Par . Designed for those studying classical guitar at foundation level, this is part of a progressive series of ten handbooks, primarily intended for candidates considering taking the London College of Music examinations in classical guitar. This handbook covers all the material needed to take the step 1 exam: all the required exercises for this level, ten performance pieces in a variety of fun styles to enjoy, and details on the discussion section of the exam - in fact, absolutely everything you need to take step 1! / Date parution : 2022-05-31/ Etude / Guitare Classique

For Classical Guitar. Par SCHUETT LAUDON. This book will prove to be a treasure trove to any aspiring lutenist or afficionado of the lute and early music. Instead of attempting to create a comprehensive lute method, the first section covers topics that students often ignore, while the second offers a fresh repertoire of newly revised and edited original music for the intermediate or advanced player. On a broader scale, vocalists and students of any instrument would do well to take note of the book?s musical and interpretive concepts.The author not only offers his own insights to technique and performance, but also provides a glossary of period musical vocabulary and includes comments on general musicianship from authentic Renaissance and Baroque resources. These include John and Robert Dowland, Jean-Baptiste Besard, Nicolas Vallet, Thomas Mace, and other historic lutenists and theorists. If early music specialist Laudon Schuett had been born during the Renaissance, he would have been the court lutenist and possibly the jester in some kingdom or principality.Written in French tablature for the 6-course Renaissance lute and in standard notation for the classic guitar with the 3rd string lowered to F#, the author provides 30 original compositions in the contrapuntal polyphonic style characteristic of the 16th and early 17th centuries. / Date parution : 2022-05-31/ Méthode / Guitare Classique

Par . Designed for those in the early stages of studying the classical guitar, this is part of a progressive series of ten handbooks, primarily intended for candidates considering taking the London College of Music examinations in classical guitar. This handbook covers all the material needed for the grade one exam: nine performance pieces in a variety of musical styles (with practice notes and info about every piece), all the required technical work, details of the discussion component and specimen sight reading and aural tests - in fact, absolutely everything you need for this grade! / Date parution : 2022-05-31/ Etude / Guitare Classique

Par . Designed for those in the advanced stages of studying the classical guitar, this is part of a progressive series of ten handbooks, primarily intended for candidates considering taking the London College of Music examinations in classical guitar. This handbook covers all the material needed for the grade seven exam: nine performance pieces in a variety of musical styles (with practice notes and info about every piece), all the required technical work, details of the discussion component, and specimen sight reading and aural tests - in fact, absolutely everything you need for this grade! / Date parution : 2022-05-31/ Etude / Guitare Classique

Par . Designed for those in the early stages of studying the classical guitar, this is part of a progressive series of ten handbooks, primarily intended for candidates considering taking the London College of Music examinations in classical guitar. This handbook covers all the material needed for the grade two exam: nine performance pieces in a variety of musical styles (with practice notes and info about every piece), all the required technical work, details of the discussion component, and specimen sight reading and aural tests - in fact, absolutely everything you need for this grade! / Date parution : 2022-05-31/ Etude / Guitare Classique

Par CHAFFARDON HUGUES. 1’10’’ / Niveau : Elémentaire / Répertoire / Guitare

Par CHAFFARDON HUGUES. 1’00’’ / Niveau : Débutant / Répertoire / Guitare

For Fingerstyle Guitar. Par GROSSMAN STEFAN. As aspiring fingerpicking guitarists started expanding their horizons from folk, blues, and ragtime in the 1970s, it was only logical to look towards early jazz tunes as a vast source for new possibilities. For one thing, they could follow the same evolutionary path from ragtime to jazz that had been taken by pianists such as Jelly Roll Morton and Harlem stride players like James P. Johnson and Fats Waller. These musicians all composed in a variety of styles, but their most ambitious piano solos expanded on the classic ragtime format developed by the likes of Scott Joplin, James Scott, and Joseph Lamb, using several strains that usually changed keys at least once. Morton, the self-proclaimed inventor of jazz, would record versions of tunes like King Porter Stomp and The Original Jelly Roll Blues that are similar to straight ragtime performances, and others where there is lots of room left for embellishment and jazz improvisation. The present collection is a bonanza for guitarists who want to tackle advanced arrangements along the lines of ragtime but featuring jazz age harmonies from the playing of Jelly Roll Morton, Louis Armstrong, Bix Beiderbecke, WC Handy, the Original Dixieland Jazz Band and other early jazz legends. The 32 arrangements included are by a wide assortment of guitarists including Ernie Hawkins, Pat Donohue, Lasse Johansson, Duck Baker, Ton Van Bergeyk, Sandy Shalk, Steve McWilliam, and Dorian Henry. / Date parution : 2022-01-14/ Recueil / Guitare

Par CHAFFARDON HUGUES. 1’10’’ / Niveau : Elémentaire / Répertoire / Guitare

Par DONAHUE JERRY. Jerry couvre : licks et terminaisons, behind-the-noix Croupons, licks favoris de Jerry de ses enregistrements classiques, coudes de requête parallèle, intros banjo-style et de terminaisons, diminuée des pistes, les techniques de cueillette à la droite et la cueillette de poulet. Transcriptf complet ' Le bec ' et 'émotions mixtes'dans l'onglet et notation standard. / Méthode / Recueil / Guitare

Guitar Encounters of the Fingerstyle Kind-In Total Giltrap the innovative guitarist and composer Gordon Giltrap encourages players to exploit their limitations - the profound advice once given by the great jazz guitarist Wes Montgomery.Giltrap himself is a living example of an artist who has exploited his limited right-hand pick and little finger technique. In this volume he explores subjects such as open tunings legato technique two-handedtapping and the harp-like technique of open strings and harmonics. This is all wrapped up in a very English approach to melody and invention. All the techniques and pieces in Total Giltrap are featured onthe accompanying audio. All the examples are recorded at half-tempo and full tempo making it a very easy to follow guide. This book provides a snapshot of ideas ready to be 'exploited' and developed by the willing and imaginativestudent of the modern day acoustic Guitar.

Selected pieces for Trinity College London Guitar exams for 2016-2019 expertly graded and edited by leading music educators.