Par BOCHSA / ROBERT. from 'Grande Sonate' (for clarinet (or violin) and harp (or piano))/ Répertoire / Clarinette en Sib ou Violon et Harpe ou Piano

Twelve Studies by Eugène Bozza is a set of studies written for advanced Clarinet players. Quite difficult these studies are one or two page long and will improve the flexibility and the sonority of the players:  1. Moderato - 4/4 2. Scherzando (Moderato) – 3/4 3. Allegretto – 3/4 4. Moderato dolce – 4/4 5. Vif (tempo 108) – 4/4 one sharp 6. Allegro vivo – 3/4 two sharps 7. Moderato – 4/4 two sharps 8. Andantino (tempo 60) – 6/4 three flats and two sharps 9. N/A – 2/4 10. N/A – 12/8 threesharps 11. Giocoso (Moderato) – 4/4 12. N/A – 4/4 two sharps Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prize for the Violin conducting and composition as well as the Grand Prix de Rome. He composed several operas chamber works and ballets among others.

Elisabeth Poston (1905-1987) was a British composer and musician who studied at the Royal Academy of Music and later worked for both the BBC and the Arts Council. She is best remembered for her setting of theChristmas carol Jesus Christ the Apple Tree which is still performed regularly today. The Harp Trio was commissioned in 1958 by Anthony Friese-Greene to whom it is dedicated. He was secretary ofthe Hampton Music Club where it was first performed as part of a private concert. This beautiful work is one of her more substantial compositions comprising four contrasting movements. Originally scored for Flute Clarinet andHarp it can be performed with a Viola instead of the Clarinet and/or a Piano instead of the Harp.

Clarinette Sib Et Piano - Ou Harpe-Contemporary Italian-French composer Armando Ghidoni brings together influences of both Italy and France in his music. Also as an expert on jazz the harmonies and rhythms of the composer's works reflect a huge diversity Nocturne And Sicilienne for Clarinet and Piano or Harp accompaniment being no exception. Ghidoni is significant within the contemporary French music school and his works are regularly chosen as set pieces for leading national and international competitions. Nocturne And Sicilienne reflects Ghidoni's mastery of a range of instruments. With a typical performance lasting aboutfive minutes Nocturne And Sicilienne is a truly exquisite addition to the modern Clarinet repertoire.

8 Easy To Intermediate Play-Alongs Of Well-Known Pieces From Ireland, Scotland, Wales, Cornwall And Brittany. Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. 'World Music - Celtic? presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music in often 'skeletal?, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice. The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes. 'World Music - Celtic? is available in six formats, each with complete recordings and backing tracks on CD: as solo versions for violin, violoncello, flute, clarinet or saxophone (with piano) and in an ensemble version for two melodic instruments (C, Bb or Eb), piano, guitar, bass and bodhrán. / Niveau : Facile / Recueil / Clarinette et Piano

The Duet-Concertino was completed late in 1947 and was Strauss's last completed work. It was dedicated to the composer's friend Hugo Burghauser a former bassoonist of the Vienna Philharmonic. It is arranged here for Clarinet and Bassoon with a Piano reduction of the original String Orchestra and Harp parts.

Lyric episodes for large ensemble (with prominent Viola part).Published in 1988 and revised in 1995.1.1.1.1 / 1.1.1.0 / Piano Celesta Harp Percussion (2 players) / 1.1.1.1.1First performance by Lontano conducted by Odaline de la Martinez.Score.

Arr. James Marshall. Par . This set of 10 intermediate-level arrangements was derived from songs from the Colonial through Civil War periods. In these pieces, the hauntingly lyrical tone of the clarinet combined with piano accompaniment creates a unique musical setting. The songs were drawn from the works of Stephen Foster, Sacred Harp shape-note themes, 19th-century folk songs as well as colonial fife and drum music. The arrangements explore the low melodious register of the clarinet through the lyrical mid tones and into the singing moderate-upper register. / Date parution : 2022-04-09/ Recueil / Clarinette et Piano