Kantate zum Sonntag Sexagesimae. Leipziger Fassung. Par BACH JOHANN SEBASTIAN. The cantata dates from Bach's time in Weimar. The instrumental scoring of four violas and basso continuo - in the Leipzig performances enhanced by two recorders doubling viola I and II at the octave - is unique in Bach's cantata oeuvre. It lends a dark, luxurious sound to the four movements which is gently illuminated by the recorders. The work - with its instrumental sinfonia, a short secco recitative and an extended accompagnato recitative (both of which contain arioso inserts), a short soprano aria and a simple closing chorale - makes no great demands on the performing forces. Admirers of text interpretation by means of instrumental figuration will be richly rewarded./ Répertoire / Choeur

Autograph: Staatsbibliothek zu Berlin - Preußischer Kulturbesitz-'I have never experienced such silence or seen an audience moved in this way.'(Felix Mendelssohn Bartholdy)Up to the present day there has scarcely been a work in the history of music which has fascinated listeners and performers more than Bach's 'St Matthew Passion'. Originally composed for Vespers on Good Friday and even longer in duration than the 'St John Passion' it reconstructs the story of Christ's Passion with immense musical emotional and spiritual intensity.And so this monumental and complex composition has come to rank amongst the high points of Western culture. For good reason the 'rediscovery' of Johann Sebastian Bach's music began in 1829 with theperformance of this work by Felix Mendelssohn Bartholdy and the Berlin Singakademie.The autograph manuscript is regarded as one of Bach's most beautiful the fair copy demonstrates the importance he attached to the careful preservation of the work for posterity. A further special feature is the coloured ink with which he wrote the biblical text and the music of the chorale 'O Lamm Gottes unschuldig'.This facsimile edition reproduces the autograph score of the 'St Matthew Passion' for the first time in high-quality colour printing. The Bach specialist Christoph Wolff introduces the background to the work's composition and the characteristics of the manuscript.Martina Rebmann (Staatsbibliothek zu Berlin) provides further details regarding the history of the autograph manuscript; with a preface by Barbara Schneider-Kempf general director of the Staatsbibliothek.BÄRENREITER FACSIMILEThe seal is used exclusively for facsimile editions published by Bärenreiter which meet the highest demands in both scholarly and technical terms.The distinguishing features include:- a facsimile in high-quality colour printing- scholarly commentary- attractive cover designFacsimile of the authograph score in the Staatsbibliothek zu Berlin - Preussischer Kulturbesitz.With a commentary by Christoph Wolff Martina Rebmann and Barbara Schneider-Kempf.Documenta musicologica II 47166 pages of facsimile and approx. 30 pages commentary (Eng/Ger)Format: 37.5 x 24cm; Half-leather binding hardbackISBN 978-3-7618-2294-4

Choral Medley-The electro-pop groove in the music of Owl City is filled with whimsical and fresh sounds that choirs love to sing. This happy collection of tunes will please every choir and listener in this 7-minute medley that includes: Fireflies Good Time Shooting Star When Can I See You Again.

Put on your dancing shoes and cut footloose! with this high-energy medley from the Broadway musical. A fabulous show choir feature! Includes: Almost Paradise Footloose The Girl Gets Around Holding Out for a Hero I'm Free (Heaven Helps the Man) Let's Hear It for the Boy. Available: SATB SAB 2-Part Instrumental Pak ShowTrax CD. Performance Time: Approx. 10:00.

Sur le texte très célèbre d'Alphonse DAUDET (extrait des 'Lettres de mon moulin?) un conte musical pour choeur à 1 ou 2 voix égales, récitants, fifre et ensemble de cordes (pouvant être remplacé par le piano) Musique : Rudolf SCHMIDT-WUNSTORF - Textes des chansons : Janine LETURMY Cette partition s'adresse à des jeunes (à partir de 8 ans) qui peuvent assurer une mise en scène avec : un récitant, Francet Mamaï, joueur de fifre, Maître Cornille, Vivette, petite-fille de Maître Cornille, Gaspard, fiancé de Vivette et fils de Francet Mamaï et le choeur des villageois. Cette oeuvre peut être exécutée avec piano ou cordes (écriture convenant à un orchestre de jeunes de conservatoire ou d'école de musique). Partition de choeur, 12 pages Partition de choeur, piano et textes, 20 pages Partition de direction, 24 pages Partition de fifre, 4 pages Partitions de violon I, violon II, alto, violoncelle, contrebasse, 8 pages chaque / Chant/Vocal/Choeur

Schubert Singt II. Schubert Singt II is part of my ongoing work with the voice and Schubert's songs. I have worked with juxtaposing my own untrained voice with trained classical voices in pieces like Schubert Lounge (ensemble version premiered in Stuttgart in 2019).

