Here's a suite of three of the most charming arias from The Magic Flute (The Bird Catcher's Aria “Either Girlfriend or Young Wife ” and “Pa-pa-pa-pa”); instantly recognizable with solos for violinand cello as well as optional parts for solo recorder flute or piccolo glockenspiel and violin (also playable with string orchestra only).

Here's a suite of three of the most charming arias from The Magic Flute (The Bird Catcher's Aria ?Either Girlfriend or Young Wife ? and ?Pa-pa-pa-pa?); instantly recognizable with solos for violin and cello as well as optional parts for solo recorder flute or piccolo glockenspiel and violin (also playable with string orchestra only).

Par RESPIGHI OTTORINO. All the shrouded mystery and resplendent grandeur of the fourth movement of Respighi's masterpiece, Pines of Rome, has been effectively captured in this brilliant arrangement by Douglas E. Wagner for string orchestra and timpani (required). The symphonic poem, 'The Pines of the Appian Way' is one of Respighi's most frequently performed and recorded works and stands as the most popular of all three of his Rome-inspired suites. (4:50) This title is available in SmartMusic. / Date parution : 2022-10-12/ Répertoire / Orchestre à Cordes

The Lamb one of composer John Tavener’s most beloved frequently-performed and often-recorded works was composed in a single afternoon in 1982 as a gift for the composer’s three-year-old nephew.While the original was an unaccompanied Choral piece that set William Blake’s poem The Lamb this adaptation is an extremely effective and moving work for String Orchestra. The arrangement may be performed aloneor in accompaniment to a Chorus. John Tavener was that rare creature a composer of serious music and serious religious music who also achieved commercial success. He burst into the popular consciousness with theperformance of his Song for Athene at the funeral of Princess Diana but had been a highly respected and frequently-performed composer since the premiere of his dramatic cantata The Whale in 1968. The Lamb hasappeared on nearly forty different recordings.

String Quartet Version - Parts)-The composer writes: 'The backdrop for this commission was to complement music by the great Ludwig van Beethoven. Beethoven’s scores for string quartet are cornucopias of techniques and musicality. They were certainly not meant for pure entertainment. Ending up with Beethoven’s quartet Op. 59 No. 1 as a reference for this piece I even used elements from this quartet in my own composition. Beethoven’s position as a free artist has been of great importance to all following composers. This is of equal inspiration as his music. As a free artist one has to reflect upon our own time and not be afraid of allowing reality affect our work. When I was in the middle of writingthis piece something horrible happened in my neighbourhood. A bomb exploded in Oslo and a killer shot teenagers on an island summer camp. My nation’s reputation as a peaceful country to live in was drastically and forever changed. It was hard to compose. Papers and online media were soon filled with horrible pictures from the events. The lead-coloured skies being a recurring sight. The ambiguity in the title reflects both hope and dread. Beethoven’s light shines through strong and full of life! The piece was commissioned by the Engegård Quartet in 2011 and appears the recording String Quartets vol IV: Schubert-Ratkje-Britten-Haydn. A later piece was composed for string orchestra: 'Tale of Lead and Frozen Light' (2014)'. The composer writes: 'The backdrop for this commission was to complement music by the great Ludwig van Beethoven. Beethoven’s scores for string quartet are cornucopias of techniques and musicality. They were certainly not meant for pure entertainment. Ending up with Beethoven’s quartet Op. 59 No. 1 as a reference for this piece I even used elements from this quartet in my own composition. Beethoven’s position as a free artist has been of great importance to all following composers. This is of equal inspiration as his music. As a free artist one has to reflect upon our own time and not be afraid of allowing reality affect our work. When I was in the middle of writingthis piece something horrible happened in my neighbourhood. A bomb exploded in Oslo and a killer shot teenagers on an island summer camp. My nation’s reputation as a peaceful country to live in was drastically and forever changed. It was hard to compose. Papers and online media were soon filled with horrible pictures from the events. The lead-coloured skies being a recurring sight. The ambiguity in the title reflects both hope and dread. Beethoven’s light shines through strong and full of life! The piece was commissioned by the Engegård Quartet in 2011 and appears the recording String Quartets vol IV: Schubert-Ratkje-Britten-Haydn. A later piece was composed for string orchestra: 'Tale of Lead and Frozen Light' (2014)'.

Score and Parts (8-8-4-4-4)-An orchestration of Serebrier's 1964 choral work Vocalise Adagio paints a portrait of desolation with the composer's characteristic Slavic dark touch and elegiac and nostalgic mood. Recording credit: St. Michel Strings José Serebrier conducting. Alba Records ABCD 341

Lament by Mack Wilberg for String Orchestra with optional Organ.This moving piece for String Orchestra is full of pathos and emotion. Stylistically evocative of Samuel Barber's Adagio for Strings and the distinctive musical language of Arvo Pärt Lament is based around a two-bar arching ostinato artfully developing musical fragments and enriching the texture to reach a powerful central climax. This is a welcome addition to the String Orchestra repertory.This piece was recorded on the 2019 Mormon Tabernacle Choir and Orchestra CD Tree of Life under the title 'And Wept Bitterly (Lament on an Ostinato for StringOrchestra)'.

Score and Parts-This arrangement captures the essence of the original work as from the beginning until m. 76. It duplicates the original with the exception of the reassignment of roles. Playing the recording of the original will be helpful in providing the students with a model for performance.

The comprehensive string method that covers it all! A successful ensemble string method series for classroom or individual study. Provides the beginning string player with a solid foundation in all aspects of string playing withan emphasis on rhythmic strength. Topics include: Step-by-step tuning process Bowing styles Theory Technique Shifting for cello and string bass Major/Minor/Chromatic scales EtudesSolos/Ensembles Vibrato strengthening exercises Detailed photographs and diagrams Special score supplement: Detailed classroom tuning procedures Daily record Guide for teaching dynamics Mid-yearmotivation articles Vibrato guidelines Bibliography sketches

A comprehensive string method arranged for individual or class participation parts for violin viola cello string bass piano accompaniment and full conductor's score. Topics include: Step-by-step tuningprocess Bowing styles Theory Technique Shifting for cello and string bass Major/Minor/Chromatic scales Etudes Solos/Ensembles Vibrato strengthening exercises Detailed photographs and diagramsSpecial score supplement: Detailed classroom tuning procedures Daily record Guide for teaching dynamics Mid-year motivation articles Vibrato guidelines Bibliography sketches

One of the all-time favorites from none other than the King! This powerful ballad has become an enduring standard recorded by countless artists over the years. Robert has skillfully arranged it for strings with easy rhythms and solid scoring for success.

Good teaching pieces that also have programming appeal are always in demand for developing programs. Lloyd Conley's suite offers several possibilties with optional parts for recorders (or flute and oboe) along with opportunities to use minstrel-style percussion and harpsichord (found on most synthesizers). The authentic sound along with Lloyd's superb writing for young strings gives you a fresh new choice in literature.