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Fanfare for the Common Man and Other Favourites: Organ: Instrumental Album
10.99
Fanfare for the Common Man and Other Favourites: Organ: Instrumental Album
Orgue
Kevin Mayhew
This new series has proved very popular so here is another outstanding collecti...
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This new series has proved very popular so here is another outstanding collection of classical favourites arranged for the Organ by Richard Lloyd. Includes: Pachelbel's 'Canon in D' Debussy's 'Clair de Lune' Copland's 'Fanfare for the Common Man' Satie's 'Gymnopédie No.1' and more.
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100 Ultimate Jazz Riffs For Organ (GORDON ANDREW D)
33.60
100 Ultimate Jazz Riffs For Organ (GORDON ANDREW D)
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ADG Productions
Par GORDON ANDREW D.. 100 Ultimate Jazz Riffs for Organ authored by Andrew D. Go...
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Par GORDON ANDREW D.. 100 Ultimate Jazz Riffs for Organ authored by Andrew D. Gordon consists of, as the title suggests, 100 Jazz riffs based on common chord progressions used in jazz such as II-V-I, III-VI-II-V etc. There are five separate sections: Jazz-Swing, Jazz-Ballad, Jazz-Funk, Jazz-Waltz and Latin-Jazz. Besides the 100 riffs at the end of the book there is the chord progression for the popular jazz standard 'Blue Moon” showing you how to use the various riffs from the 100 riffs to create an improvised solo over the cho / Niveau : Intermédiaire à Avancé / Etude / Orgue
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Fanfare For The Common Man
16.90
Fanfare For The Common Man
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Kevin Mayhew
/ Orgue
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Orgelsinfonie No. 16 (SCHNEIDER ENJOTT)
27.90
Orgelsinfonie No. 16 (SCHNEIDER ENJOTT)
Orgue
Schott
Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Ref...
(+)
Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of 'faith' ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the 'Luther rose' which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, 'white' is the colour of angels and ghosts, 'black' stands for the pain of crucification: 'The just shall live by faith, but by faith in the Crucified.' But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The 'Danse macabre' was a popular motif in those years. Luther's chorale 'Mitten wir im Leben sind / mit dem Tod umfangen' from 1524 ('Enchiridion' from Erfurt) is based on the Gregorian chant 'Media vita in morte sumus' created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, 'I stand here and can say no more. God help me. Amen', are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a 'perpetuum mobile', i.e. a dogged, ostinato and never-ending musical air. 5th movement: The 'Mighty Fortress', on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the 'Marseille anthem of the Reformation', Friedrich Engels the 'Marseillaise of the Peasants' Wars'. This disputability is not thought through to the end but rather interrupted: With a jubilant 'birdcall version' of the melody, the finale shows a rather chamber-music-like side of the 'ideals of freedom of Christians'.'/ Répertoire / Orgue
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Carl Nielsen: Commotio Op. 58: Organ: Instrumental Work
26.99
Carl Nielsen: Commotio Op. 58: Organ: Instrumental Work
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[Conducteur]
Wilhelm Hansen
Carl Nielsen's last major composition Commotio Op.58 for organ. Presented her...
(+)
Carl Nielsen's last major composition Commotio Op.58 for organ. Presented here as part of the Carl Nielsen Complete works this volume includes a detailed preface four pages of facsimiles of Nielsen's original work a list of common abbreviations and an authoritative critical commentary. Designed for either scholarship or performance this freshly engraved score will be a highlight of any organist's library.
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Herbert Howells: Three Pieces For Organ: Organ: Instrumental Album
15.99
Herbert Howells: Three Pieces For Organ: Organ: Instrumental Album
Orgue
[Partition]
Novello & Co Ltd.
Intrata No 2 was found in a small manuscript book in the library of the Royal Co...
(+)
Intrata No 2 was found in a small manuscript book in the library of the Royal College of Music with a dedicated to Sir Walter Adcock on his 80th birthday 29 December 1941. It is a piece that deserves to be included in Howells’s oeuvre.Dated 1969 Flourish for a Bidding was written for the Royal College of Music Centenary Fund was auctioned and bought by Novello & Company. Flourish has a stylistic characteristics in common with Rhapsody No 4 and the Epilogue 1974. St Louis Comes to Clifton was a private publication entitled ‘A Garland for DGAF’ and given to the late Douglas Fox a distinguished one-armed Organist who was Director of Music at Clifton.Herbert Howells is a giantof 20th century Anglican church music the remainder of whose oeuvre is in the process of gaining new appreciation. He left a body of distinguished Organ music of which these three works are interesting examples.
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Soloing the Stops
21.99
Soloing the Stops
Orgue
Kevin Mayhew
Thirty pieces showcasing their characteristic voices-Soloing the Stops is design...
