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Leguay Jean-pierre - Et Puis, Et Puis Encore - Orgue
19.00
Leguay Jean-pierre - Et Puis, Et Puis Encore - Orgue
En Français
Orgue, choeur mixte et orchestre
Lemoine, Henry
Notice
Le titre de l'oeuvre est emprunté au poème de Charles Baudelaire L...
(+)
Notice
Le titre de l'oeuvre est emprunté au poème de Charles Baudelaire Le Voyage. Je ne commente pas Baudelaire mais, plus ou moins souterrainement, le poème a aussi servi d'engrais à la composition.
Et puis, et puis encore ? parcourt cinq étapes : Choeur à choeur, Double I, Tiento, Double II, Molto lento. Chacune d'elles se termine par une respiration calibrée et une double barre qui disent clairement sa place de maillon dans la continuité de l'ensemble. L'interprète joue toutes les étapes, ou quelques-unes seulement groupées alors selon l'agencement choisi dans la liste exhaustive que voici :
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The Organ Music of Fred Bock: Organ: Instrumental Album
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The Organ Music of Fred Bock: Organ: Instrumental Album
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Volume 2: Ten Christmas Melodies-10 interesting settings usable for preludes of...
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Volume 2: Ten Christmas Melodies-10 interesting settings usable for preludes offertories and postludes including: Angels from the Realms of Glory £ Angels We Have Heard on High £ I Wonder As I Wander £ Infant Holy Infant Lowly £ and more.
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Orgelwerke Band I/1 (BUXTEHUDE DIETERICH)
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Freie Orgelwerke - BuxWV 136-153, 158. Par BUXTEHUDE DIETERICH. This edition is ...
(+)
Freie Orgelwerke - BuxWV 136-153, 158. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue
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Gospel Treasures: Organ: Instrumental Album
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35 gospel favorites for Organ: 'Amazing Grace' 'Blessed Assurance' 'Higher Gro...
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35 gospel favorites for Organ: 'Amazing Grace' 'Blessed Assurance' 'Higher Ground' 'I Love to Tell the Story' 'In the Garden' 'Just a Closer Walk with Thee' 'Nearer My God to Thee' 'The Old Rugged Cross' 'Precious Memories' 'Rock of Ages' 'Shall We Gather at the River'' 'Sweet By and By' 'What a Friend We Have in Jesus' 'Whispering Hope' 'Wonderful Peace ' and many more.
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Freie Orgelwerke - BuxWV 136-161. Par BUXTEHUDE DIETERICH. This edition is the r...
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Freie Orgelwerke - BuxWV 136-161. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue
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Johann Jakob Froberger: New Edition of the Complete Works Volumes I -VII:
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Orgue, Voix
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New Edition of the Complete Works Volumes I - VII-New Edition of the Complete W...
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New Edition of the Complete Works Volumes I - VII-New Edition of the Complete WorksVolume VII:Works for Ensemble and Catalogue of the Complete Works (FbWV) Each volume in this complete bilingual edition of the works of Johann Jacob Froberger (1616-1667) contains a Critical Commentary and a detailed Foreword with sections on the edition’s structure and scope editorial method and performance practice as well as discussions of contemporary instruments ornamentation and Froberger’s life. The set includes: Volume I: Libro Secondo (1649) BA 8063 Volume II: Libro Quarto (1656) – Libro di Capricci e Ricercati (ca. 1658) BA 8064Keyboard and Organ Works from Copied Sources:Volume III.1: Partitas and Partita Movements Part 1a BA 8065 Volume III.2: Partitas and Partita Movements Part 1b BA 8435 Volume IV.1: Partitas and Partita Movements Part 2 BA 8066 Volume IV.2: Partitas and Partita Movements Part 3 BA 8434 Volume V.1: Toccatas BA 9211 Volume V.2: Polyphonic Works BA 9212 Volume VI.1: New Sources New Readings New Works Part 1 BA 9213 Volume VI.2: New Sources New Readings New Works Part 2 BA 9269 Volume VII: Works for Ensemble and Catalogue of the Complete Works (FbWV) BA 9298 Complete Urtext edition at the cutting edge of scholarship. First publication of two motets. Catalogue of all Froberger works in an appendix (FbWV)
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Ausgewählte Orgelwerke I-Vi
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Ausgewählte Orgelwerke I-Vi
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Les éditions Bärenreiter sont les détentrices des droits de la partition Ausg...