Jephtha is Handel’s last oratorio. Handel had to break off from composing several times because of his increasing blindness in 1751. The first performance at the Covent Garden Theatre in February 1752 was the last performance he conducted before he went completely blind. In Jephtha Handel succeeded in achieving the perfect fusion between a biblical plot and the spirit of classical tragedy. With great intensity and dramatic expression he highlighted in particular the fates of Jephtha and Iphis thereby portraying convincing and complex characters. The chorus How Dark O Lord are Thy Decrees at the end of parttwo is of crucial importance in the work and is regarded as the dramatic high point of the oratorio. The vocal score is based on volume I/30 of the Halle Handel Edition (BA 4014) which contains the complete critical version of the music of the oratorio for the first time. It contains a detailed foreword in German and English and a clear straightforward Piano reduction.

Par SCHUBERT FRANZ. Mass No. 6 in E flat major, D 950, is a mass composed by Franz Schubert. It was originally scored for two tenor soloists, soprano, alto and bass soloists, SATB choir with divisi, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, violin I and II, viola, cello, and double bass and is presented in this edition as a vocal score for SATB. It was Schubert's final setting of the order of Mass, and is classified as a missa solemnis. / Urtext / Répertoire / Travaux Pour Choeurs

Den Villeste - 9 Songs by Carl Nielsen arranged for Mixed Choir a capella by John Høybye. Performed by Tritonus and John Høybye.Content:Den VillesteTit er jeg gladI aftenSkal blomsterne da visneHun har mig glemtSænk kun dit hoved du blomstHvor sødt i sommeraftenstundenSolnedgangSig månen langsomt hæver

Spectacle musical d'apre's l'aventure de l'Ae'ropostale 'Avec ses nombreux choeurs et solos accompagnés dans un style symphonique, cette partition est adaptée aux possibilités vocales des collégiens et lycéens et peut être présentée au public avec mise en scène ou en version de concert, L'oeuvre évoque en plusieurs tableaux la formidable aventure humaine de l'Aéropostale, Sommaire 1 - S'envoler vers la lumière (choeur d'introduction)2 - Le rêve de Latécoère (solo)3 - L'envol (choeur)4 - Monsieur Daurat (solo et choeur)5 - La traversée de l'espoir (choeur)6 - L'espace d'un tango (choeur)7 - Il dort (solo)8 - La tempête (choeur)9 - Rendez le moi (trio)10 - Guillaumet dans les Andes (solo)11 - Elégie (choeur)12 - Aujourd'hui choeur (final) NomenclatureFlûteClarinette SibSaxophone ténor SibTrompette SibTromboneTubaPercussionsPianoViolons I, Violons II, Altos, Violoncelles, Contrebasses'Version piano-chant : DLT0334 Version orchestre de chambre - concucteur: DLT2395 Version orchestre de chambre - matériel : DLT2395E / Choeur

The ?Te Deum? (H 146) is unquestionably the best known composition of Marc-Antoine Charpentier (1643?1704) especially since its ? Prélude en rondeau ? was made the Eurovision signature tune. Although Charpentier set the ?Te Deum? altogether four times this is his only setting employing a ?military band? i.e. trumpets and kettledrums.This brilliant and magnificent piece was frequently played at victory celebrations and other occasions of public jubilation during the 17th century. Even today it is still ideal for festive church services and concerts.The present editionstands at the forefront of scholarship and provides a complete newly edited Urtext of Charpentier?s masterpiece.- Full score performance material (BA7593) and vocal score (BA7593-90) available for sale

Pour choeur à voix égales et piano ou ensemble instrumental (flûte, violon et piano) ou ensemble instrumental au choix (ensemble de flûtes, de clarinettes, de bassons, quatuor de violoncelles, orchestre à cordes, orchestre de cycle I, II ou III, orchestre symphonique, harmonie ou toute autre formation). Il est aussi possible de ne chanter que la voix principale de la pièce (dès 9/10 ans) / Chant/Vocal/Choeur

Solos Duets and Terzets for soprano tenor and bass with piano violin & cello. Score and parts.Contents:Lochnagar WoO 156 No.9 (terzet)Ye Shepherds WoO 156 No.4 (terzet)Faithfu' Johnie Op.108 No.20 (solo)Farewell bliss WoO 152 No.20 (duet)The Soldier WoO 157 No.2 (soprano solo)The pulse of an Irishman WoO 154 No.4 (male voice solo)Enchantress farewell Op.108 No.18 ( male voice solo)Bonnie Laddie Highland Laddie Op.108 No.7 (soprano solo)The chace of the wolf WoO 155 No.1 (duet for soprano & tenor)O might I but my Patrick love! WoO 153 No.16 (soprano solo)Sally in our alley Op.108 No.25 (tenor solo)DuncanGray WoO 156 No.2 (terzet)Sunset Op.108 No.2 (solo)The soldier in a foreign land WoO 154 No.11 (duet for soprano & tenor)Come fill fill my good fellow Op.108 No.13 (terzet)Auld lang syne WoO 156 No.11 (terzet)