New Edition of the Complete Works V/5. Par SCHUBERT FRANZ. In addition to his symphonies, Franz Schubert also wrote and handed down to posterity a total of eight finished concert overtures (two of them in two versions) between ca. 1811 and 1819. With the exception of the “Overture in D” (D 4) to the comedy “Der Teufel als Hydraulicus” (“The Devil as Engineer”) and the “Overture in D” (D 26), whose original title was cut out of the manuscript, they are all compositions which are associated neither with a drama nor a programme. They thus embody the type of the pure concert overture at an astonishingly early point in the history of music and are also in keeping with this terminologically by virtue of explicitly not having any other appellations whatsoever in the title: the epithet common for two works “in the Italian style” was only added posthumously. Our volume sees publication for the first time of the “Italian Overture in C” (D 591) in its two authentic versions, this being in contrast to the performance tradition based on a potpourri of the sources. The widely handed-down but corrupted musical course of the “Overture in D” (D 590) has likewise been rectified for the first time. Overshadowed by his symphonies, Schubert’s overtures have hitherto been largely undervalued both in their reception and in musical practice – including the “Overture in E minor” (D 648), which sees Schubert venturing into radically new spheres of expression to a greater extent than in virtually any other of his works./ Recueil / Orchestre

Par SCHUBERT FRANZ. Ausgaben Für Die Praxis Nach Der Neuen Schubert-Ausgabe. Urtext/ Répertoire / Orchestre

Par SCHUBERT FRANZ. Ausgaben Für Die Praxis Nach Der Neuen Schubert-Ausgabe. Urtext/ Répertoire / Orchestre

The Great. Par SCHUBERT FRANZ. Ausgaben Für Die Praxis Nach Der Neuen Schubert-Ausgabe. Urtext/ Répertoire / Orchestre

Par SCHUBERT FRANZ. Dating from the Autumn of 1828, Schubert's 10th Symphony is arguably the composer's final creative endeavour. Using Schubert's extensive piano sketches - substantially complete for movements two and three, and containing the principle material for the movement - the renowned Schubert scholar, Brian Newbould, has realised the work as Schubert himself might have done. The editor's judicious and sensitive realisation, born out of a life-long study of the composer's workings, has resulted in a fascinating and rewarding addition to the symphonic repertoire. The 10th Symphony offers a unique insight into the startling, pioneering style of Schubert on the threshold of his fourth decade./ Répertoire / Conducteur

Par SCHUBERT FRANZ. Schubert's much-loved masterpiece is a mainstay of the classical choral repertoire. Prepared from the composer's autograph manuscript, Brian Newbould's authoritative new performing edition takes account of invaluable additional source material in Schubert's hand, discovered recently and now held in the Monastery Library at Klosterneuburg./ Répertoire / Conducteur

Die Verschworenen, D 787, Nach Der Autographen Part. Ergänzt Von Fritz Racek. Erstdruck. Par SCHUBERT FRANZ. Die Verschworenen, D 787, Nach Der Autographen Part. Ergänzt Von Fritz Racek. Erstdruck'/ Répertoire / Orchestre

Par SCHUBERT FRANZ. Neue Ausgabe Sämtlicher Werke. Urtext/ Répertoire / Orchestre

Die Verschworenen, D 787, Nach Der Autographen Part. Ergänzt Von Fritz Racek. Erstdruck. Par SCHUBERT FRANZ. Die Verschworenen, D 787, Nach Der Autographen Part. Ergänzt Von Fritz Racek. Erstdruck'/ Répertoire / Orchestre