Sarah Jeffery, connue dans le monde de la flûte à bec notamment grâce à sa chaîne YouTube Team Recorder , présente dans ce volume ses morceaux préférés pour flûte à bec soprano (ténor) et piano. Des variations sur The Wellerman aux adaptations romantiques et aux compositions modernes, en passant par l'estampie médiévale, les danses de la Renaissance et les mouvements baroques, 14 ?uvres originales et des arrangements de difficulté moyenne garantissent un pur plaisir de jouer. Avec des pistes audio à écouter et à accompagner ainsi que des vidéos avec des informations et des conseils. Photo de couverture par Claudia Hansen.Anon. (Irish Traditional): Dear Irish BoyAnon. (Sea Shanty from New Zealand): The Wellerman (Variations)Anon. (14th Century): EstampieJacob van Eyck (ca. 1590 ? 1657): Doen Daphne (Variations)John Dowland (1563?1623): The Earl of Essex GaillardHenry Purcell (1659?1695): Rondeau (No. 2 from Abdelazar)Michel Blavet (1700?1768): Sonata seconda, 1st and 3rd movements - George Frideric Handel (1685?1759): Voli per l?aria chi può volareJoseph Bologne, Chevalier de Saint-Georges (1745?1799): Rondo (from: Harpsichord Quartet)Samuel Dushkin (1891?1976) / Maria Theresia von Paradis (1759?1824): SicilienneClara Schumann (1819?1896): Ich stand in dunklen TräumenVittorio Monti (1868?1922) CzárdásBarbara Heller (*1936) Water Lily (from: Musical Flowers)Victor Alcantára (*1975): Invisible Poem (extracts) / Flûte à bec / Schott

20 pièces pour Flûte à bec alto et Piano - avec CD. Peter Bowman and Kathryn Bennetts present the fourth and final volume in the Renaissance Recorder Anthology. Standard Renaissance works are included alongside lesser known works for treble (alto) recorder and piano (keyboard). The pieces are all of an intermediate to advanced level of difficulty (UKGrade 7-8 UK). Detailed information on the composers, dance forms and pieces is also included. / Niveau : Intermédiaire à Avancé / Recueil / Flûte à Bec

Fifteenth-Century Music. 'The Schott Recorder Consort Anthology' presents a wealth of music from the fifteenth to the seventeenth centuries. Although the bulk of the collection is laid out for a variety of four-part ensembles there are also duets and trios, as well as five- and six-part pieces. The repertoire includes both original instrumental works and transcriptions of vocal pieces. There are lively and stately dances, fantasias, and arrangements of expressive madrigals, catchy chansons and more restrained religious pieces; all are chosen for their effective realization by recorder consorts. 136 Renaissance pieces with notes on sources, editorial technique and interpretation. Volume I contains a valuable introduction to the series and to the art of consort playing. 2-6 recorders: Descant, Treble, Tenor, Bass in various combinations./ Recueil / 2-4 Flûtes à Bec

Author of the Baroque Recorder Anthology series, Peter Bowman, along with Kathryn Bennetts presents the second in a series of four volumes dedicated to recorder music from the Renaissance period. Featuring a variety of interesting pieces scored for recorder and keyboard accompaniment, this collection includes works by well-known figures as well as lesser known and rarely available pieces from a range of other composers.Suitable for students of ca. 4-5 years' of playing experience, this book includes composer biographies and teaching notes on each piece, together with a CD recording of all works performed by Kathryn Bennetts. / Flûte A Bec Soprano Et Piano

A collection of forty fantastic pieces from the Medieval Renaissance and Baroque periods. It is mainly designed for use by the growing numbers of school recorder groups who need a comprehensiveand readily available repertory of recorder music.

Also suitable for tenor recorder and most dances also suitable for treble Recorder

Recorder Quartets - Volume 1 - Vocal Music of the Renaissance   Contents:   Now o now I need must part - John Dowland (SATB)   Fair Phyllis I saw sitting alone - John Farmer (SATB)   Come lovers follow me - Thomas Morley (AATB)   I will no more come to thee - Thomas Morley (AATB)   Motet 'Ecce iam venit plenitudo' - Gioseffo Zarlino (ATTB)   Si el pastorcicos es neuvo - Juan Vásquez (ATTB)   Dizen a mi que los amores é - Jaun Vásquez (ATTB)   Par amores lo maldixo - JuanVásquez (SATB)   Zagaleja de lo verde - Juan Vásquez (SATB)   Quando? quando? - Juan Vásquez (SATB)   Il est bel et bon? - Passereau (SATB)   Allon gay gay gay bergerès - Guillaume Costeley (SATB)   Orsus orsus vous dormez trop - Clement Jannequin (AATB)   El grillo - Josquin des Préz (AATB)

Balletto delle Ninfe-Italienische Tanzmusik des Frühbarock. Heft 2 Vierstimmige Sätze für Blockflötenensemble Renaissance- oder andere Instrumente von Rossi und d'India. · Salamone Rossi: Sinfonia à 4 / Gagliarda detta Venturino   · Sinfonia à 4 / Gagliarda detta Marchesino   · Sigismondo d'India: Vier Tänze aus'Balletto dei Re della China.... '   · Corrento in Ecco / Nizzarda  

Turlough O'Carolan was born in County Meath Ireland in 1670. He was trained as a youth to play the harp and throughout his life composed a large number of songs. O'Carolan developed a personal style containing melodic elementsof Irish folk music courtly harp music and Italian baroque music. O'Carolan's music was not published during his lifetime; therefore various versions of his melodies have been handed down through the aural tradition. It is alsonot known how he accompanied his melodies. This collection presents 39 favorite O'Carolan melodies in easily playable lively arrangements for alto (treble) recorder with guitar chords above the staves. Included are four originalmelodies by Richard Voss inspired by and in the style of the early master.

The first part of a two-volume anthology providing a graded selection of well-crafted and idiomatic arrangements for Descant/Soprano Recorder and Piano. All the works ranging from 14th century Renaissance music to contemporary pieces have been selected and edited by Kathyrn Bennetts and Peter Bowman.