Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, traités, articles, partitions de musique classique concernant le cor.Ces méthodes anciennes sont reproduites en fac-similé et regroupés en un volume.ANCELET - Encyclopédie - Encyclopédie Méthodique - Louis Joseph Le Neveu FRANCOEUR - François-Alexandre-Pierre de GARSAULT - Anton Joseph HAMPEL et - Jan Vaclav STICH - Jean-Benjamin de LABORDE - Marin MERSENNE - Valentin ROESER - Jean - SERRE DE RIEUX - - Pierre TRICHET - Othon-Joseph VANDENBROCK (1-2-3).Table des matières : Mersenne Marin : Harmonie Universelle - 1636Trichet Pierre : Traité des instruments - c.1640Serre de Rieux Jean : Les dons des enfans de Latone - 1734Encyclopédie : Article sur le cor - 1751/1772Ancelet : Observations sur la musique - 1757Garsault François Alexandre Pierre de : Notionnaire, ou mémorial raisonné - 1761Roeser Valentin : Essai d'instruction - 1764Francoeur Louis Joseph : Diapason général - 1772Laborde Jean Benjamin de : Essai sur la musique ancienne et moderne - 1780Encyclopédie Méthodique : Article sur le cor - 1788Venderbrock Othon Joseph : Traité général de tous les instruments à vent - c.1793Venderbrock Othon Joseph : Méthode nouvelle et raisonnée - c.1797Hampel Anton Joseph, Stich Jan Vaclav : Seule et vraie méthode - c.1798Vanderbrock Othon Joseph : Suite de la méthode ou manière d'enseigner à donner du cor - c.1800Téléchargez le catalogue Anne Fuzeau Classique / Cor / 312 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

'Each year at their Summer Festival in Tavistock, the Exon Singers feature the music of a living composer. In the summer of 2008 I was privileged to be the chosen composer. Salve Regina was written for the Festival and was performed once at a concert and subsequently at the broadcast of Choral Evensong in Buckfast Abbey.The music is unaccompanied and set for a six-part choir, with two parts for both sopranos and basses (and divisi for altos and tenors in the final phrase). The music begins gently and there is some dialogue between upper and lower voices. The climax in the middle uses all six parts and the end is quiet and reflective. Although some of the phrases are short, they should be sung with much expression and with appropriate crescendos and diminuendos.' / Choeur SSAATTBB A Cappella

Par ROTH ALEC. Night Prayer/Nachtgebet for unaccompanied mixed voice choir by Alec Roth. / Choral Music / Répertoire / Voix Mixtes

Par SCHUBERT FRANZ. Even for small choirs, Schubert’s Mass in G major poses no scoring or performance problems and is thus ideal for use in church services. The work is full of surprises and musical ideas. Apart from the Benedictus, the solo parts are limited to short interpolations. Relatively easy choral and solo writing Straight-forward organ arrangement Ideal for church services The Bärenreiter Choir & Organ Series presents great choral works in arrangements for soloists, choir and organ; no orchestra is needed. The original orchestral parts have been transcribed into easy-to-play organ reductions whereby the contemporary tradition of such arrangements hasbeen taken into consideration. In some cases, the original organ versions by the composer were used. The organ parts are presented on three staves. The choir and solo parts always remain true to the original. You need only one edition for soloists, singers and organist alike. / Classique / Répertoire / Solistes, Choeur Mixte et Orgue

This beautiful traditional melody recieves a new twist with the jazz chords and expressive devices of composer Raymond Wise. A great concert work for college/university ensembles, the piece could also find its way into the church or with excellent high school groups.

Here is a masterpiece; a missa brevis merging American hymns and spirituals with traditional liturgy. The unique nature of this work will enable this to be performed in both church and school programs.

This original sacred song is a ministry-minded anthem filled with the assurance of God's provision for His people. Stately and heartening music lends a timeless quality to the eternal message of the text. This approachable yet stirring anthem is welcome any time two or more are gathered. Thoughtful!

No. 1 of Two Hymns of Praise-A tremendous celebratory work arranged by John Rutter for Mixed Choir and Brass Ensemble. Now Thank We All Our God starts with a triumphant fanfare introduction and is a majestic and inspiring piece. It is based on Ecclesiasticus 50:22-24 a 17th Century text by Martin Rinkart and it is believed that it was written for a celebration service to mark the end of the Thirty Years War in 1648. This is the complete Set of Parts for Brass ensemble consisting of 4 Trumpets in B Flat and C 2 Horns 2 Trombones Bass Trombone Percussion and Timpani.

Uses: General Call to Worship Introit Concert Scripture: Psalm 17:5-7; Psalm 102; John 22:26-29 Heres a gospel-styled choral with a highly original voice. Parallel harmonic movement and earthy harmonies provide great impact as the choir sings Send us Your love let it rain from above. Dramatic and primal this brief yet effective song is a welcome call to worship in sanctuaries and an excellent opener in concert halls. Highly recommended! Instrumental parts (b dm) available as a digitaldownload.

Stan Pethel gives this Sacred Harp tune special treatment making it a delight for choirs of most any size. Duration: ca. 2:20.

It's got soul - it's got rhythm - it's got spirit - it's a great piece to sing. With barely a nod to the classic Spiritual Ellen Foncannon has created her own spirited tune and gospel-type words. The character of the song lends itself to either church or school. Great for high school choirs and festivals too. Easy.