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Les éditions Bärenreiter sont les détentrices des droits de la partition Ausgewählte Orgelwerke I-VI de Guilmant Félix-Alexandre qui fait partie du style Classique et contentera toutes les personnes pratiquant Orgue. / Orgue
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Juan Bautista Cabanilles: Selected Organ Works. Volume I: Tientos Ilenos: Organ:
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Juan Bautista Cabanilles: Selected Organ Works. Volume I: Tientos Ilenos: Organ:
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Joan Cabanilles Selected Works for OrganVolume I: BA11228Volume II: BA11229Altho...
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Joan Cabanilles Selected Works for OrganVolume I: BA11228Volume II: BA11229Although quite some time has passed since the multifaceted organ music from Spain's Golden Age could be called an ?insider's tip? it had yet to attain popularity with any wide audience outside the countries of the Iberian Peninsula. The three-volume Urtext edition of selected works by Joan Cabanilles the cathedral organist from Valencia now has every chance of becoming a milestone in its own right. The Iberian organ tradition of the 17th century appears to have reached its climax in his tientos diferencias and versos. In the first two volumes the editors Gerhard Doderer and MiguelBernal Ripoll present a total of 22 of his most appealing and most significant tientos.Urtext edition based on the latest research findingsPreface by the editors (in German English and Spanish)
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Friedhelm Döhl: Klang-Szene I 1970: Organ: Score
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Mannheimer Musikverlag
Klang-Szene I 1970
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Henry Purcell: Lord I Can Suffer: SATB: Vocal Score
2.99
Henry Purcell: Lord I Can Suffer: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Novello & Co Ltd.
Lord I Can Suffer
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Esslinger Orgelbuch, Bd. I: Intonationen
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Esslinger Orgelbuch, Bd. I: Intonationen
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Carus Verlag
Intonationen, Band I. Herausgegeben im Auftrag der Hochschule für Kirchenmusik ...
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Intonationen, Band I. Herausgegeben im Auftrag der Hochschule für Kirchenmusik der Evangelischen Landeskirche in Württemberg, Esslingen/ Répertoire / Orgue
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Christmas Oratorio Part I (BACH JOHANN SEBASTIAN)
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Christmas Oratorio Part I (BACH JOHANN SEBASTIAN)
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Carus Verlag
BWV 248. Par BACH JOHANN SEBASTIAN. For this edition, Carsten Klomp has transfer...
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BWV 248. Par BACH JOHANN SEBASTIAN. For this edition, Carsten Klomp has transferred the orchestral movement of the 1st cantata from Johann Sebastian Bach's Christmas Oratorio to the organ. It not only enables a performance with a reduced line-up, but also a tonally appealing and surprisingly coherent rendition of this wonderful music. The way the voices are distributed on the manuals and pedal and the balance between virtuosity and good playability ensure both proximity to the original score and an organ-appropriate implementation. Instead of a simple piano reduction on the organ, this version offers an independent performance option that allows the organ to be used in all of its facets and possibilities.The vocal parts (solos and choir) are identical to the edition of the original version (Carus 31.248/00), so that the piano reduction and choral score can be used.The single part for the organ was optimized for page turning, i.e. the choral parts were not printed, but the dacapo was always notated out. / Date parution : 2021-12-09/ Répertoire / Orgue
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Orgel- und Cembalowerke Band I: Organ: Instrumental Album
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Orgel- und Cembalowerke Band I: Organ: Instrumental Album
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Content: Toccata d-mminor - 4 Verse d-minor - Canzona d-minor - 4 Verse C-major ...
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Content: Toccata d-mminor - 4 Verse d-minor - Canzona d-minor - 4 Verse C-major - Canzona C-major - 4 Verse F-major- Canzona F-major - 4 Verse e-minor - Canzona e-minor - 4 Verse g-minor - Canzona g-minor - All'Elevazione I F-major - Al post Comunio F-major - All'Elevazione II C-major - All'Offertorio C-major - Pastorale C-major - Preamble - Critical report (dt./engl./ital).
