for Violin. If you play an instrument and you're a Disney fan, you'll love this collection of 101 favorites to learn and play! Songs include: Beauty and the Beast - Can You Feel the Love Tonight - A Dream Is a Wish Your Heart Makes - Evermore - Go the Distance - He's a Pirate - I See the Light - Kiss the Girl - Let It Go - Mickey Mouse March - Reflection - A Spoonful of Sugar - True Love's Kiss - We're All in This Together - When You Wish upon a Star - A Whole New World - You've Got a Friend in Me - Zip-A-Dee-Doo-Dah - and more./ Recueil / Violon

The Violin Play-Along series will help you play your favorite songs quickly and easily. Just follow the music, listen to the demonstration tracks to hear how the violin should sound, and then play along using the separate backing tracks. The purchase price includes online access to audio for download or streaming. This volume features eight songs perfect for worship: Amazing Grace (My Chains Are Gone) · Build Your Kingdom Here · Here I Am to Worship (Light of the World) · How Great Is Our God · Lead Me to the Cross · Lord, I Need You · Sing to the King · 10,000 Reasons (Bless the Lord). / Violon

Arrangeur: Cho-Liang Lin. Over the wonderfully enjoyably years of conducting, there have been so many fine encounters with the Mozart Violin Concertos - mostly with very gifted players like Menuhin, Oistrakh, Stern and, more recently, Cho-Liang (Jimmy) Lin. There have, however, been instances (only a few, I'm pleased to say) when I've come, in the performances, to dread the onslaught of those cadenzas, which sound like a send up of Paganini, or belong to the wrong century with a plethora of double-stopping lasting too long, venturing into tonalities Mozart would not have recognized. After several performances with Jimmy came a request from him for suitable cadenzas that showed off the solo violin while commenting on Mozart's music he had just played. They worked, and Sony asked us to record them all and, with the welcome inclusion of Jaime Laredo, all the rest of Mozart's violin and orchestra repertoire. This led to in an invitation from Schott to have the cadenzas published, and this is the result. / Classique / Recueil / Violon

Thirteen songs from the musical including 'Bring Him Home', 'I Dreamed A Dream' and 'On My Own'. / Violon

The new volume in the \'Pop for Violin\' series contains another attractive selection of current chart hits and classics, thus providing a refreshing change from the classical performance repertoire. The arrangements are specifically designed for the violin, i.e. they are easy to play and sound very nice. All pieces contain an optional second part so that they can also be played as a duet. The enclosed CD contains all titles in both a complete and a play-along version. Thus, practising and playing is actually great fun. / 1 Ou 2 Violon(s)

These easy-to-read, progressive exercises by Joanne Martin develop a student's reading skills one stage at a time, with many repetitions at each stage. I Can Read Music is designed as a first note-reading book for students of string instruments who have learned to play using an aural approach such as the Suzuki Method, or for traditionally taught students who need extra note reading practice. Its presentation of new ideas is clear enough that it can be used daily at home by quite young children and their parents, with the teacher checking progress every week or two.

Instrumental Play-Along-In Disney's CG-animated film Moana the eponymous teenage heroine is inspired to leave the safety and security of her island and embark on a daring journey to save her people ? with a little help from the demigod Maui. The film features original songs written by Lin-Manuel Miranda (Hamilton) Opetaia Foa'i and Mark Mancina. This volume in the Hal Leonard Instrumental Play-Along series contains seven pieces from the film arranged for solo Violin. Backing tracks are included to download so you can sound like a pro! Hal Leonard Instrumental Play-Along: Moana features the songs: How Far I'll Go I Am Moana(Song of the Ancestors) Know Who You Are Shiny We Know the Way Where You Are and You're Welcome. This book includes Playback a multi-functional audio player that allows you to slow down audio without changing pitch set loop points change keys and pan left or right - available exclusively from Hal Leonard.

