Par BEATLES THE. Apprenez à jouer 8 chansons des Beatles au piano. Inclus la ligne mélodique du chant, les paroles complètes et les diagrammes d'accords pour guitare. Ce livre est accompagné d'un CD qui contient des pistes démos et des pistes playbacks des chansons. / Recueil / Piano

A simple introduction to 28 best loved carols for young pianists specially arranged by Jerry Lanning. Includes easy piano part lyrics and guitar chord accompaniment.

The Best of Belwin Jazz: First Year Charts for Jazz Ensemble is a collection of twelve outstanding jazz ensemble arrangements for the young player. Each chart is written by experienced educational arrangers and composers in various styles and tempos: swing, Latin, ballad, waltz, holiday and pop.This collection is written for full instrumentation - five saxophones, three trumpets, three trombones, and four rhythm - but is designed to sound full and complete with reduced instrumentation of three saxes, two trumpets, one trombone and three rhythm. Optional parts are available for flute, clarinet, tuba, horn in F, and baritone T.C.The rhythm section parts offer suggestions for rhythms, piano voicings, and guitar chord frames. All solos are written out in improvised sections. The conductor's book includes full-length CD recordings of all titles.Titles include:Bill Bailey, Won't You Please Come Home, Birth of the Blues, Embraceable You, First Time Around, Gospel, Hot Chocolate, Jazzmin Tea, Jingle Bell Rock, Poco Loco, Splanky, Sunday Morning, TMI

Experience the exciting music of the marichi tradition! Lifelong mariachi performer and educator John Nieto joins Bob Phillips to provide authentic orchestral settings of familiar, traditional tunes for string orchestra alone, mariachi band alone, or string orchestra and mariachi band together. Trumpet and accompaniment books are available to provide optional parts for trumpet, guitar, guitarron, vihuela, piano, and harp. Historical background and arrangement ideas are provided in the Teacher's Manual. / Piano

A Selection of easy pieces. Par BARTOK BELA. Bartók?s Mikrokosmos has been used by countless piano teachers and their students all over the world since its conception in the early twentieth century. It provides a solid foundation on which to build good technique and an early understanding of the very basics of music itself. These principles have, in Siegfried Steinkogler?s capable hands, made an excellent transition to guitar with these arrangements for two guitars. Only the easiest pieces have been used, with most of them using only five notes for each player beginning in the first position and slowly working through the volume to the fifth position. On completing the pieces in this volume, players may like to tackle Steinkogler?s arrangements from Bartók?s For Children. / Date parution : 2022-12-06/ Recueil / Piano

Twelve outstanding arrangements for the young jazz ensemble written by experienced educational arrangers and composers. A variety of styles and tempos is included: swing, ballad, Latin, holiday, rock, and the classic Take Five with a 5/4 time signature. This collection of charts is written for full instrumentation -- five saxophones, four trumpets, four trombones and four rhythm -- but designed to sound full and complete with reduced instrumentation of just twelve players -- four saxes, five brass, piano, bass and drums. Optional parts are available for flute, clarinet, horn, baritone horn and tuba. Rhythm section parts offer suggestions for rhythms and piano voicings, and guitar chords are included to assist young guitarists. Solos are written out for improvised sections, and there is plenty of full-sounding ensemble. The conductor's book includes full-length CD recordings. Titles are: Blues in the Night * Burritos to Go * Have Yourself a Merry Little Christmas * Jumpin' at the Woodside * Jungle Boogie * Misty * Night and Day * On Green Dolphin Street * Sax to the Max * Summertime * Take Five * Tastes Like Chicken.

The strumming of Spanish Guitars the lyrical tribute to a great Spanish composer the passionate excitement of Iberian sensations the breathtaking exuberance of Spanish rhythms the reminiscence of Spanish culture-Spanish elements are infused in each of these five pieces. Rolled chords evoking a Spanish guitar enhanced rhythms with alternating hands and lyrical passion are all found in Sounds of Spain Book 4 by Catherine Rollin. These five late intermediate to early advanced solos explore many of the diverse dance and harmonic elements that make up the colorful Spanish music tradition. Each one is technically accessible yet containsdramatic sections that sound impressive. Titles: 'Fantasy at Alhambra' 'Homage to Granados' 'Rhapsodie Espagnole' 'Scherzo Brillante' 'Song of Spain'.