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Marco Enrico Bossi: Rapsodia (Orgelmusik der Belle Epoque I): Organ:
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Forberg
Rapsodia (Orgelmusik der Belle Epoque I)
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Théodore Dubois: Complete Organ Works Volume I-VI: Organ: Instrumental Album
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Théodore Dubois: Complete Organ Works Volume I-VI: Organ: Instrumental Album
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First complete Urtext edition now comes to a close. At the cutting edge of schol...
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First complete Urtext edition now comes to a close. At the cutting edge of scholarship. Music in every key for church worship and concert performance. Detailed Foreword Critical Commentary (Fr/Eng/Ger) and facsimiles. Now available at a special set price. The set includes: Volume I: Early Works and Works with Minimal or Optional Use of the PedalsBA 8468 Volume II: Organist at the Church “La Madeleine”Douze Pièces pour Orgue ou Piano-Pédalier (1886)BA 8469 Volume III: Organist at the Church “La Madeleine”Trois Pièces pour Grand Orgue (1890) /Messe de Mariage.Cinq Pièces pour Orgue (1891)BA 8470 Volume IV: Organist at the Church 'La Madeleine'Douze Pièces nouvelles (1893) / Ascendit Deus(Offertoire pour la fête de L' Ascension) (1902)BA 8471 Volume V: His Last Organ WorksDix Pièces (nouvelles (1921) / Fantasietta avec Variations (1922)BA 9208 Volume VI: 42 Pièces pour Orgue sans Pédales ou HarmoniumBA 9209
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Nyt Ylös Sieluni Op. 18/2 (KROHN I)
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Nyt Ylös Sieluni Op. 18/2 (KROHN I)
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Fennica Gehrman
Par KROHN I.. / Répertoire / Orgue
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Bach J.s. - Complete Organ Works Vol.1 - Preludes And Fugues I + Cd-rom
31.10
Bach J.s. - Complete Organ Works Vol.1 - Preludes And Fugues I + Cd-rom
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Breitkopf & Härtel
Bach: Complete Organ Works Vol. 1 Preludes and Fugues I - with CD-ROM - ed. by ...
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Bach: Complete Organ Works Vol. 1 Preludes and Fugues I - with CD-ROM - ed. by David Schulenberg As close as possible to Bach In his ?Preludes and Fugues,? Johann Sebastian Bach made decisive contributions to the development of this genre tradition. The importance of this work group in his own organ oeuvre is confirmed by the many transmitted sources: hardly any autographs, but all the more copies. The genesis of the works and the question of versions associated with it are described at length in the introduction. In his new edition, editor David Schulenberg occasionally makes a new evaluation of the transmitted sources. To do so, he based himself as faithfully as possible on the manuscripts that can be traced back to Bach or to his circle. Here the American Bach expert generally chooses one source as his principal one. Divergences from other sources are documented in the Commentary. On the whole, the new Urtext edition sometimes also emends some long-cherished readings of ornaments, voice leading and notation. Also printed in Volume 1 is, for example, the early version of the C major Prelude BWV 545 as well as the inserted Trio movement of the three-movement version of this work. As with the previously published volumes, the CD-ROM enclosed in Volumes 1 and 2 contains dubious works and secondary versions for comparison with the principal versions. This time, the CD-ROMs are completely in German and English and feature the English version of the Commentary.
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Buxtehude, Dietrich : New Edition of the Complete Organ Works - Volume 1 : Free Organ Works I
32.95
Buxtehude, Dietrich : New Edition of the Complete Organ Works - Volume 1 : Free Organ Works I
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[Neue Ausgabe sämtlicher Orgelwerke - Band 1 : Freie Orgelwerke I] / Classique ...
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[Neue Ausgabe sämtlicher Orgelwerke - Band 1 : Freie Orgelwerke I] / Classique / Editeur : Christoph Albrecht / Partition / Cartonné / Plats de carton /
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Pelle Gudmundsen-Holmgreen: Der Er Så Favrt i Jelling At Hvile: Organ:
Orgue
Wilhelm Hansen
Organ Solo-Der Er SÃ¥ Favrt i Jelling At Hvile for Organ Solo was composed by ...
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Organ Solo-Der Er SÃ¥ Favrt i Jelling At Hvile for Organ Solo was composed by Pelle Gudmundsen-Holmgreen in 2000.