Violin Play-Along Volume 81. The Violin Play-Along series will help you play your favorite songs quickly and easily. Just follow the music, listen to the audio to hear how the violin should sound, and then play along using the separate backing tracks. With the melody and lyrics included in the book, you may also choose to sing along. The online audio is accessed using the unique code printed inside each book. Includes: Dance of the Sugar Plum Fairy, Op. 71a · Hallelujah · (There's No Place Like) Home for the Holidays · I Wonder As I Wander · Mary, Did You Know' · Santa Baby · Shchedryk (Carol of the Bells) · Somewhere in My Memory.

Violin Play-Along Volume 17. The Violin Play-Along Series will help you play your favorite songs quickly and easily. Just follow the music, listen to the CD to hear how the violin should sound, and then play along using the separate backing tracks. With the melody and lyrics included in the book, you may also choose to sing along. Chord symbols are provided should you wish to elaborate on the melody. The audio CD is playable on any CD player. For PC and MAC computer users, the CD is enhanced so you can adjust the recording to any tempo without changing pitch! This volume includes the songs: Blue Christmas ? The Christmas Song (Chestnuts Roasting on an Open Fire) ? Christmas Time Is Here ? Do You Hear What I Hear ? A Holly Jolly Christmas ? I'll Be Home for Christmas ? The Most Wonderful Time of the Year ? White Christmas.

A unique approach to the boredom of scales and arpeggios that combines fun and games with the essential technical requirements. John Allan's I Hate Scales ...except when I Have fun is a novel and unique approach to help remove the boredom from scales and arpeggios. Innovative and imaginative this combination of fun and games with essential technical requirements this method will interest and inspire young players to practice and aid learning of one of the less attractive facets of learning an instrument. Includes a game and spinner duets for teacher and student and enjoyable pieces to play and learn. This volume is for Violinists working toward their Grade 1examinations. Board syllabuses for ABRSM Guildhall School Trinity College and LCM are all covered.Grade: 1

John Allan's I Hate Scales ...except when I Have fun is a novel and unique approach to help remove the boredom from scales and arpeggios. Innovative and imaginative this combination of fun and games with essential technical requirements this method will interest and inspire young players to practice and aid learning of one of the less attractive facets of learning an instrument. Includes a game and spinner duets for teacher and student and enjoyable pieces to play and learn. This volume is for Violinists working toward their Grade 2 examinations.

for solo cello. Par LARCHER THOMAS. I do not compose my pieces for a certain voice range or orchestration, but for musicians, for people. It is almost impossible for me to produce a piece without having a particular person in mind or to hear him/her inwardly. No matter how standardized the interpretation of classical music is, and no matter how many coordinates have been fixed and defined, I do not want to have them seen (and therewith the notation) as determining and limiting signs, but rather as guideposts towards the creation of vital, organic music. In differentiated music, two participants are necessary in order for a piece to evolve-- the composer and the musician. Just as there is no one way for a composer to express himself or to notate music, etc., neither is there one way for a musician to read the notation, to interpret, or to live. We find ourselves, for this reason, in a network of meanings, gestures, and signs which have to be fathomed and expanded together. The tone, the breath, the gestures, the dedication, and the potentialities of a musician were also ultimately decisive for the form of this piece. It is music which pushes the expressive and technical possibilities of the instrument to its very limits. It is music in which the musician has to transport the contexts and expression over and above the notation. It was not necessary for me to find a new form for this piece; it is a work which can and should be performed in a ‘normal’ concert situation. I deliberately wanted to integrate the perhaps new and unusual content into a familiar form (thus the title ‘Sonata’) And I also wanted to embed the aforementioned extreme situations (in which the technical extremes are synonyms for tension, isolation, loss or tenderness) in an organic process in order for the listener to be able to empathize with and comprehend what is expressed in the piece. I would like to thank Natalie Clein, to whom the Sonata is dedicated, for inspiring this piece and for the path that led to the realization of the music. Thomas Larcher/ Répertoire / Violoncelle