This collection presents 195 carefully graded sight-reading pieces and exercises in a range of musical styles, for solo Double Bass. Taking an approach based on self-learning, the 11 sections of the book focus on developing different key technical skills as well as introducing the student to a plethora of musical terms.Each section of the book contains solos, as well as Double Bass duets, and pieces with piano accompaniment for practising ensemble sight-reading. Suitable for preliminary, to advanced level students. Part of the comprehensive Sight-Reading series published by Schott and edited by John Kember. / Contrebasse

Advanced Level-David Walter demonstrates each of these wonderful intermediate-level solos on double bass. These solos help you make all necessary adjustments to professional-level interpretation and technique. Includes a high-quality printed music score annotated with performance suggestions and a compact disc with complete versions (with soloist) followed by piano accompaniments to each piece minus the soloist. Performed by David Walter double bass Accompaniment: Judith Olson piano

Editée au cours de l'exercice 2011-2012 par les éditions Fertile Plaine, la partition qui a pour titre 3 oiseaux ( pour trio de contrebasse et piano , d'après Delibes ) du compositeur Postel-Vinay Emilie a été cataloguée sous la référence FP 1273 par l'éditeur. Cette oeuvre est écrite pour Contrebasse. En 3 clics et quelques jours elle peut être chez vous. / Contrebasse / Partition

Voici une partition musicale pour Contrebasse que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Classique cette partition a pour titre Un drole de baobab ( contrebasse et piano ). C'est l'éditeur Fertile Plaine sous la référence FP 237 qui a les droits pour éditer cette partition. / Contrebasse / Partition

Un nombre quelconque des artistes suivants : pf - 1 en solo (FLA, a-fl).0.1.1(bar-sax) - 0.1.1.1 - str (3 vl, 2 vla, vc, db) 63 pages pour être joué, en tout ou en partie, dans n'importe quelle séquence - 84 ' types ' de composition sont impliqués. Etre effectuées, en tout ou en partie, dans toute durée, avec un nombre quelconque des interprètes ci-dessus comme solo, ensemble de chambre, orchestre symphonique, concert pour piano et orchestre, aria, etc. (voir aussi ARIA, SOLO pour voix 1,2, FONTANA MIX, WBAI). Des pièces disponibles séparément (EP 6705a-m) / Contrebasse

Editée au cours de l'exercice 2011-2012 par les éditions Fertile Plaine, la partition qui a pour titre Hyperespace ( contrebasse et piano ) du compositeur Durand Ph. a été cataloguée sous la référence FP 885 par l'éditeur. Cette oeuvre est écrite pour Contrebasse. En 3 clics et quelques jours elle peut être chez vous. / Contrebasse / Partition

La partition Ballade (Piano Et Orchestre) Op19 Partie De Contrebasse a été composée pour Contrebasse. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Contrebasse / Partition

Ce livre/cd permet aux bassistes de tous niveaux d'étudier le langage du jazz. Il contient 21 solos qui sont enregistrés sur le CD par Mike LeDonne (Piano), Peter Washington (Basse) et Kenny Washington (Batterie). Deux enregistrements par morceaux : une version complète une version sans la partie solo. / Guitare Basse

Par GILMORE S.. For All musicians wishing to learn fantastic bass lines. While reading from the book, play along with the bassist on the recording (sold separately) until you feel you’ve mastered his “feel” and nuances. Then, using the special stereo separation on all of our Play-A-Long recordings, switch the bassist off and play along by yourself with just the piano and drums! This book (like all the Aebersold bass line transcription books) is a great study in professional bass line construction, and is a natural companion to the Aebersold Play-A-Longs. Combo instructors can use this book to give their bass students instant, professional bass lines. Includes notes in bass clef withchord symbols above each measure. THIS BOOK: Transcribed bass lines to the chord changes of: Blue Moon, Don’t Blame Me, I Left My Heart In San Francisco, Invitation, Just Friends, Laura, My Secret Love, No Greater Love, On The Trail, On Green Dolphin Street, Once In Awhile, Over The Rainbow, Spring Is Here, Star Eyes, Stompin’ At The Savoy, The Shadow Of Your Smile, You Stepped Out Of A Dream, and Without A Song. / Rép International / Recueil / Guitare Basse

Par RAVEL MAURICE. In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane”. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated 'Tzigane” and both versions remain a 'must” for music-lovers and aspiring violinists today. Jelly D'Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel's masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer's earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition - one of the available sources, consulted for the first time, was a copy of 'Tzigane” from the estate of Jelly D'Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D'Aranyi. D'Aranyi's alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D'Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto. - First scholarly-critical Urtext edition of the work - Presented are both versions: for violin and orchestra and for violin and piano - Includes Jelly D'Aranyi's fingering/ Répertoire / Contrebasse

This famous Concerto for Double Bass and Piano accompaniment by Edouard Nanny is part of the “Double Bass Classics”. It is the famous piece n°23 of this collection which even though attributed to Dragonetti is commonly acknowledge as a tribute to him composed by Edouard Nanny. The book features a score and Double Bass part. Written in A major and divided in three parts Allegro Moderato Andante and Allegro Giusto all its movements start with the Piano which is later joined by the Double Bass. This latter then becomes the main element the Piano accompaniment being mainly chords. Quite difficult this piecewould fit the skills and abilities of advanced players for recitals or concerts. Edouard Nanny (1872-1942) was a well-known French Double Bass player composer and professor.

4-CD Double Bass Play-Along-Performed by Andrew Kohn Accompaniment: Gail Kusbit piano For the first time all 30 of Franz Simandl's famous etudes are available with full piano accompaniment for your learning and practice pleasure. These are some of the most important pieces any double bassist will use. Covers all aspects of performance technique including: attack bowing mordents and trills intonation dexterity legato/marcato leaps syncopation cantilena playing and much much more! Includes a newly engraved solo part printed on acid-free ivory paper as well as four compact discs featuring Mr. Kohn performing each piece then the accompaniment alone for your performance.

Piano Accompaniment-It is rare in music pedagogy that something truly revolutionary comes along. Progressive Repertoire is the first English language method for beginning Double Bass to incorporate the innovative division of the Bass fingerboard into six positions developed by renowned French bassist Fran'ºois Rabbath in his three volume Nouvelle Technique de la Contrebasse. Mr. Vance has created a method that introduces these revolutionary ideas in a progressive manner using familiar folk and classical material to produce studies and pieces that will appeal to novice Basses of all ages. In addition a Compact Disc is included with each of the primary books containing all the music performed byFran'ºois Rabbath with Elizabeth Azcona-Hartmark piano.Progressive Repertoire for Double Bass will introduce American teachers and students to the most important techniques developed for the instrument.