J.S. Bach?s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach?s extremely productive time in Cöthen which ended in 1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the ?New Bach Edition?.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter?s new edition of Bach?s great four suitesnow presents the Urtext as found in the ?New Bach Edition? i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a ?Violino concertato? part.- Urtext editions of these important works.- Newly engraved parts and fully realized continuo.- For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with ? Violino concertato ? is included.- Full scores study scores and performance material available for sale.

J.S. Bach?s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach?s extremely productive time in Cöthen which ended in 1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the ?New Bach Edition?.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter?s new edition of Bach?s great four suitesnow presents the Urtext as found in the ?New Bach Edition? i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a ?Violino concertato? part.- Urtext editions of these important works.- Newly engraved parts and fully realized continuo.- For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with ?Violino concertato? is included.- Full scores study scores and performance material available for sale.

J.S. Bach’s four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach’s extremely productive time in Cöthen which ended in 1721. Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New Bach Edition”. At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach’s great four suitesnow presents the Urtext as found in the “New Bach Edition” i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a “Violino concertato” part. Urtext editions of these important works. Newly engraved parts and fully realized continuo. For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with “ Violino concertato ” is included. Full scores study scores & performance material available for sale

Urtext edition-Vocal score and performance material available for sale.Lavishly scored oratorio of a festive nature.Based on the New Bach Edition.Bilingual foreword by Andreas Glöckner (Ger/Eng).Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems. As in other works which were composed during this same year (e.g. the Christmas Oratorio) Bach reveals a special fondness for colourful orchestration with two Flutes two Oboes threeTrumpets Timpani and Strings creating a splendid Baroque sound with a strikingly festive character.This edition is based on the thoroughly researched musical text from the New Bach Edition.

The four orchestral suites of J.S. Bach are superb examples of the composer's innovative mastery of the many dance forms popular in the courts of the 18th century. Reproduced from the authoritative Bach-Gesellschaft edition this volume contains: Suite No.1 in C major (BWV 1066) for two Oboes Bassoon Strings and Continuo Suite No.2 in B minor (BWV 1067) for solo Flute Strings and Continuo - renowned for the 'Badinerie' Suite No.3 in D major (BWV 1068) for three Trumpets Timpani two Oboes Strings and Conituno - well known for the lovely 'Air on G String' Suite No.4 in D major (BWV 1069) for three Trumpets Timpani three Oboes Strings and Conituno.All works appear in full score. At a moderate cost this high quality edition is ideal for study purpose.

Ich Hatte Viel Bekümmernis - Lord My God My heart And Soul Were Sore Distrest BWV 21.Cantata for the 3rd Sunday after Trinity.The cantata ?Ich Hatte Viel Bekümmernis? dates from around 1713 and was probably performed for the first time that year in the Liebfrauenkirche in Halle. Its assigning to the third Sunday after Trinity probably only occurred the following year.With its large-scale structure and strong emphasis on biblical texts it was extremely popular in the 19th century and remains one of Bach?s best-known cantatas today.The cantata is published here with a Vocal score based on the New Bach Edition with an idiomatic straightforward Piano reduction by Martin Focke.- One of Bach?s best-known cantatas.- Urtext based on the ?New Bach Edition?.- Clear straightforward Piano reduction.- Study score (TP1021) Vocal score (BA10021-90) & performance material (BA10021) available for sale.

A minor E major D minor-Violin Concertos in A minor E major and Double Concerto in D minor.To this day Bach's violin concertos are among the most popular repertoire pieces of many violinists who have to meet great technical demands in these works. Created during Bach's time in Köthen in which the composer presented works of revolutionary novelty and originality the violin concertos testify to Bach's rich instrumental imagination. Whereas his examples still followed a rather rigid structure in the outer movements Bach managed to achieve a closer connection and integration of the formal sections by treating the roles of the soloist and the orchestra in a differentiated and varying way.

Cantata for the Feast of Visitation B. V. M.-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B. V. M.With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July) he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme.With a small scoring of one trumpet (which if need be can be omitted) two oboes strings and basso continuo along with four soloists and choir Bach succeeds in writing a festive music of 20-25 minutes.This performing edition is based on the Urtext of the New Bach Edition.

The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach?s appointment in Cöthen.Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form.These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versions perhaps even alongside the version known today.Full scores study scores and performance material available for salefor all 6 concertos.

Study Score Format 22.5 x 16.5cmThe St. John Passion was first performed in Leipzig on Good Friday of 1724. Written three years before the St. Matthew Passion it was a work Bach revised during the rest of his life in fact he did not leave us a definitive version either in print or fair copy. The sources give evidence of four different versions used at four performances - 1724 1725 around 1730 and during the last years of Bach's life. They often contain two or more readings for the same passage or even different movements that on different occasions occupied the same place in the work.Our edition uses the final version IV asits basis with alternative movements and readings contained in the appendices. A comprehensive preface in the study score (German/English) TP197 gives full information.- Full score performance material (BA5037) vocal score (BA5037-90) and study score (TP197) available for sale.

for two Violins Strings and Basso continuo-In 2001 Bärenreiter issued a newly engraved keyboard reduction and solo parts to this concerto based on the acclaimed New Bach Edition.The present expanded new publication goes a step further in that it offers not only the two solo Violin parts as presented in the New Bach Edition but also two additional parts with fingerings and bowings by the baroque specialist Andrew Manze.Manze also offers players enlightened comments (English/German) on historical performance practices dealing with how the instrument was held fingerings bowing shifting the use of open strings and much much more.Full score & parts (BA5188) 2 Violins and Pianoreduction (BA5188-90) and study score (TP284) available for sale.

Bach's Art Of Fugue represents one of the peaks of the prolific and remarkable composer's career by formulating and defining this quintessential Baroque compositional form. Written in undefined score the music was initially regarded more as an elegant and substantial theoretical achievement that requires a high level of virtuosity to perform at the keyboard. Over the years the set of pieces has been reinterpreted by all manner of instrument groups and ensembles and remains a unique challenge to the advanced Keyboard-instrument performer.This item is the authoritative Hawkes Pocket Score edition.

The treasured song from the notebook of Anna Magdalena Bach in an arrangement by Emily Crocker. Has an optional 2nd part a beautiful English text and a rich optional string orchestra accompaniment. Available: Unison/2-part Instrumental Pak. Performance Time: Approx. 2:30.

Violoncello/Bass. Par BACH JOHANN SEBASTIAN. Barenreiter en liaison avec les Archives Bach de Leipzig est fière de présenter la nouvelle édition de la Messe en si mineur Cette nouvelle édition présente de nouvelles conclusions et de nouvelles idées.: Des renseignements précieux pour les lectures de la partition autographe de la messe ont été tirées de la section 'Pièces de Dresde''' de 1733, en grande partie écrit par Bach lui-même. Les différentes lectures des parties sont clairement différenciées à partir des lectures de la partition autographe de l'utilisation des passages imprimés en gris. Pour la première fois annotations de JS Bach et CPE Bach peuvent être différenciés en utilisant une analyse d'encre (spectrographie des rayons X de plus de 500 places dans la partition). Toutes les corrections, ajouts et modifications par le fils de Bach et des lieux qui restent douteuses (en raison de l'érosion d'encre ferro-gallique) figurent dans l'édition entre crochets. '/ Répertoire / Orchestre