Par ZILLER DIETRICH. Format: Parisien portrait/ Recueil / Ensembles de Flûtes à Bec (I: SAT/ II: SS/ III: SS

Anonymous Folk Poem-Soprano, Recorder (Soprano, Treble and Tenor Recorders) 1 player-2 playing score. Par FRANCES-HOAD CHERYL. Commissioned by John Turner for Gordon Crosse's 80th Birthday concert at The Martin Harris Centre, Manchester University, 22nd October 2017. Premiered by Lesley-Jane Rogers (soprano) and John Turner (Soprano, Treble and Tenor recorders). I'll have the Whetstone for soprano and recorder was written especially for Gordon on his 80th Birthday. When trying to find a text to set for the work, John Turner suggested I turn to The Guizer by one of Gordon's longtime friends, Alan Garner. In fact this book, which is a collection of stories about fools (!) was dedicated to Gordon! The anonymous folk poem that I chose immediately appealed to me and I had great fun setting the whimsical lines! / Date parution : 2022-02-03/ Répertoire / Flûte à Bec

If you've been learning how to play recorder for a little while, you are probably eager to learn some familiar songs. This book includes a wide variety of favorite songs, from pop hits and movie themes to classical melodies and folk songs. Includes: All You Need Is Love (The Beatles) · Believer (Imagine Dragons) · Carnival of Venice · Evermore (from Beauty and the Beast) · Fly Me to the Moon (In Other Words) (Frank Sinatra) · God Bless America® (Irving Berlin) · Hello (Adele) · I Will Always Love You (Whitney Houston) · Just Give Me a Reason (Pink) · Let It Go (from Frozen)· Moon River (Henry Mancini) · Perfect (Ed Sheeran) · Roar (Katy Perry) · Shake It Off (Taylor Swift) · Uptown Funk (Bruno Mars) · and more./ Recueil / Flûte à Bec

Over 500 great standards and jazz classics for all 'C' instruments. Includes Take Five, Lullaby Of Birdland, Ain't Misbehavin' and I'm Beginning To See The Light plus many more. / Jazz / Partition /

Eight Little Three-part Pieces. Par BACH JOHANN SEBASTIAN. Johann Sebastian Bach wrote the present short, three-voice pieces for cembalo. Minuet BWV 929 comes from the collection entitled Small Preludes and Fughettas and was probably written as teaching material. The Minuet and the Polonaise from the Notebook for Anna Magdalena Bach are examples of the Bach family's domestic music. Gavotte II (ou la Musette) and Gavottes I and II come from the English Suites, while a further gavotte was sourced from the French Suite No. 5. The Recorder Trio à la Carte series presents attractive pieces for recorder trio that cover a wide stylistic spectrum encompassing arrangements and original compositions from the classical and entertainment repertoire. It also combines the instruments of the recorder family in various ways. Recorder Trio à la carte opens up new paths that feature high quality, professional-standard recorder literature which motivates young players, sounds good and appeals to listeners. • Spirited dances by J. S. Bach in stylish arrangements for an enjoyable venture into the world of Baroque music • Suitable for students of all ages at intermediate-level and beyond • A beautiful addition to the J.S. Bach recorder repertory/ Recueil / 3 Flûtes à Bec SAB/STB

6 Partiten Für Altblockflöte Und Bc - Heft 1 (I-Iii). Par TELEMANN GEORG PHILIPP. Telemanns 'Kleine Cammermusik', 1716 erstmals im Druck erschienen, ist vorzugsweise für Oboe bestimmt. Um diese reizvollen Kompositionen auch den Altblockflöte-SpielerInnen zugänglich zu machen, wurden die Partiten für die vorliegende Ausgabe transponiert, folgen aber davon abgesehen streng der Vorlage. Ein Juwel barocker Kammermusik! Die komplette Transposition dieses Standardwerks macht die berühmten Stücke nun auch Altblockflötern zugänglich. / Niveau : Assez Facile / Répertoire / Flûte à Bec

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition TRIO SONATE No I qui a été écrite pourFlûte A Bec Et Piano. Les éditions Billaudot qui ont éditées cette oeuvre l'ont répertoriée sour la référence GB7936. / Flûte A Bec Et Piano / Partition

La référence GB4878 de l'éditeur Billaudot dont l'auteur célèbre est Boismortier Joseph Bodin De, qui a pour titre SONATES I ET II, OPUS 27, a été écrite et composée pour Flûte à bec et plus particulièrement pour Flûte A Bec Et Piano. Cette partition musicale appartient à la catégorie Classique. / Flûte A Bec Et Piano / Partition

Music from the Motion Picture Soundtrack-This Recorder Fun!â'¢ pack makes learning to play recorder easy even if you've never played before! In no time at all you'll be playing your favorite songs from the hit 2019 Disney movie Frozen 2. This book includes easy arrangements of 8 songs in E-Z Play® Today notation plus a fingering chart. Songs include: All Is Found â'¢ Into the Unknown â'¢ Lost in the Woods â'¢ The Next Right Thing â'¢ Reindeer(s) Are Better Than People (Cont.) â'¢ Show Yourself â'¢ Some Things Never Change â'¢ When I Am Older.

