Fun and jazzy versions of well-known Christmas tunes-These grade 1-3 pieces will add a real swing to your Christmas festivities - and your players will love them too! All of them are fabulous arrangements of favourite Christmas carols including optional second and third parts forensemble playing and a play-along CD. Sarah Watt's Razzamajazz series is the fun way to learn new pieces styles and technique.

The fun and exciting way to learn the flute-Razzamajazz Book 2 builds on the solid foundations laid by Book 1 and continues the student's fun and exciting journey. The approach follows the same winning formula and there are plenty more fun and jazzy pieces in Sarah'sinimitable glitzy style.

La Sonatina pour flûte et guitare op. 205 de Mario Castelnuovo-Tedesco (1895-1968) fut composée durant lété 1965, à la demande du duo formé par le flûtiste Werner Tripp (1930-2003) et le guitariste Konrad Ragossnig (1932). Cette nouvelle édition restitue la Sonatina dans le texte original du compositeur, en conservant scrupuleusement les nombreux signes darticulation et les indications figurant dans le manuscrit. / Flûte Traversière Et Guitare

10 Great Etudes For Playing And Improvising On The Blues. Par SNIDERO JIM. Plongez-vous dans l'essence du blues avec Jim Snidero. 10 études solos pour apprendre le phrasé, les gammes et jouer avec le bon 'feeling'. Les enregistrements studio de haute qualité avec des solistes reconnus comme Jeremy Pelt, Eric Alexander ou Steve Davis vous feront aimer les playbacks sur le CD. The Essence Of The Blues est tout à fait adapté aux cours, en particulier aux jeunes élèves, mais aussi pour l'apprentissage en autodidacte ou en pièce de concert pour les ensembles de jazz. Chaque pièce est accompagnée d'exercices d'accords, de suggestions pour la pratiques et d'indications pour l'improvisation ainsi que des conseils d'écoute./ Recueil / Flûte Traversière

Par MOZART WOLFGANG AMADEUS. Die Edition der Flötenstimme besorgte einer der renommiertesten Flötisten unserer Zeit: András Adorján. Die Kadenzen und Eingänge stammen von dem Mozart-Kenner, dem Musikwissenschaftler und Pianisten Robert D. Levin. Die vorgeschlagenen Kadenzen und Eingänge zeichnen sich dadurch aus, dass sich der Musizierende dank eines ausgeklügelten Verweissystems aus dem angebotenen Material immer wieder neue, 'eigene' Kadenzen zusammenstellen kann. Damit kommen Levins Vorschläge dem Improvisationscharakter von Kadenzen und Eingängen sehr nahe. Den Klavierauszug hat der Mozart-Kenner und Generalbaßspezialist Siegfried Petrenz geschrieben. Er strebt einen gut klingenden, technischnicht allzu anspruchsvollen Klaviersatz an, der sich deutlich von den verbreiteten, am Orchestersatz orientierten Klavierauszügen abhebt. Dadurch wird auch der typischen Unterrichtssituation Rechnung getragen, in der oft auch einfachere Sätze benötigt werden. / Partition brochée / Date parution : 1905-06-22/ Répertoire / Flûte Traversière et Piano

The colourful and richly diverse music of the Balkans became popular in Western Europe during the 1990s resulting in what can only be described as a 'Balkan boom' which still endures today. This selection of arrangements provides the opportunity for flutists to become acquainted with well-known traditional songs and dances from Greece, Hungary, Macedonia, Bulgaria, Turkey, Bosnia-Herzegovina and Dalmatia. Memoires is composed by Hidan Mamudov himself. Presented in an order that reflects their increasing level of difficulty, these pieces provide new experiences for intermediate to advanced players. A variety of lively pieces from Macedonia, Greece, Croatia, Hungary, Bosnia-Herzegovina, Bulgaria and Turkey arranged for two flutes 10 easy to moderate arrangements for flute introducing typical regional Introductory background information for each piece is provided For modern flute lessons that convey the fascination and fun of Balkan music/ Recueil / 2 Flûtes Traversières

The New Essential Companion. Henrik Wiese, the internationally renowned orchestral and solo flautist, has spent four years compiling what promises to be the definitive guide to audition repertoire for students preparing for a seat in a professional orchestra. He has worked with his own students in Salzburg as they engaged in auditions, as well as with other professional players and his teaching colleagues at the conservatorium. He sourced repertoire lists from job advertisements past and present and referred to other audition lists such as those of Baxtresser and Wye. Considerable research has gone into the differences between existing editions of the chosen pieces even, surprisingly, from twentieth century composers such as Prokofiev and Stravinsky. 'The Flute Audition” then looks at practical matters such as page turns and metronome markings. Wiese comments, for example, that Hindemith's own recording takes a passage from 'Symphonic Metamorphoses” markedly slower than in the score. The result of all this painstaking research is the most comprehensive collection of international audition pieces yet published in a single volume. 'This is an excellent collection of orchestral excerpts for the next generation of young musicians. You can use it to prepare for auditions anywhere in the world. Whether it's for an opera house, symphony or chamber orchestra, everything you need is here.'/ Recueil / Flûte Traversière