J. S. Bach's Six Cello Suites are some of his most frequently performed and recognisable solo compositions. Here the six suites have been meticulously transcribed for the Saxophone, adapting articulation, double stops and octave shifts to mimic the Cello as much as possible. / Saxophone

Easy Popular Movie Instrumental Solos is an accessible selection of movie hits for the beginning student, with simple notation and a play-along CD. Available for flute, clarinet, alto saxophone, tenor saxophone, trumpet, horn in F, trombone, violin, viola, cello and piano accompaniment. Believe (The Polar Express); Come So Far (Hairspray); Gonna Fly Now (Rocky Balboa); Hedwig's Theme (Harry Potter and The Sorcerer's Stone); In Dreams (Lord of the Rings: The Fellowship of the Ring); James Bond Theme (Casino Royale); Over the Rainbow (The Wizard of Oz); The Pink Panther Theme (The Pink Panther); Raiders' March (Raiders of the Lost Ark); Way Back Into Love (Music and Lyrics)

Par VOLANS KEVIN. Baobab is derived from the composer's cello concerto (1997) and much of the material is cast as a dialogue between voices of differing colour. Baobab is dedicated to Raaf Hekkema./ Répertoire / Saxophone

Easy Popular Movie Instrumental Solos is an accessible selection of movie hits for the beginning student, with simple notation and a play-along CD. Available for flute, clarinet, alto saxophone, tenor saxophone, trumpet, horn in F, trombone, violin, viola, cello and piano accompaniment. Believe (The Polar Express); Come So Far (Hairspray); Gonna Fly Now (Rocky Balboa); Hedwig's Theme (Harry Potter and The Sorcerer's Stone); In Dreams (Lord of the Rings: The Fellowship of the Ring); James Bond Theme (Casino Royale); Over the Rainbow (The Wizard of Oz); The Pink Panther Theme (The Pink Panther); Raiders' March (Raiders of the Lost Ark); Way Back Into Love (Music and Lyrics)

Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison Denisov's works includes 16 concertos. It was a genre to which he returned time and again throughout his life, from the Concerto for Cello and Orchestra of 1972 to the Double Concerto for Flute, Clarinet and Orchestra of 1996. In Denisov's music the role of the soloist, or rather the protagonist, is extraordinarily important, not so much for its virtuosity as for its confessional character. The solo part is a monologue distinguished by poetic diction and a very personal message from the composer. The dramaturgical conception of the Concerto for Saxophone and Orchestra, a reworking of the Viola Concerto of 1986, draws on traditional sonata form, thereby reaffirming the ubiquitous classicism in Denisov's thought. In this late work, we find all the typical features of his style: sinuous melodic lines layered into dense contrapuntal textures, and an interplay of orchestral colours, with pure sonorities contrasting with complex mixtures of sounds. It is a perfect dramaturgy that governs the evolution of the music to the very end. The first movement assumes the role of a sonata-allegro, with the standard formal sections of exposition, development, recapitulation and coda. The second movement is an Adagio for strings. The third takes the form of a little contrasting intermezzo that introduces both new thematic material and a new range of colours. Here tunefulness gives way to pointillism enriched with sonic effects. The only movement with a virtuosic solo part, its nervousness and inner tension set it worlds apart from the second and fourth movements that surround it. The fourth movement assumes the traditional form of a final set of variations. It is the dramaturgical and semantic heart of the concerto. The theme of the variations is Franz Schubert's Impromptu in B-flat major, op. 142, which in this case is 'born' from the celesta as the product of a dodecaphonic string cluster. This finale represents Denisov's homage to his great mentor, Schubert's music being for him a symbol of eternal and universal beauty. 'The attentive listener', Denisov stressed, 'will recognise that the Impromptu theme is already suggested very slowly in the course of the three preceding movements, not only thematically, but also psychologically. That's what makes the appearance of the Schubert theme sound so natural.' The variations relate to the variation genre less in their form than in their spiritual and conceptual metamorphoses. It is, one might say, 'music round about Schubert'. (Ekaterina Kouprovskaia-Denisova)/ Répertoire / Saxophone Alto et Piano

This series offers a versatile selection of music for flute, clarinet, alto sax, tenor sax, trumpet, horn in F, trombone, violin, viola, and cello. Each book contains carefully edited arrangements appropriate to each instrument, and is well suited for level 2-3 students. The CD includes a fully orchestrated demo track of each song, which features a live instrumental solo performance, followed by a play-along track. Also included are PDFs of piano accompaniments, and Alfred's Tempo Changer Software. / Saxophone Alto

Trascrizione: Daniele FazianiClarinet and Saxophone Magazine (Spring 2020)... These transcriptions sit well on the baritone saxophone. Daniele Faziani has chosen to transcribe directly from the original key, trying to mantain as many of Bach’s compositional aspects as possible. A saxophone model down to low A is essential, as these versions make good use of the low end of the baritone. ... (Berdel Efe Gulsen) / Saxophone / Ut Orpheus

Ce livre contient un mélange de quinze pièces en musique classique et populairedifférents styles de chansons appropriées pour les parties à des morceaux adaptés pour lesrencontres officielles. Un play-along CD est inclus ainsi vous avez toujours unebacking band à portée de main. / Saxophone Tenor / 20 pages / niveau : Très Facile / Partition + Cd