Fünf Sonaten für zwei Violinen Orgel Violoncello und Bass-About Complete Church Sonatas. Volume 25 Sonatas for two Violins Organ Violoncello and Bass. By Wolfgang Amadeus Mozart. Edited by Minos E. Dounias. For Violin 1 Violin 2 Organ Violoncello Contrabass. Playing Score; Set of Parts; Urtext Edition (paperbound). Published by Baerenreiter-Ausgaben (German import). (BA4732) ISBN M006454525. Contents:KV 244 F-dur /4`KV 245 D-dur /5`KV 274 (271d) G-dur /5`KV 328 (317c) C-dur /4`KV 336 (336d) C-dur /3`

Einstein On The Beach the opera from which Knee Play 2 was extracted was a seminal work that broke all the rules being non-linear non-narrative episodic dreamlike and five hours long.Knee Play 2 is one of the number songs composed for scene changes simply set to Organ and using numbers and solfege syllables as text. American composer Philip Glass is widely known as one of themost celebrated influential and prolific of the modern composers. He is frequently referred to as a minimalist though he prefers to call himself a composer of ‘music with repetitive structures.'Glass' operas among them the renowned Einstein On The Beach are performed across the globe and he has created work for small and large ensembles film and experimental theatre and founded his own performing group ThePhilip Glass Ensemble.This four minute piece is the second Knee Play from Einstein On The Beach and is scored for Violin.

The series 'ORGAN PLUS ONE' contains pieces which are freely-composed or based on hymn tunes, both original works as well as arrangements.

The editions include solo parts in C, Bb, Eb and F, which can be played by violin, flute, oboe, clarinet, trumpet and horn in F. The range of the solo instrument parts is in the middle register, making this series particularly appealing to non-professional church musicians and instrumentalists.

The hallmark of this edition ' flexible instrumentation with easy playability ' ensures that the pieces can easily be tackled and are fun to play for church services, musical evenings and small concerts. Idiomatic instrumental arrangements and the stylistic variety of the pieces guarantee success for both organists and instrumentalists.

The contents of the volumes correspond to the seasons of the church year:
- Advent / Christmas
- Passion / Easter
- Epiphany / Whitsun / Pentecost
- Death and Eternity / Funerals
- Praise and Thanks
- Divine Service
- Communion
- Special Services (baptisms / weddings) / Célébrations / Klomp, Carsten / Partition Partie séparée / Agrafé /

This series in which several volumes have been published has been developed specifically for amateur church musicians and instrumentalists and is well suited for use in liturgical services or small-scale concerts. Idiomatic instrumental arrangements and the stylistic variety of selected pieces offer organists and instrumentalists fast and impressive results. Included are pieces that are freely-composed or based on chorales both original works and arrangements.The editions include solo parts for instruments in C B-flat E-flat and F which can be played by violin flute oboe clarinet trumpet and horn in F. The range of the solo parts is in the middle register.The contents of the volumes correspond to the season of the church year.Advent / Christmas • Passion / Easter • Epiphany / Whitsun / Pentacost • Death and Eternity / Funeral Service • Praise and Thanks • Divine Service • Communion

Par COLERIDGE-TAYLOR SAMUEL. The period of composition (ca. 1893) for the Suite de Pièces for violin and piano or violin and organ was especially productive for Samuel Coleridge-Taylor (1875-1912) in the realm of chamber music. Unpublished works include a piano quintet, clarinet sonata, nonet, piano trio, and a piano sonata. It is notable that the different versions of the Suite for piano and organ are so contrasting. Typically, pieces in this genre that exist in versions for piano and organ have little that separate them in terms of musical content. However, Coleridge-Taylor not only approaches each keyboard instrument quite differently but conceived the violin part with notable melodic differences. This can be considered exceptional as they were both issued by the same publisher within a close timeframe. Coleridge-Taylor would have been very familiar with the organ from his early church experience as a boy in addition to studies at the Royal College of Music with Walter Alcock. His writing is consistently idiomatic for the instrument. The few registrational directions in the first edition, assuming they are by Coleridge-Taylor, demonstrate an understanding of the need to balance the organ part with the violin part so that the organ is not too loud. Rather than numbering the manuals I and II, with II being the quieter manual, the score indicates Swell and Choir but there is no requirement for the Great to be used. There are also extended sections where no manual indication is given at all. Whether the registration markings were made by Coleridge-Taylor or an editor at Schott is unclear but the indication for a Choir manual suggests not so much the need for an organ of three manuals but an instrument with a range of foundational colours for writing that is often accompanimental in nature. / Date parution : 2023-06-01/ Répertoire / Violon et Orgue

Reformation/Hymns Martin Luthers-Original Works and Arrangements for Church Service and Concert.Organ Score with parts in C B-flat E-flat F. The Organ Plus One series was specially conceived for semi-professional church musicians and instrumentalists. It takes its bearings from the liturgical calendar and the pieces can be easily played in church services evening recitals or small concerts. Included are pieces which are freely-composed or based on chorales either original works or arrangements by the editor. In this volume the works relate to hymns of the Reformation including some composed by Martin Luther. Enclosed in each edition are solo parts for C B-flat E-flat and F which can be played by Violin Flute Oboe Clarinet Trumpet and Horn in F. For use in church services the chorale preludes are provided with accompaniments in the keys of the Lutheran hymnal.

Original Works and Arrangements for Church Service and Concert-Original Works and Arrangements for Church Service and Concert.The ?Organ plus? one series was conceived primarily with semi-professional church musicians and instrumentalists in mind.Based on the liturgical year the pieces can be readily performed in church services evening recitals or small concerts.Included are pieces which are freely-composed or based on chorales both original works and arrangements.Each edition includes solo parts for instruments in C B-flat E-flat and F which can be played by Violin Flute Oboe Clarinet Trumpet and Horn in F. The range of the solo instruments remains in the middle register.Among the piecesin this edition are John Alcock Fuga; Christlieb Siegmund Binder Prelude in F major; Jacques-Nicolas Lemmens Fanfare; Max Philipp Zeyhold Concerto in A major; Johann Sebastian Bach Was Gott tut das ist wohlgetan; Karl Hoyer Liebster Jesu wir sind hier; Carl Piutti Lobe den Herren den mächtigen König; and Carsten Klomp Grosser Gott wir loben dich.

The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and Anton n Dvorák. This is a pity for Fibich though he died young made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher the boy went on to music school in Prague and then to the Leipzig Conservatoire where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich'smusical activities: as his dream of a post at the Conservatoire remained unfulfilled his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music piano pieces and orchestral works operas stage music and melodramas literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods Impressions and Reminiscences' Op. 41 written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight') written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139 entitled 'Lento' from his collection of piano pieces. The violinst Jan Kubel k played the melody from 1908 onwards with the title 'Poème' and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.

From the Fourth Sonata for Violin alone in D Minor. Subtitle-Air with Variations.

Fantasy and Fugue; 6 Preludes and Fugues:Eb(St. Anne or Trinity); d(Violin Fugue); g; C; a; e(Cathedral,Little or Night Watchman); 3 Toccatas and Fugues:F; d(Dorian); C /

Meditation from Thais has long been a popular piece in its original form for solo violin with orchestral accompaniment. In this arrangement the solo part is assigned to a solo stop with a light quaver accompaniment in the left hand. This piece provides an interesting and popular addition to the repertoire and will be suitable for many occasions.