Voici une des nombreuses partitions de Wolfgang Amadeus Mozart. Ce génie, mort à l'âge de 35 ans, a révolutionné la musique classique. Vous retrouverez à travers la partition CANTOLOPERA: ARIE PER TENORE + CD tout le talent de Mozart. Cette partition a été composée pour Voix Et Piano. C'est l'éditeur Ricordi qui a publiée cette oeuvre. / Voix Et Piano / Partition + Cd

Voici une des nombreuses partitions de Wolfgang Amadeus Mozart. Ce génie, mort à l'âge de 35 ans, a révolutionné la musique classique. Vous retrouverez à travers la partition FINTA SEMPLICE tout le talent de Mozart. Cette partition a été composée pour Voix Et Piano. C'est l'éditeur Ricordi qui a publiée cette oeuvre. / Voix Et Piano / Partition

Le Mariage de Figaro, Don Giovanni et La Flûte enchantée sont trois des opéras les plus aimés et réalisé par Wolfgang Amadeus Mozart, mis à livrets de Lorenzo da Ponte et Emanuel Schikaneder. Disponible depuis de nombreuses années, ces trois partitions vocales avec des réductions de piano dans 'La Royal Edition des opéras de la série chez Boosey and Hawkes disposent traductions chanter en anglais par Edward J Dent à côté du texte chanté original et les notes liminaires. / Voix Et Piano

Dramma per musica in three acts (Hardcover)-?Idomeneo?(KV 366) erstmals aufgeführt am 29. Januar 1781 im Münchner Cuvilliés-Theater ist nach der Opera buffa ?La finta giardiniera? von 1775 Mozarts zweite Oper für den Münchner Hof. Der Opernstoff (?Idoménée? von Antoine Danchet) und dessen Umformung zu einem Libretto war in einer schriftlichen Anweisung dem leider verschollenen ?Plan? wie sie im Briefwechsel zwischen Vater und Sohn genannt wird fixiert worden. Der Bärenreiter-Klavierauszug enthält im Anhang die Striche und Änderungen anlässlich der Uraufführung in München und der Wiener Revision 1786. Vorschläge für Kadenzen oder zur Auszierung von Fermaten in den Singstimmen sind als Fußnoten wiedergegeben.

The Requiem was Mozart?s final composition. It was commissioned by the widow of the Countess von Walsegg who died in February 1791. After working on the Requiem through October and November however Mozart fell ill and died without completing it. Mozart's widow needing money asked Joseph Eybler to complete the work. Unfortunately he could not finish the work and it was handed over to Franz Xaver Sussmayr. However Sussmayr was a musician of limited capabilities and much of his contribution was in fact a copy of Eybler's work.

A critical and popular success from its 1786 debut Mozart's musical comedy elevated the opera buffa to new heights. Le nozze di Figaro ('The Marriage of Figaro') ossia la folle giornata ('or The Day of Madness') reassembles characters from The Barber of Seville for a romantic romp involving mistaken identities remarkable coincidences and the triumph of true love.This authoritative practice and performance edition presents Lorenzo da Ponte's vocal score originally published by Casa Ricordi Milan. Ideal for study practice and performance it contains the complete vocal music with a piano reduction of the orchestral score. Vocalists voice majors and teachers andrehearsal pianists will rejoice in this high-quality low-cost edition of Mozart's masterpiece. Note: Lyrics are in the original Italian only.Dover (2001) republication of the vocal score from an authoritative early edition.

Batti Batti O Bel Masetto is taken from the Opera Don Giovanni. Don Giovanni is widely regarded as one of the greatest pieces of music ever composed and of the many operas based on the legend of Don Juan Mozart's is thought to be beyond comparison. The opera was billed as dramma giocoso or playful drama belonging to a genre neither completely comic nor completely tragic. In the original production the actors alternated between spoken recitative and sung aria but most modern productions use the secco-recitatives composed by Mozart in place of the spoken text.

Long neglected and misunderstood 'Cosi Fan Tutte' (Thus Do All Women) emerged from obscurity in the twentieth century and has come to be regarded as among Mozart's finest works. The Libretto is by Lorenzo da Ponte and tells of two friends Ferrando and Guglielmo who wager with Don Alfonso that their lovers Fiordiligi and Dorabella will remain constant in their absence. To prove the point they depart under false pretences and return as 'Albanians' to try to woo the women away. Each of the six characters receives an equally insightful musical portrayal for example Fiordiligi transcends her role as the victim of cruel manipulation revealing a complex personality that issincere capable of growth and inarguably sympathetic. In contrast Guglielmo never progresses beyond concern for his own ego and interests; his music therefore remains within the stock traditions of opera buffa. The ambigous nature of the ending (who actually loves whom?) can be seen as appropriate given the emotional issues aired during the drama. This is the Schirmer edition of the Vocal Score with an English version by Ruth and Thomas Martin.