The Chinese Pictures for solo flute (s) (1993) were composed for the premiere played by the solo flutist Walter van Hauwe but Yun also wished for a performance by German flutes. The four pieces which Yun composed in June 1993 in Hohegeiß/ Harz are characterised by the reduced structural capacity of his style the memories of far eastern flute-idioms - with the exceprion of the third piece Der Affenspieler - and a Buddhist pattern. Yun consistently limits his work: all pieces come from techniques of the evolved variations and contrastive adaptions from (repsectively different) two- or three-toned themes. The first two pieces have the contemplative tenor as well as the spiraldramaturgy of the upward auched semi-circle the archetypal symbol for heaven in common. However the themes are conflictive: Bigger intervals abound the single tone in I. Der Besucher der Idylle whereas the tight coupling with the 'main tone' through smaller intervals in II. Der Eremit am Wasser evoke a softer sound. This clearly mirrors the impression of the single tone as a brush mark. Both pieces are - just like IV. Die Hirtenflöte - inspired by various variations of the story of the shepherd and his ox which in east Asia is used to name the 'inner child' of a human. The title if the first piece in the autograph is Der Besucher der Eremitage and refers to Buddhist hermitage. The visitor of this idyll is the farmer who leads his ox to the water for him to drink. The continuation of this parable is expressed by the second piece Der Eremit am Wasser. Together with the farmer the hermit comes to the water and rinses his ears. The farmer asks him why he would do that and the hermit responds: 'I was in town at the royal palace. I was to be empoloyed as sergeant and got offered a good payment. But when I asked what I had to do I heard terrible things. That is why I have to rinse my ears. ' The farmer however is disgusted by the contamination of the water; he leaves the fountain without letting his ox drink. The title of the third piece

During the 1940s I was often involved with musical activities at Morley College where Walter Bergmann was the choir's accompanist. He was a keen recorder player and often asked me (then in my twenties) to write something for him. I must have obliged with this suite, although I have now absolutely no recollection of writing it. Amazingly the manuscript turned up many years later in, of all places, the musical library of Sir Thomas Beecham. Why and how I shall never know! Antony Hopkins (2012) / Flûte A Bec Et Piano

Par BONSOR BRIAN. The best way to learn any instrument is to have lessons from a good, experienced teacher. Although, happily, the number of such teachers is constantly growing, the recorder is still frequently taught by enthusiastic but inexperienced teachers and many players start by teaching themselves. This series of books sets out to help learners of all ages in all three situations. Experienced teachers, who may choose to disregard much of the text as personal demonstration is always clearer than the written word, will find exercises and fine tunes a-plenty to support their own mathod at each stage. The less experienced willbenefit from many valuable teaching hints culled from long experience and may rely on the books to lead to a sound playing technique and a mastery of simple notation. Those learning by themseves - and I started in this way - are urged to work carefully and systematically through the books, taking plenty of time to assimilate each point before moving on. For them, without the personal model provided by a live teacher, it is vitally important to listen as often as possible to fine players, in person or on record, so that they have in their mind's ear a clear notion of the kind of sound they would like to produce. But however they start, I can only wish that all who use these books will derive as much pleasure and musical satisfaction and gain as many lasting and valued friendships as I have through this most subtle, delightful and sociable of instruments. (Brian Bonsor) ?...this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken? (Oliver James, Contact Magazine) These two tutors, with accompanying teacher's books, are for newcomers to the instrument who are beginning on the treble and so assume no previous knowledge either of the instrument or of musical notation./ Recueil / Flûte à Bec et Piano

Recorder Quartets - Volume 1 - Vocal Music of the Renaissance   Contents:   Now o now I need must part - John Dowland (SATB)   Fair Phyllis I saw sitting alone - John Farmer (SATB)   Come lovers follow me - Thomas Morley (AATB)   I will no more come to thee - Thomas Morley (AATB)   Motet 'Ecce iam venit plenitudo' - Gioseffo Zarlino (ATTB)   Si el pastorcicos es neuvo - Juan Vásquez (ATTB)   Dizen a mi que los amores é - Jaun Vásquez (ATTB)   Par amores lo maldixo - JuanVásquez (SATB)   Zagaleja de lo verde - Juan Vásquez (SATB)   Quando? quando? - Juan Vásquez (SATB)   Il est bel et bon? - Passereau (SATB)   Allon gay gay gay bergerès - Guillaume Costeley (SATB)   Orsus orsus vous dormez trop - Clement Jannequin (AATB)   El grillo - Josquin des Préz (AATB)