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Pelle Gudmundsen-Holmgreen: Countermove I-II-III: Organ: Instrumental Work
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Wilhelm Hansen
Countermove I-II-III for Organ Solo was composed by Danish composer Pelle Gudmun...
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Countermove I-II-III for Organ Solo was composed by Danish composer Pelle Gudmundsen-Holmgreen in 1999.
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Esslinger Orgelbuch, Bd I-III
126.00
Esslinger Orgelbuch, Bd I-III
Orgue
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Carus Verlag
Intonationen, Vorspiele und Begleitsätze zum Stammteil des EG, Band II und III....
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Intonationen, Vorspiele und Begleitsätze zum Stammteil des EG, Band II und III. Herausgegeben im Auftrag der Hochschule für Kirchenmusik der Evangelischen Landeskirche in Württemberg, Esslingen. Enthält die Bände I-III/ Répertoire / Orgue
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Pelle Gudmundsen-Holmgreen: Still. Leben: Organ: Instrumental Work
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Pelle Gudmundsen-Holmgreen: Still. Leben: Organ: Instrumental Work
Orgue
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Wilhelm Hansen
STILL. LEBENOrganist Eva Feldbc:ek had been asking me for a long time to write f...
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STILL. LEBENOrganist Eva Feldbc:ek had been asking me for a long time to write for the organ without the use of iron blocks extra stopping assistants etc .... unusual difficulties that belonged to my earlier organ music. I setmyselfthe task of Miting a ''handier'' kind of music for the organ.Once I had finished STILL. LEBEN I didn't think I had achieved what I was looking for. True the two movements did not involve odd things but 'handy' isn't really the word for them either. So I wrote the three movements in COUNTERMOVE to tidy up even more.And since I didn't think that was enough either I wrote the really simple pieces under the title IN TRIPLUM.Thethree series (eight pieces in all 2 + 3 + 3) sound very different but they all take their point of departure from the nature and tonal resources ofthe organ.Everywhere there is polyrhythm or hierarchical layering polychromaticism diatonics and melody (the last of these only sparingly and in some of the movements).Pelle Gudmundsen-Holmgreen
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Bent Fabricius-Bjerre: Salmeforspil og Koralbearbejdelser: Organ: Instrumental
18.99
Bent Fabricius-Bjerre: Salmeforspil og Koralbearbejdelser: Organ: Instrumental
Orgue
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Wilhelm Hansen
Organ Solo-Salmeforspil og Koralbearbejdelser af Bendt Fabricus (2018). Forord: ...
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Organ Solo-Salmeforspil og Koralbearbejdelser af Bendt Fabricus (2018). Forord: Denne lille samling af forspil og koralbearbejdelser er et udpluk afsatser opstået gennem godt 30 års virke som organist i folkekirken. Samlingen er først og fremmest tænkt som et brugbart arbejdsredskab til alle mine kolleger rundt om på de danske orgelbænke. Der er satser der egner sig til det lille ét-manuals orgel i landsbykirken og andre der er tænkt til koncertorglet i den store bykirke. Nogle satser er lette at gå til og med en enkelt og traditionelt opbyggetstruktur mens andre både harmonisk og rytmisk byder på større kompleksitet og sværhedsgrad. Stort set alle de satser der er komponeret for to manualer og pedal kan også lade sig realisere på orgler der kun har ét manual og pedal. Hvad registreringsanvisninger angår er mine angivelser kun tænkt som en vejledning til det klanglige udtryk i en given sats idet det naturligvis står enhver frit for at finde lige præcis den registrering der skønnes passende på det aktuelle instrument. Det er mit ønske at alle organister kan få glæde af samlingen og at den vil vise sig som et brugbart og gavnligt supplement i det daglige arbejde. Bendt Fabricius
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Complete Organ Works, Volumes I-Vi
268.93
Complete Organ Works, Volumes I-Vi
Orgue
[Partition]
Barenreiter
/ Orgue
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Bach J.s. - Organ Works Vol.6 - Preludes, Toccatas, Fantasias and Fugues
30.10
Bach J.s. - Organ Works Vol.6 - Preludes, Toccatas, Fantasias and Fugues
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Bach, Johann Sebastian Organ Works, Volume 6 Preludes, Toccatas, Fantasias and F...
