A Song without Words for Violoncello Solo-Manfred Trojahn on the origin and title of his impressive virtuoso solo work:'Admittedly I do not know if he had seagulls but since Mendelssohn was born in Hamburg he will not have gone through life without at least the impression of the cry of seagulls. Nor do I know if seagulls played any part in his life in Rome. I myself was astonished when one or two years ago in the Villa Massimo I was not exactly annoyed but disturbed by the strong rhythmical cry of seagulls. I was just about to write a bassoon solo when the seagulls started. Then the idea came to me that precisely this sequence of notes could serve as the basis of the work. And the sequence for thebassoon solo is in turn the basis of the piece for violoncello - this is how titles are born... Of course the violoncello meanders with virtuosic ease from the seagull motif to the 'elf-like' skittering brought to music by Mendelssohn and used time and again in his compositions finally becoming a cabaletta. Now cabalettas are not very representative of Mendelssohn but as I was composing I definitely wanted to put a cabaletta in this passage. I am sure Mendelssohn and I will easily agree on this especially since later justice is done to him in the rapid passages and of course in the tonal cadenza at the very end which is more indicative of his time than of mine ... isn't it?'

Eight great flexible arrangements in two parts, for Bass Clef Instruments, including Cello, Trombone and Bassoon with specially recorded arrangements. The CD includes full backing tracks, professionally arranged and recorded. The Book contains carefully selected and editied Bass Clef arrangements for two parts in score format. Compatible with other editions in the series. / Pop and rock / Recueil / Basse Continue

NO. 5 G MINOR INSTRUMENTATION : CELLO (BASSOON, VIOLA DA GAMBA) AND BASSO CONTINUO DATE DE PARUTION : 14/06/1985 NOMBRE DE PAGES : 24 COLLECTION : CELLO LIBRARY FORMAT : NEW EDITION PORTRAIT