The Modern Way to Play the Trumpet. Par O'NEILL JOHN / WATERMAN STEVE. These methods provide complete courses for players off all ages, guiding students from their first note to 'classics', together with compositions by contemporary writers. Each book is accompanied by downloadable, high quality rhythm section audio-tracks. Right from the start, students can enjoy authentic jazz sounds, playing in the company of professionals. With step-by-step instruction and a progression of specially written pieces, the fundamental elements of good technique are introduced alongside the rhythmic subtleties of jazz. Improvisation is encouraged from an early stage and is given direction through the systematic study of scales and arpeggios and advice on ear-training and chord patterns. With supplementary suggestions for listening and reading, and an Appendix containing all the chord progressions for 'live' accompaniment of the tunes, 'The Jazz Methods' are ideally suited to both students working alone and those learning with a teacher. The 'Jazz Method for Trumpets' will guide beginners of all ages from producing their first note on the instrument to the performance of full-blown pieces, including 'classics' by Thelonious Monk, Dizzy Gillespie, Miles Davis and Freddie Hubbard./ Méthode / Trompette

for Trumpet and Piano-Halsey Stevens Sonata for Trumpet solo and Piano accompaniment.

Intermediate/Advanced. The man who brought the trombone to the front of the band was also known as a great composer. These hard boppin' favorites are a fitting tribute to his legacy. Boneology - Coffee Pot - Fatback - Flat Black - Interlude - In Walked Horace - Lament - May I Have Dis Dance - Mohawk - Shutterbug - Ten-85 - Turnpike - Kenya. Rhythm Section: Steve Allee (piano); Tyrone Wheeler (bass); Steve Davis (drums)Support média : Compact discLangue : en anglais

INTERMEDIATE/ADVANCED. THIS SET FEATURES THE MUSIC AND PERFORMANCES OF SAMUELS' CARIBBEAN JAZZ PROJECT. A TOTALLY AUTHENTIC LATIN JAZZ FUSION SET - SOUNDS AWESOME! RHYTHM SECTION: DAVE SAMUELS (VIBES) STEVE KAHN (G) DARIO ESKENAZI (P) RUBEN RODRIGUEZ/OSCAR STAGNARO (B) MARK WALKER/ROBIE AMEEN (D) RICHIE FLORES (PERCUSSION) INCLUDES: # ONE STEP AHEAD # PACO AND DAVE # IVORY COAST # ONE FOR TOM # RAIN FOREST # LATIN QUARTER # JAMBOREE # SADIE'S DANCE # TURNABOUT # ARTHUR'S DANCE

Arr. Sykes S. Par WILLIAMS JOHN. John Williams ' Fanfare et voler les thème ' instantanément reconnaissable de E.T.(The Extra Terrestrial) arrangé pour brass band par Steve Sykes./ Répertoire / Brass Band

Lyrics included. It has become standard practice today for the professional musician to play at least one Latin tune in each set as added spice to the overall sound. This set contains ten beautiful Bossa Novas that jazz players have been playing for years. Complete with melody, chords and lyrics. Transposed parts, too! These songs, with their crisp, clean tropical flavor, always seem to find a way of warming up those cold practice rooms on a cool day. Find out why this has always been one of our most popular volumes. Rhythm section is Hal Galper, piano Steve Gilmore, bass Bill Goodwin, drums. Girl From Ipanema - One Note Samba - Desafinado - Meditation - So Nice - Little Boat - How Insensitive - Wave - Quiet Night - Once I Loved

Par WARREN DIANE. Diane Warren est l'un des plus grands auteurs-compositeurs d'aujourd'hui et de sa chanson ' il vous ll ' a été présentés dans le film Pearl Harbour mettant en vedette, Ben Affleck et Kate Beckinsale. L'arrangement brass band a été déposée par Steve Sykes./ Répertoire / Brass Band

Par BRUBECK DAVE. The classic jazz number Take Five was first recorded by the Dave Brubeck Quartet and released on its 1959 album Time Out. Composed by Paul Desmond, the group's saxophonist, it became famous for its distinctive, catchy melody and use of quintuple time, from which the piece got its name. This brass band arrangement, by Steve Sykes, captures the jaunty slant of the original. Brass Band Grade 4: Advanced Youth and 3rd Section. Duration: 4 minutes./ Répertoire / Brass Band

These jazz classics represent a slice of Mile?s illustrious career, from 1957 to 1964, during which Miles was at the apex of his popularity. As an example of Miles unparalleled influence as a trumpeter, composer and band leader, several of his sidemen Cannonball Adderly, John Coltrane, Bill Evans, David Liebman, Thelonious Monk, Charlie Parker, Sonny Rollins and Wayne Shorter have all had play-a-longs of their own compositions presented here in this series! Commemorating the 50th play-a-long in the series, here are the classic tunes Miles Davis made famous. Pianists and everyone else interested in piano voicings/comping, now have the extra advantage of being able to purchase all of Mark Levine?s piano comping transcribed note-for-note in the Volume 50 Transcribed Piano Voicings book! Rhythm section is Mark Levine, piano Todd Coolman, bass and Steve Davis, drums. All Blues - Nardis - So What - Eighty-One - Freddie Freeloader - Joshua - Milestones (New) - Blue In Green - Seven Steps To Heaven

Level: easy / intermediate Format: English / French / German Arranger/Editor: Thomas Stevens This book is a supplement to the original James Stamp Warm-Ups and Studies (Editions Bim, Switzerland), and all of James Stamp's concepts and instructions presented in the original volume should apply to these studies as if they were included in this book. The Stamp Warm-up No.6 from the original book (page 10) constitutes the main body of these studies (II, 1-6, pages 18-35). In his studio teaching, James Stamp had his advanced students play No.6 in the natural minor, harmonic minor, 'jazz' melodic minor, whole-tone, and diminished scales, versions of which are included in this volume. The philosophy of the Supplemental Studies, to which James Stamp agreed many years ago, was to fill in some of the blank pages of his legacy, to wit: to show his advanced scale exercises and some of his pedagogical 'roots.' One cannot do this without mentioning Max Schlossberg (1873-1936), whom many consider to be the father of the American school of trumpet playing, and who had a great influence on James Stamp's work. James Stamp was a student of professor Schlossberg, and he used, especially during his formative years as a teacher, some of Schlossberg's original unpublished materials in his work. Schlossberg's concepts also greatly influenced the development of the now world-famous original published Stamp materials (Editions Bim). The Supplemental Studies include four preparatory scale exercises (I, page 8-16) and five attack-air flow studies (III, page 36-39) used by James Stamp, both sets of which have their origins in the concepts of Max Schlossberg and the members of the so-called Schlossberg School. Thomas Stevens