Victor Wooten, reconnu comme l'un des meilleurs bassistes modiaux, a été rendu célebre grâce à son travail avec le groupe Béla Fleck and The Flecktones. Applaudi pour ses solos, Victor Wooten a jouer avec Branford Marsalis, Mike Stern, Bruce Hornsby, Bootsy Collins, Chick Corea, Steve Bailey, Steve Smith? Dans ce DVD, Victor Wooten vous dévoile les techniques qui l'ont rendu célèbre : slapping, tapping, grooving et l'improvisation. Vous assisterez egalement à des concerts et des interviews exclusives. / Guitare Basse

Better Get Hit In Your Soul Boogie Stop Shuffle Duke Ellington's Sound Of Love Fables Of Faubus Goodbye Pork Pie Hat Gunslinging Bird Jelly Roll Nostalgia In Times Square Peggy's Blue Skylight Pithecanthropus Erectus Portrait Reincarnation Of A Lovebird Slippers Sue's Changes / Guitare Basse / 64 pages / Partition Cd

Par GORDON ANDREW D.. With the continued worldwide success of the book series Ultra Smooth Jazz Grooves that I co-authored with sax player Frank Villafranca based on compositions that we wrote for our band The Super Groovers, I have now authored this series of Smooth Jazz books for the following instruments: Piano/Keyboards, Guitar/Bass, Flute, Clarinet, Violin, Tenor and Alto Saxes, Trumpet and Trombone. Smooth Jazz covers a wide variety of different styles and I have combined elements of Jazz, Rock, Pop, Blues, Latin, GospeL Funk and RandB, Classical, Folk, New Age styles into the examples in the book. Smooth Jazz? is a genre of music that is predominately instrumental, usually very melodic in nature and in most cases features some jazz improvisation. and is usually performed at a medium tempo and tends to feature piano /keyboards, saxophone, trumpet, and guitar as the most common lead instruments playing the melody. Most Smooth Jazz is well produced and has memorable melodies over a backdrop of multiple tracks of rhythm instruments, keyboards, guitar, strings, synth pads, drums and percussion. Each riff has been recorded with the solo melodic instrument along with a rhythm backing track of guitar, keyboards/synths, bass, drums/percussion followed by just the backing tracks for you to practice with. Also included are backing tracks playing the chord progression through 10 times giving you extended time to practice your improvisational skills using the riffs in the book and developing them into your own style. / Date parution : 2022-09-07/ Etude / Guitare Basse

TRANSCRIBED BASS LINES FROM OUR PLAY-A-LONG RECORDED WITH ELECTRIC BASS. SEVERAL CHORUSES OF 2 DIFFERENT BLUES PROGRESSIONS IN ALL 12 KEYS... LANGUE : EN ANGLAIS

Compilation. Par SHNEIDMAN JACK. Ce livre présente 1 001 gems mélodiques a joué plus de dizaines des plus importantes progressions de corde entendues dans le jazz. C'est le livre idéal pour les débutants qui cherchent une Encyclopédie bien organisée, facile à suivre de vocabulaire jazz, ainsi que les professionnels qui désirent améliorer leur connaissance de la langue jazz vers de nouveaux sommets. / Niveau : Débutant / Méthode en anglais / Méthode / Instruments en Do

This exclusive DVD captures one of the highly acclaimed clinics presented by celebrated jazz musicians and educators David Friesen (bass) and Jerry Hahn (guitar) during their 2003 tour sponsored by high-end handmade string manufacturer Thomasik-Infeld.The workshop aims to broaden students' vision of music by explaining: practice techniques how to listen what to listen for strengthening the time feel participating in a small group format understanding purpose and commitment and more.

Book/online media pack. More than a player's manual this book portrays jazz bass as a vital element of 20th century American music. Citing examples from key recordings in the jazz canon the book defines the essence of the musical contributions made by more than 70 important jazz bassists including Ray Brown Eddie Gomez Charles Mingus Milt Hinton and many others. Bassists get expert guidance on mastering proper technique practice methods and improvisation plus new insight into the theoretical and conceptual aspects of jazz. The online media featuries bass plus rhythm section recordings allowing readers to hear technical examples from the book presented in slow andfast versions. It also offers play-along tracks of typical chord progressions and song forms.

The Bass has been called 'the most important instrument in any band.' The Bass player must create interesting lines under the chord changes keep the 'time flow' or 'pulse' steady and keep the form of the song together. Walking Jazz Lines For Bass is designed to help bassists create beginning to advanced walking patterns (smooth-sounding lines) that can be used in jazz blues R&B gospel Latin and country music. Byexplaining the basics of intervals chords and scales the author builds a framework for understanding bass line patterns. This book presents one- and two-measure patterns that can be used in playing the blues rhythmchanges the II-V-I progression and 20 popular jazz standards. Walking Jazz Lines For Bass is written in standard notation with chord symbols. The audio gives you the opportunity to play with one of thefinest rhythm sections around. It is in stereo with the bass and drums on the left and Piano and Drums on the right. Since the examples in the book are presented both with sample Bass lines and as chord progressions only you caneither follow along with the Bass or practice your own lines with the audio as your accompaniment. Access to online audio is included.

With Online Audio-This book and audio set teaches 101 Jazz Bass Patterns played over chords and chord progressions that are fundamental to the harmonic language of jazz.This is a very useful collection of major Dorian and Mixolydian patterns eight bar patterns turnaround patterns and more. Because each pattern is played over a common chord progression it will be easy to apply these examples in performance. In addition you'll experience anoticeable improvement in your knowledge of the fingerboard technical facility harmonic vocabulary and the ability to conceive and express modern musical ideas.This book includes a glossary of jazz scales and basictheory for the jazz musician. Ideal for those who currently play blues country folk classical or rock and desire to venture into jazz. Audio download available online. Written in standard notation and tablature.

Learn to Be a Studio Musician-You've just received your first studio call and already you can feel the tension mounting. Will you be able to read and interpret the music' Can you immediately get into the 'groove' without a lot of rehearsal time' How about coping with headphones and the ever-present click track' Here's an album that will give you 'studio' experience without the butterflies. No producer hovering over your shoulder no engineer hassling you for 'better sound.' This series is invaluable to every developing musician and will repay you with the experience you need and have a great time playing great music with this top-flight ensemble of working studio players! Includes a compact discfeaturing a complete version and a minus version of each piece with removable click-track on one channel and music book. Accompaniment: Tom Collier Keyboards Drums and Percussion Howard Roberts Guitar Dan Dean Electric Bass

For 4 and 5 String Bass Set-Bunny Brunel has played with Chick Corea Herbie Hancock Tony Williams Larry Coryell Wayne Shorter Al Dimeola Al Jarreau and many other jazz and fusion greats. Bunny has compiled over 250 pages of 'nuts and bolts' basicsneeded to play contemporary bass. Applicable to either 4- or 5-string bass this comprehensive text covers position playing utilizing scales and modes chords and harmony creating bass lines improvising fingering and muchmore! In notation only with fretboard diagrams.

Jazz Standard Progressions-This book contains ten walking bass lines to ten of the most common chord progressions from jazz standards. These walking bass lines will give you a good basis for what to play and how to outline the chords to provide a good solidwalking bass line for soloists to improvise over. I strongly suggest that you memorize these bass lines and try to substitue different notes here and there to alter the tonal colors. Also play the given arpeggios to better hearthe chord you are playing while being aware of the interval you are playing. Practice these slowly and with chordal accompaniment.