Franz Schubert’s popular German Mass of 1827 follows in the footsteps of Michael Haydn’s work Deutsches Hochamt by turning to a German translation of the Ordinary mass. Its homophonic texture and largely syllabic setting of the words make it more accessible to lay choruses than Schubert’s masses in Latin an advantage reinforced by its diatonic melodic writing and constantly slow tempos.The present edition reproduces the Urtext from the New Schubert Edition and presents the definitive second version for chorus and wind instruments. Since the piano reduction basically follows the choral lines and Schubert’s original organ part however the Mass can also be performedwith organ accompaniment.- Urtext from the New Schubert Edition- Standard work in the church music repertoire- Can be accompanied by organ or wind instruments- No vocal soloists necessary

Par SCHUBERT FRANZ. / Organ Grand Prix Heft 6 / Répertoire / Orgue Electrique

1 W. A. Mozart (1756-1791): 'March Of The Priests'2 F. Schubert (1797-1828): 'Ave Maria'3 C. Franck (1822-1890): 'Panis Angelicus'4 J. Clarke (1674-1707): 'Trumpet Voluntary'5 J. S. Bach (1685-1750)/Ch. Gounod: 'Ave Maria'

Für Orgel Bearbeitet Von Helmut Bornefeld. Par SCHUBERT FRANZ. Tonalité : f-Moll - Bornefeld, Helmut (Arr. ) - D 940/ Répertoire / Orgue

Par SCHUBERT FRANZ. / Niveau : Elémentaire / Répertoire / Trompette et Orgue

Breitkopf Urtext - Neuausgabe von / new edition by Klaus Schubert-'Compressed into two staves they are intended to please all enthusiasts of the organ and the clavier. I also hope to inspire diligent practice and great delight with this collection too. The departed author has no need of my recommendation. One was used to seeing nothing but masterworks from his pen ' Carl Philipp Emanuel Bach wrote these words in 1787 in the preface of the epoch-making edition of the 371 Four-Part Chorale Melodies.In his edition Klaus Schubert presents the famous collection by casting a new light upon further contemporary sources. The editor describes in the Preface 'an entire palette of lovely and rewarding possibilities' to make the chorale melodiesmore accessible than ever.

This important variation cycle was written in the year of Schubert???s death 1828 by Rinck who had studied with the Bach pupil Kittel. The date of composition places it firmly in the organ repertoire of the Romantic period. It is particularly suitable as a light-hearted encore piece but can be equally rewarding as part of any concert programme or even in a liturgical context at Christmas time. This is now the only available edition of the work and is based on the first edition in the collection of the Hessische Landes- und Hochschulbibliothek Darmstadt.

for organ and chamber orchestra-The chamber music works are among Hindemith's most successful instrumental works of the 1920s. But the title is misleading: The individual pieces actually have concertante soloistic features instead of submitting to chamber music traditions.Chamber Music No. 7 is centred on the organ. Written for the broadcaster Frankfurter Sender the work took then virulent music recording and broadcasting problems on the radio into account in its instrumentation for chamber music and the elaboration of the musical setting. The scores are based on Vol. IV/3 (PHA 403) of the Hindemith Complete Edition edited by Giselher Schubert.

The first classical Organ method for children the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability and that people are the product of their environment. According to Suzuki a world-renowned violinist and teacher the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school such as the Suzuki Organ School. The student listens to therecordings and work with their Suzuki Organ teacher to develop their potential as a musician and as a person.This Suzuki Book & CD is essential for Suzuki Organ lessons. In certain pieces the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique pedal melodies are included between every manual piece. The included performance CD for Volume 2 is a great tool for Suzuki Organ lessons encouraging practice while featuring recordings by Lars Hagström.Titles: 'Allegro' (Suzuki) 'Amaryllis' (Ghys) 'Anthem' (Traditional) 'Bells' (French Folk Song) 'Cinderella' (French Folk Song) 'Claire de Lune' (Lully) 'Folk Song' (Icelandic Folk Song) 'French Folk Song' (Traditional) 'Goodbye to Winter' (Folk Song) 'London Bridge' (Folk Song) 'Long Long Ago' (Bayly) 'Lullaby' (Schubert) ' Musette' (Anonymous) 'O Come Little Children' (Traditional) 'Prelude' (Charpentier). 'French Folk Song ' 'O Come Little Children ' and 'Prelude (from 'Te Deum')' are Federation Festivals 2016--2020 selections.

Faszination Orgel-Faszination Orgel is a series especially designed for liturgical use. The first two volumes are dedicated to the parts of liturgy whilst other volumes cover events and festivals during the church year. All volumes can be played by lesser skilled organists or sight-read by advanced musicians. This volume contains entrance and procession pieces by J. G. Walther J.S. Bach J. K. Kuchar W. A. Mozart L. Boellmann E. Batiste F. A. Guilmant F. C. Th. Dubois S. Karg-Elert H. Schubert and G. Kaluza.

[Saemtliche Orgel-und Clavierwerke - Band 1 : Toccaten] / Classique / Editeur : Siegbert Rampe / Partition / Cartonné / Plats de carton /

[Sämtliche Orgel- und Clavierwerke - Band 1] / Classique / Editeurs : Siegbert Rampe and Helene Lerch / Partition / Cartonné / Plats de carton / Edition Urtext