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| Greg Gilpin: Hold Fast
Your Dreams: Upper Voices
a Cappella: Vocal Score
Chorale SSAA
Shawnee Press
Now available in a stunning SSAA voicing selected lines from Louise Driscoll's ...(+)
Now available in a stunning SSAA voicing selected lines from Louise Driscoll's poem set here in a vibrant and grand setting will become a signature piece for your women's and mixed choirs. Beginning with vocal fanfare then long melodic and harmonic lines sing above a rhythmic and driving piano accompaniment arriving to a final and celebratory finish. A must for inspirational programming. Now available in a stunning SSAA voicing selected lines from Louise Driscoll's poem set here in a vibrant and grand setting will become a signature piece for your women's and mixed choirs. Beginning with vocal fanfare then long melodic and harmonic lines sing above a rhythmic and driving piano accompaniment arriving to a final and celebratory finish. A must for inspirational programming.
DĂ©lais: En Stock |
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| Rosephanye Powell: Non
Nobis Domine: SSAA:
Vocal Score
Chorale SSAA [Vocal Score]
Gentry Publications
A Capella-The SATB setting of Non Nobis Domine has become one of Rosephanye Powe...(+)
A Capella-The SATB setting of Non Nobis Domine has become one of Rosephanye Powell's most celebrated works. The driving energy and ostinato rhythms are classic elements from Rosephanye's pen. Her husband William has adeptly revoiced this acappella setting for SSAA choirs. Also available for TTBB.
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| Rollo Dilworth: No Rocks
A-Cryin': SSAA: Vocal
Score
Chorale SSAA
SSAA, Piano - Intermédiaire
Hal Leonard
Based on Psalm 47 No Rocks A-Cryin is an original work that is richly rooted in...(+)
Based on Psalm 47 No Rocks A-Cryin is an original work that is richly rooted in the contemporary African-American gospel tradition. It is a driving Gospel rock song which is a sure to be a success with both choirs and audiences.
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| Joseph M. Martin: Come to
the Music: SSAA: Vocal
Score
Chorale SSAA [Vocal Score]
Shawnee Press
Commissioned for a premiere performance at the Texas Music Educators Association...(+)
Commissioned for a premiere performance at the Texas Music Educators Association 2000 convention Joseph Martin's Come to the Music is alive and electric with driving rhythm memorable melodies mixed meter and joyfultext. Optional percussion and piccolo accompaniment (parts in the choral) enhance the medieval dance quality of this exciting piece.
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| Andrea Ramsey: Veni
Sancte Spiritus: SSAA:
Vocal Score
Chorale SSAA [Vocal Score]
Hal Leonard
With vocal sounds evoking the rushing wind this setting of the 13th century Lat...(+)
With vocal sounds evoking the rushing wind this setting of the 13th century Latin sequence moves into an opening chant over djembe accompaniment. Expansive phrases transition into a driving accelerando of vocal clusters andfinally a broad and spacious ending with the repeated word “spiritus ” and the sounds of the swirling wind. An ideal opening selection or processional!
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| Judith Herrington: Born
in a Symphony: SSAA:
Vocal Score
Chorale SSAA [Vocal Score]
Pavane Publishing
Commissioned by the Texas Choral Directors Association for their 2010 convention...(+)
Commissioned by the Texas Choral Directors Association for their 2010 convention this piece was premiered under the direction of Dr. Rollo Dilworth. Relating our lives to instruments in an orchestra this piece encourages us tolive our song. The music is powerful and motivating with rhythms and melodies that are driving and uplifting.
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| Rosephanye Powell: Have
You Seen the Baby Jesus:
Upper Voices a Cappella:
Vocal
Chorale SSAA [Vocal Score]
Gentry Publications
This is a new song both words and music but it carries the sound of a favorite...(+)
This is a new song both words and music but it carries the sound of a favorite spiritual. Rosephanye's roots often influence her unique output and this one is sure to be a popular Christmas selection. The form contains repeated phrases which make the piece easy to learn and gives style to the driving spirit of the song.
DĂ©lais: En Stock |
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