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Bach, Johann Sebastian Organ Works, Volume 6 Preludes, Toccatas, Fantasias and Fugues II / Early Versions and Variants to I (Volume 5) and II (Volume 6) Editor Kilian, Dietrich / Wollny, Peter Johann Sebastian Bach: Complete Organ Works in revised editions Any complete scholarly critical edition of the works of Johann Sebastian Bach must incorporate new research findings in the interest of scholars and performers alike. Now all of Bärenreiter's new performing editions of Bach's organ works are being revised to reflect the current state of scholarship and to convey maximum fidelity to the sources by being linked to 'Bach digital'. The present volume is an updated edition of Series IV, Volume 6 of the 'New Bach Edition' (NBA), prepared by Dietrich Kilian in 1964. The discovery of new sources and a reassessment of existing handwritten copies have brought about changes to the contents of the volume, which now includes the 'Fantasia in C minor' (BWV 1121), the 'Fantasia in G major' (BWV 571), the 'Fugue in G major' (BWV 577) and the C major version of the 'Toccata and Fugue in E major' (BWV 566). On the other hand, the 'Prelude in G major' (BWV 568) as well as the alternative versions of the 'Fugue in C minor' (BWV 574a) and the 'Prelude in A major' (BWV 536a) have been discarded as presumably spurious. Besides the new compilation and corrections of the musical text, the volume also contains a detailed Foreword by Peter Wollny with observations on each work and the extant sources. Page turns have been re-examined and improved. In collaboration with the Bach Archive Leipzig and its 'Bach' digital database, links are provided to all the major sources. The website http://links.baerenreiter.com enables readers to access the relevant page in the source simply and conveniently via short URLs. The links stored there are examined for their validity on a regular basis. Contents: BWV 551, 563-566 (version in E major), 569-571, 573-575, 577-579 and 1121 / Early versions and variants to I (Vol. 5) and II (Vol. 6): BWV 532a, 533a, 535a, 543a, 545a, 549a, 566 (version in C major) and 574b ' New detailed Foreword (Ger/Eng) by Peter Wollny on the works and their sources ' New contents reflecting the current state of source evaluations ' Links to sources in 'Bach digital' ' Complete new engraving and revised page-turns · Composer / Author: Bach, Johann Sebastian Toccata in C BWV 564 · Composer / Author: Bach, Johann Sebastian Fantasia in C BWV 570 · Composer / Author: Bach, Johann Sebastian Fantasia in c BWV 1121 früher BWV Anh. 205 · Composer / Author: Bach, Johann Sebastian Fantasia in C BWV 573 Fragment · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 574 über ein Thema von Giovanni Maria Bononcini · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 575 · Composer / Author: Bach, Johann Sebastian Toccata con Fuga in d BWV 565 · Composer / Author: Bach, Johann Sebastian Toccata in E BWV 566 · Early Versions and Variants to I (Volume 5) and II (Volume 6): · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in C BWV 545a · Composer / Author: Bach, Johann Sebastian Toccata Fassung in C zu BWV 566 · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 574b über ein Thema von Giovanni Maria Bononcini · Composer / Author: Bach, Johann Sebastian Fuga in D BWV 532a · Composer / Author: Bach, Johann Sebastian Praeludium ô Fantasia in d BWV 549a · Composer / Author: Bach, Johann Sebastian Praeludium in e BWV 533a · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in g BWV 535a · Composer / Author: Bach, Johann Sebastian Praeludium in a BWV 543a · Composer / Author: Bach, Johann Sebastian Fantasia in G BWV 571 · Composer / Author: Bach, Johann Sebastian Fuga in G BWV 577 · Composer / Author: Bach, Johann Sebastian Fuga in g BWV 578 · Composer / Author: Bach, Johann Sebastian Praeludium in a BWV 569 · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in a BWV 551 · Composer / Author: Bach, Johann Sebastian Fantasia in h BWV 563 · Composer / Author: Bach, Johann Sebastian Fuga in h BWV 579 über ein Thema von Arcangelo Corelli
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Sacred Moments: Piano: Mixed Songbook
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Sacred Moments: Piano: Mixed Songbook
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Hal Leonard
E-Z Play Today Volume 75-30 songs including: I Love to Tell the Story • L...