Paganini Variations - Piano Concerto No.3 by Poul Ruders. The original guitar-part (for Guitar Concerto No. 2) arranged for Piano and pianist Anne-Marie McDermott by the composer 2014.Piano solo part: WH32201CParts are available for hire: hire@ewh.dk Programme note: In 1999 my friend American guitar virtuoso David Starobin wanted me to write a concerto for guitar and orchestra. It quickly dawned on me that this commission presented a golden opportunity to contribute to the time-honoured tradition of composing a series of variations on NicoloPaganini´s famous 24th Caprice for violin solo a work which itself is a set of variations. The 16 bar (with the first 4 bars repeated) theme is not particularly sophisticated or intricate but its inherent simplicity and logic just grow on you almost to the point of distraction - and the secret behind it being hauled through 'the wringer' by composers as disparate as Liszt Brahms Rachmaninoff and Lutoslawski is perhaps found in its - what I´ll call with a quick nervous look over my shoulder: brilliant banality. You can do anything with that tune it´ll always be recognizable and just there however much you maul it. The piece (subtitled Guitar Concerto no 2) was written pretty quickly premiered and subsequently recorded for Bridge Records with David and the Odense Symphony Orchestra conducted by Jan Wagner and everybody was happy. But the story didn´t end there and it must be the ultimate proof of the durability of the theme not to mention the flexibility and far-sightedness of David Starobin when he 14 years latersuggested 'why not transcribe the solo part for piano''. The idea appealed to me immediately. One thing was clear from the beginning: the new version could in no way sound like a transcription. My aim was to end up with a solo-part sounding like were it 'the

A selection of jazz pieces arranged for Keyboard and Guitar (both chord symbols and tablatures are included). For every piece you will find three versions: A simplified version: with the melody in the right hand and an easy accompanying line in the left hand (for beginners) A version for organ: with the melody in the right hand chords in the left and bass line for the pedal a version for solo piano for use with the piano or keyboard (medium difficulty) VOICE: It is possible to use the version contained in the CD for singing the pieces. The texts are found in the sheets inserted at the end of the volume and themelodies are given in the keyboard parts (right hand) GUITAR: All the guitar boxes for the chords are given in the single sheets inserted at the end of the volume. The sheet for each piece contains besides the guitar chords the text and a table with the melodic line (right hand) of the keyboard versions. OTHER INSTRUMENTS: It is also possible to play the melody parts or to improvise with other instruments such as flute violin etc. It should be noted that for instruments such as the clarinet or the saxophone the melodies will have to be transposed. A bass can be added to the group playing from the pedal part of the organ versions.

Rumores De La Caleta (???Murmurs from the Small Courtyard???) Op. 71 No. 6 is written by Spanish pianist and composer Isaac Alb?niz for the solo Piano. The piece reflects traditional Andalusian flamenco style and is thus subtitled 'Malague?a'. It is a sensual and emotional courting dance from Malaga although the piece was actually named after La Caleta beach in Cadiz.As many of Alb?niz???s pieces Rumores de la Caleta has been transcribed for Guitar and now forms a cornerstone of the classical Guitar repertoire even though Alb?niz never composed for the Guitar. This edition features the piece in its originalform for solo Piano. Performance time approximately 4 minutes.

Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar.'Take the Lead Rock 'n' Roll' features idiomatic arrangements of rock 'n' roll classics offering fun repertoire that young instrumentalists will love to play. Students have a choice of playing along with CD, Piano or Guitar and all pieces are fully integrated with arrangements for other instruments in the series, making this the ideal resource for school bands and small ensembles. Used as a solo book these pieces will encourage technical progression and confidence in playing. Ideal pieces for performance, or just for fun.Contents: Be-Bop-A-Lula; Blue Suede Shoes; Blueberry Hill; C'mon Everybody; Great Balls Of Fire; Jailhouse Rock; Let's Twist Again; The Green Door

n this re-transcribed and edited book with online video, Vivian takes the beginning electric guitarist from the basic level up to playing more advanced techniques and styles. As one of rock's true wunderkinds, Vivian helps ward off bad habits and shows you how rock guitar should really be played! All the guitar tab from the original booklets is included and using modern-day technology to provide you with the most accurate transcriptions ever created for this series. Plus, we've included tab for examples that were previously not transcribed, providing you with the most comprehensive Hot Licks guitar lessons yet! Each book comes with a unique code used to access the cloud-based video footage from any type of device.