Par BONSOR BRIAN. The best way to learn any instrument is to have lessons from a good, experienced teacher. Although, happily, the number of such teachers is constantly growing, the recorder is still frequently taught by enthusiastic but inexperienced teachers and many players start by teaching themselves. This series of books sets out to help learners of all ages in all three situations. Experienced teachers, who may choose to disregard much of the text as personal demonstration is always clearer than the written word, will find exercises and fine tunes a-plenty to support their own mathod at each stage. The less experienced willbenefit from many valuable teaching hints culled from long experience and may rely on the books to lead to a sound playing technique and a mastery of simple notation. Those learning by themseves - and I started in this way - are urged to work carefully and systematically through the books, taking plenty of time to assimilate each point before moving on. For them, without the personal model provided by a live teacher, it is vitally important to listen as often as possible to fine players, in person or on record, so that they have in their mind's ear a clear notion of the kind of sound they would like to produce. But however they start, I can only wish that all who use these books will derive as much pleasure and musical satisfaction and gain as many lasting and valued friendships as I have through this most subtle, delightful and sociable of instruments. (Brian Bonsor) “...this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken“ (Oliver James, Contact Magazine) These two tutors, with accompanying teacher's books, are for newcomers to the instrument who are beginning on the treble and so assume no previous knowledge either of the instrument or of musical notation. / Pédagogie / Recueil / Flûte à Bec Alto et Piano

Aztec Dances was commissioned by Christopher Orton with the assistance of the BBC Performing Arts Fund. The first performance was given by Christopher Orton (recorder) and Magdalena Nasidlak (piano) at a concert in the Manchester Midday Concerts series at the Bridgewater Hall Manchester in March 2010.The version for flute and piano was premiered by Wissam Boustany (Flute) and Aleksander Szram (Piano) at St James?s Church Piccadilly on Thursday 19 May 2011.1. Ritual/Pastorale2. Fertility Dance3. Ghost Dance/Song4. Sacrificial Dance Composer's Note The idea for the genesis of this work and indeed its title and individual movements came after visiting an exhibition at the British Museum entitled Moctezuma Aztec Ruler. The exhibition traced the events following the election in 1502 of Moctezuma as Supreme Ruler of the Aztecs and the subsequent invasion of 1519 by a Spanish expedition led by Herm?n Cort?s an event that was to eventually lead to the demise of the Aztec civilisation.Part of the exhibition explored the role that music and dance played in Aztec life. The primitive recorder together with trumpets and drums were used as an important part of the formal ritual ceremonies (including rather gruesomely human sacrifice) that took place to appease the many Gods which the Aztecs worshipped as well as for other more informal occasions in their social and cultural life.I have tried to reflect some of these highly contrasting and dramatic ideas in this four movement work.????????Edward Gregson

Par CHOSTAKOVITCH DIMITRI. Shostakovich composed a wide variety of music. His music includes Symphonies, String Quartets, Concertos, Sonatas, Film Music and Jazz inspired pieces. In this publication we feature the very famous Waltz No.2 from his Suite for Variety Orchestra arranged for treble recorder and piano by Irmhild Beutler and Sylvia Rosin. Familiar to many as the title music to the movie Eyes Wide Shut, Dmitri Shostakovich's Waltz No. 2 from the Suite for Variety Orchestra - which is better known as Jazz Suite No. 2 - has mysterious and lascivious qualities that call to mind circus or variety music. Sylvia Rosin and Irmhild Beutler have arranged this dramatic Russian performance piece for treble recorder and piano, thus adding another well-known classic to the instrumental literature available. Shostakovich's stirring Waltz No. 2 will be thoroughly enjoyed by players and audiences alike. Effective Russian performance piece Easy arrangement for treble recorder and piano Famous title music from the film 'Eyes Wide Shut' / Date parution : 2015-11-20/ Répertoire / Flûte à Bec Alto et Piano

Par WEDGWOOD PAM. Cool syncopation, funky riffs and smooth, stylish tunes - from dynamic to nostalgic, Pam Wedgwood's series has it all. Really Easy Jazzin' About is a vibrant collection of original pieces in a range of contemporary styles, tailor-made for the absolute beginner. So take a break from the classics and get into the groove as you cruise from blues, to rock, to jazz. For Recorder with Piano accompaniment, this book contains some delightful repertoire pieces for the elementary recorder player. The solo Recorder part is also included on a separate insert. / Niveau : Débutant / Répertoire d'Examen / Date parution : 2005-09-01/ Recueil / Flûte à Bec et Piano

THE JACOBEAN COLLECTION, Volume I: 18 Pieces for alto recorder and keyboard, ed. Larry Bernstein. This anthology fills an important gap in two ways: there is relatively little easy music for alto and continuo, and practically nothing from the 17th century. Dances by Horne, Adson and Dowland, some very lively masque tunes, and a magnificent set of variations, Dr. Bull's Ground. Score and part

Steven Rosenberg écrit dans la préface: 'ce livre est destiné à donner des joueurs de l'enregistreur un répertoire de pièces solos de la Renaissance. Littérature solo pour l'enregistreur est souvent dominée par la musique de l'époque baroque, tandis que la musique de la Renaissance est / Flûte A Bec Alto Et Piano

16 Pieces. Par JOHOW JOACHIM. Les joueurs de flûte à bec n'ont plus à regarder avec envie les instruments klezmer typiques : la clarinette et le violon. Inspiré par de vieilles mélodies klezmer, Joachim Johow a écrit 16 compositions sur mesure pour la flûte à bec et a reconstitué des scènes d'une ville juive, dont 'Am Morgen in der Gasse' [Le matin dans la ruelle], 'Auf dem Jahrmarkt' [À la foire], 'Schlittenfahrt' [Balade en traîneau], 'Tanz der Großeltern' [Danse des grands-parents], ' Am Abend' [Le soir]. Un vrai enrichissement du répertoire ! Jouable avec accompagnement de piano ou de guitare. De plus, une partie de basse est disponible en téléchargement. Tous les morceaux sont disponibles au format mp3 en version complète et en version play-along. / Niveau : 2-3 / Musique traditionnelle / Recueil / Flûte à Bec Alto et Piano

Par JOPLIN SCOTT. A- Flûte à Bec - Piano/ Recueil / Flûte à Bec Alto et Piano