment. This arrangement can be played with either two cornets or two euphoniums as soloists as the accompaniment works just as effectively with either. Brings contemporary choral repertoire by a leading international composer to the band world. Arrangement of Eriks E?envalds' highly successful choral piece 'O Salutaris Hostia'. Arranged by brass band specialist Phillip Littlemore. Part of EP Brass Band SeriesMeditative, beautiful piece, highly attractive for audiences, and proven success as a choral work. Suitable for intermediate band at 2nd Section and above / Date parution : 2022-05-17/ Répertoire / Brass Band
42.15 EUR - vendu par LMI-partitions
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Only In Sleep (ESENVALDS ERIKS)
15.77
Only In Sleep (ESENVALDS ERIKS)
Ensemble de cuivres
[Conducteur]
Peters
Par ESENVALDS ERIKS. Only in Sleep is a nostalgic vision of childhood re-experie...
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Par ESENVALDS ERIKS. Only in Sleep is a nostalgic vision of childhood re-experienced through dreams. Eriks E?envalds has created a work of subtlety, yet powerful and expressive. The music has an incandescent freshness and the Flugel Horn soloist heard at the opening returns at the close, lost in reverie, whilst florid arabesques float over one last pair of chordal oscillations, winding down to nothing. This brilliant arrangement for brass band has become every bit as popular as the original choral setting. Brings contemporary choral repertoire by a leading international composer to the band worldArrangement of Eriks E?envalds' highly successful choral piece 'Only in Sleep'. Arranged by brass and brass band specialist Phillip Littlemore. Part of EP Brass Band Series. Meditative, beautiful piece, highly attractive for audiences, and proven success as a choral work. Suitable for intermediate band at 2nd Section and above. / Date parution : 2022-05-17/ Répertoire / Brass Band
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