with Piano Accompaniment-A fantastic collection of solos for the English Horn player. Transcribed and edited by Thomas Stacy for Horn with piano accompaniment. Featured pieces includes Faure's Sicilienne Borodin's Notturno and Mozart's Adagio K.58a.

Studio Ghibli Songs for Horn/English. 10 arrangements for solo horn and piano from 7 Ghibli Cinemas.

Full Score-The Horn Concerto was written in 1971 and was the first of the ten concertos Gregson has composed to date. It is dedicated to the English horn player Ifor James who died in 2004 and was originally written for brass band. However in 2013 Gregson was asked by Paul Klein Principal Horn of the Ulster Orchestra and BBC Northern Ireland to undertake an orchestral version for him.  Gregson decided to score the concerto for a late Haydn sized orchestra with the addition of a percussionist to add some colour to the texture. The concerto takes as its starting point the Mozartian model namely a sonata form opening movement a song-like slow movement and a jaunty rondo finale. The opening movement opens with a strident motif built on rising fourths announced by the soloist and answered by the orchestra. This pattern of ‘question/answer’ continues until a climactic moment breaks the tension and is followed by a lyrical second subject announced by the soloist over undulating rhythmic patterns on strings. The music is developed and recapitulated from these ideas with the lyrical idea returning via solo clarinet with horn answering in canon. The movement ends with the strident fourths this time in inversion. The slow movement is in tertiary form and opens with an expansive melody from the soloist over a repetitive harmonic and melodic pattern. This is expanded and developed building all the while in intensity until it is interrupted by cadenza-like passages on the horn and muted brass. After a brief climax the music subsides into a moment of emotional serenity before the opening melody returns this time on solo oboe with the horn interweaving its own answering melodic lines. The rondo finale is more light-hearted in mood with a catchy 6/8 tune at its heart. It is twice interrupted first by an idea built on long held chromatic notes from the soloist against a highly rhythmic backdrop (wind brass and snare drum) then by a slower more thoughtful melodic idea. However

für Waldhorn (oder Englisch Horn) und Streichorchester-For English Horn and string orchestra

Rarely has a musical work been better characterized by its subtitle than Nicolas Bacri’s Lyric Interlude: ‘A Study in Pastoral Style’. When in 2008 the composer received the commission for a piece with English Horn from Cecilia Benner patron of the Chamber Music Society of Detroit he immediately thought of the duo between this instrument and the Oboe that Berlioz in the Symphonie fantastique placed at the beginning of the ‘Scène aux champs’ making suddenly appear a nocturnal country landscape where two shepherds carry on a dialogue on their pipes. First performed in March 2009 inits original version for English Horn Violin and Cello the Lyric Interlude for English Horn and Piano (Op.110b) nonetheless proclaims another tradition: that of British pastoralism illustrated by the music of Ralph Vaughan Williams (1872-1958) the 50th anniversary of his death having just been celebrated. This score pays him homage of rare sensitivity: set off by refined counterpoint the undulating lament of the beginning rhythmically supple evokes the waving wheat as does Vaughan Williams in the opening undulation of his Symphony No.3. The lyrical effusion briefly interrupted by a scherzo in 6/8 again pours out making the work evolve towards a slow ecstatic atmosphere close to the last of the English composer’s Three Preludes on Welsh Hymn Tunes. Far from bucolic postcard clichés and servile imitation this Lyric Interlude opens the doors to a realm where pure beauty reigns. The composer also wrote another version of this work for English Horn (or Flute Clarinet or Viola) Violin and Cello Op.110a (AL 30 751)

Andantino-English Dances Set I opus 27 is a light classic composition that was written for orchestra by the British composer Malcolm Arnold in 1950. The set contains four dances that continue without pause: the individual movements are indicated by the tempo markings. The work came about at the request of Bernard de Nevers at the time the head of publisher Alfred Lengnick and Co. who asked Arnold to write a suite of dances as an English counterpart to Dvo ákâ??s Slavonic Dances and Bartókâ??s Romanian Folk Dances. The première took place in the spring of 1951 played by the London Philharmonic Orchestra conducted by Sir Adrian Boult. Following the success of the first set DeNevers asked the composer to write a second one which Arnold completed the next year (Op. 33). The Andantino from the first set has been skilfully arranged and orchestrated for brass band by Ray Farr. English Dances Set I opus 27 is a light classic composition that was written for orchestra by the British composer Malcolm Arnold in 1950. The set contains four dances that continue without pause: the individual movements are indicated by the tempo markings. The work came about at the request of Bernard de Nevers at the time the head of publisher Alfred Lengnick and Co. who asked Arnold to write a suite of dances as an English counterpart to Dvo ákâ??s Slavonic Dances and Bartókâ??s Romanian Folk Dances. The première took place in the spring of 1951 played by the London Philharmonic Orchestra conducted by Sir Adrian Boult. Following the success of the first set DeNevers asked the composer to write a second one which Arnold completed the next year (Op. 33). The Andantino from the first set has been skilfully arranged and orchestrated for brass band by Ray Farr.

Volume 3 : 40 études moyenne force-In six books Maxime Alphonose provides 200 progressive studies for the Horn. The third volume of Deux Cents ?tudes Nouvelles M?lodiques Et Progressives is essential to intermediate level Horn players seeking to improve their technique on the instrument. Alphonose's studies focus on elements including tempo rhythm articulation rests dynamics syncopation breath control and neatness among other musical aspects. Compiled in 1924 Alphonse's Deux Cents ?tudes Nouvelles M?lodiques Et Progressives has enhanced the studies of many prolific Horn players. With notes in French English German and Japanese this Alphonse book is versatile and crucial to the progress of any Horn player.

English Folk Tunes contains 29 original arrangements of traditional and contemporary tunes including ballads, sea shanties, and carols. Most of the pieces are arranged for solo guitar, with several also offered as trios and with accompaniments.Experienced folk guitarist, and author of Scottish Folk Tunes for Guitar (ED 13359) Hugh Burns provides notes on all of the pieces, as well as playing tips, and technical advice. The volume is accompanied by a CD with a recording of all tunes performed by Hugh Burns. German and French translations of all texts are available as pdf downloads from the Schott Music website. Suitable for players of grades 3-8. / Guitare

Eight Bel Canto Songs for solo winds with Piano accompaniment. Compiled and edited by Harry I. Phillips. For French Horn or English Horn.

Five Portraits Of Women is a work by Aulis Sallinen for Soprano Solo Horn and Large Ensemble. This is the Vocal Score which sets five poems three of which are by the composer with two by Paavo Haavikko. A full performance lasts around 25 minutes. The lyrics are in both the original Finnish and in English translation.

English Folk Tunes for Descant Recorder' is a collection of 62 arrangements for descant recorder, of traditional tunes including a range of styles such as Ballads, Hornpipes, Jigs and more. Experienced recorder player and co-author of the Baroque Recorder Anthology series, and Fun and Games with the Recorder series amongst others, Peter Bowman provides notes on all of the styles covered, as well as individual pieces. The volume is accompanied by a CD with a recording of all tunes performed by Kathryn Bennetts. German and French translations of all texts are available as pdf downloads from the Schott Music website as well as MP3 play-along tracks. Suitable for players of grades 3-8. / Flûte A Bec

Author of numerous folk music collections for Schott Music, Vicki Swan presents this collection of 54 traditional English folk tunes arranged for 1 or 2 flutes. A CD recording of the tunes is also included as well as downloadable German and French translations of all texts. Suitable for players of grades 3-8. / 1 Ou 2 Flûte(s) Traversière(s)