(+)
Thirty pieces showcasing their characteristic voices-Soloing the Stops is designed as a showcase for the kind of stops that are common to most organs. We asked our composers to write pieces that faithfully mirror the character of each stop and the result is a collection of great dimension to their prayer life.
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Plugging the Gaps: Organ: Instrumental Album
Orgue
Kevin Mayhew
Short practical sight-readable interludes that nicely fill the gaps that invar...
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Short practical sight-readable interludes that nicely fill the gaps that invariably occur during services. There are 100 pieces all the common keys are covered and all the improvisations are flexible in length so can bestretched or shrunk to suit the occasion.
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Bach J.s. - Complete Organ Works Vol.5 - Sonatas, Trios, Concertos + Cd-rom
34.70
Bach J.s. - Complete Organ Works Vol.5 - Sonatas, Trios, Concertos + Cd-rom
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Breitkopf & Härtel
Bach: Complete Organ Works Vol. 5 Sonatas / Trios / Concertos - ed. by Pieter D...
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Bach: Complete Organ Works Vol. 5 Sonatas / Trios / Concertos - ed. by Pieter Dirksen Organ Works Based on Compositions by Bach and Others Genres such as sonata, trio and concerto were initially uncommon in the keyboard music of the early 18th century. Thus it comes as no surprise that many of the pieces in this volume are arrangements by Bach of original compositions and of works by other composers. Next to the Sonatas BWV 525?530 and the Concertos or concerto movements based on pieces by other composers BWV 592?596, the volume also contains the Trio in D minor BWV 583, the Trio settings BWV 585?587 as well as the early versions of BWV 527 and 528. Moreover, the CD-ROM offers eight arrangements of trio movements by Bach made by others. In his detailed introduction, Pieter Dirksen discusses various aspects of these pieces' origins, inasmuch as they help us better understand the works. The organist will especially welcome the comments on performance practice and registration. It is precisely the fact that these works derive from chamber-music models that leads to individual considerations for each work group.
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Johann Sebastian Bach: Jesu Bleibet Meine Freude: Organ: Instrumental Work
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Johann Sebastian Bach: Jesu Bleibet Meine Freude: Organ: Instrumental Work
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Wilhelm Hansen
Chorale from Cantata 147 commonly known as 'Jesu Joy of Man's Desiring'. Arrang...
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Chorale from Cantata 147 commonly known as 'Jesu Joy of Man's Desiring'. Arranged for Organ by Georg Fjelrad.Jesu Joy Of Man?s DesiringChoral aus der Kantate Nr. 147?Herz und Mund und That und Leben?
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Edward Elgar: W.N. And Nimrod From Enigma Variations Op. 36: Organ: Instrumental
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Music Exchange
Two variations from Enigma. W.N. stands for Winifred Norbury a friend Elgar reg...
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Two variations from Enigma. W.N. stands for Winifred Norbury a friend Elgar regarded as particularly easygoing and the music reflects this. A single violin note links into the next variation; the famousNimrod which is written about his best friend Augustus Jaeger and reflects the strength of the friendship and the noble character of Jaeger although it is now commonly used for solemn occasions such as funerals andremembrance services.
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Tarik O'Regan: Colimacon: Organ: Instrumental Work
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Tarik O'Regan: Colimacon: Organ: Instrumental Work
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Novello & Co Ltd.
Tarik writes: The word colimaçon is French for the spiral form of a snail?s she...
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Tarik writes: The word colimaçon is French for the spiral form of a snail?s shell and is most commonly found in the form escalier en colimaçon meaning a spiral staircase. Having first come across the expression in the work of Jacques Prévert the word obviously remained in my subconscious and I was reminded of its meaning when composing this piece for David (Titterington) in its circular form.
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J. Gordon Cameron: Six Preludes On Hymn Tunes for: Organ: Instrumental Work
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J. Gordon Cameron: Six Preludes On Hymn Tunes for: Organ: Instrumental Work
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Novello & Co Ltd.
John Gordon Cameron (1900-1989) was a British composer who was at one time orga...
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John Gordon Cameron (1900-1989) was a British composer who was at one time organist at St Mary’s Cathedral Glasgow and lecturer at the Royal Scottish Academy of Music. His collection of Six Preludes On Hymn Tunes for Organ was dedicated to Bryce Craig. It remains his most popular work with most of the preludes still commonly performed today. The well-known hymn tunes which inspired each piece are Rockingham - Bristol - Capetown - Martyrdom - Tune By Orlando Gibbons - Windsor.
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50 Sublime Organ Transcriptions
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50 Sublime Organ Transcriptions
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Kevin Mayhew
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Ralph Vaughan Williams: A Vaughan Williams Organ Album: Organ: Instrumental
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Ralph Vaughan Williams: A Vaughan Williams Organ Album: Organ: Instrumental
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Oxford Univertsity Press
This album contains the best of Vaughan Williams' short pieces for Organ.
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