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E-Z Play Today Volume 75-30 songs including: I Love to Tell the Story • Love Lifted Me • Oh How I Love Jesus • On Christ the Solid Rock I Stand • Send the Light • Tell Me the Old Old Story • There Is Power in the Blood • 'Tis So Sweet to Trust in Jesus.
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Bill Gaither Gloria Gaither: The Gospel Songs of Bill and Gloria Gaither: Piano:
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Bill Gaither Gloria Gaither: The Gospel Songs of Bill and Gloria Gaither: Piano:
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Hal Leonard
E-Z Play Today Volume 120-67 favorites in all including: Abide in Me • Be...
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E-Z Play Today Volume 120-67 favorites in all including: Abide in Me • Because He Lives • Get All Excited • He Touched Me • I Walked Today Where Jesus Walks • I've Been to Calvary • Jesus I Believe What You Said • Precious Jesus • The Family of God • Next Time We Meet • This Is the Day That the Lord Hath Made • Upon This Rock.
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Peter Dickinson: Blue Rose Variations: Organ: Instrumental Work
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Peter Dickinson: Blue Rose Variations: Organ: Instrumental Work
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Novello & Co Ltd.
The Blue Rose Variations is one of several works in which the composer has drawn...
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The Blue Rose Variations is one of several works in which the composer has drawn on ragtime and blues. The organ work is based on two transformations of the popular piano piece To A Wild Rose (Woodland Sketches Op.51 No.1) by the American composer Edward MacDowell (1860-1908). During the course of the Variations To A Wild Rose appears as a blues and also as a classical rag often as both together.The sections are Theme: a quiet blues; Variation I: a pedal solo in varied metres based on the blues in fast tempo; Variation II: the first appearance of the rag as a background to the blues as a 2' pedal solo; Variation III: a version of Variation I nowinvolving manuals too; Variation IV: another blues solo against the rag; Variation V: another version of Variation I with the pedal solo almost entirely transferred to the manuals; Variation VI: a final confrontation between the blues and the rag now much decorated. First performed in New York in April 1986. Duration c.15 mins.
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Rick Parks: Organ Exaltation - revised edition: Organ: Instrumental Album
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Intermédiaire/avancé
FJH
Contents include: Praise to the Lord the Almighty; How Firm a Foundation Breth...
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Contents include: Praise to the Lord the Almighty; How Firm a Foundation Brethren We Have Met to Worship; Come Thou Fount of Every Blessing; When I Survey the Wondrous Cross; Love Divine All Loves Excelling; There Is a Fountain; Swing Low Sweet Chariot; O Jesus I Have Promised; I Lay My Sins on Jesus; and In Heavenly Love Abiding.
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John McCabe: Esperanza for Organ: Organ: Instrumental Work
13.99
John McCabe: Esperanza for Organ: Organ: Instrumental Work
Orgue
Novello & Co Ltd.
Commissioned for the 26th International Organ Festival at St Albans 2011 and fun...
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Commissioned for the 26th International Organ Festival at St Albans 2011 and funded by the RVW Trust.Duration: 7.45 Performance notes Registration: the performer is free to determine the entire registration scheme except at bar 60 where a solo reed is mandatory.Pitch: manual passages at bars 25 32 38 are written for a solo 4' stop (s). The Pedal is at 16' (ad lib 32') unless otherwise indicated (bars 31 37 where a solo 8' is required).III - Sw.II - Gt.I - Pos/Ch Composer's note Esperanza is named after Camp Esperanza (Camp Hope) the location of the mission to rescue the thirty-three miners trappedunderground for seventy days in 2010 at the San Jose Mine in Chile a rescue that was televised live and was one of the most moving and inspiring things I have ever seen. By the most extraordinary coincidence I had already done a good deal of sketching for this Organ piece before this all happened and had determined on a 'darkness-to-light' kind of piece - so the coincidence as well as my feelings of elation were both too strong to ignore.The piece persues a course from a fairly knotty slow beginning (heralded by a few chords that recur at the very end) full of rising themes (another coincidence - the material had already been sketched before the miners were trapped underground) and reaching a loud climax the quick toccata-like second section bursting vigourously out of the tension which is created at the beginning of the work.
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