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Messe De Requiem Op. 48
16.30
Messe De Requiem Op. 48
Chorale SSAA
SSAA, Orgue
Barenreiter
In this arrangement of Faure's Requiem for soloists, female choir and organ, the...
(+)
In this arrangement of Faure's Requiem for soloists, female choir and organ, the tenor and bass parts are distributed among the altos which has necessitated some judicious adaptations in the part-writing. The second soprano replicates the original alto part largely unchanged, while the original baritone solo now resounds in the alto. The organ arrangement takes all three versions of the Requiem into consideration but primarily follows the second version of 1893 in terms of the rhythmic presentation of the instrumental parts. However, the organ part is tailored to the arrangement rather than trying to imitate the sound of the orchestra. / SSAA Et Orgue
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Let All The World In Every Corner Sing
6.30
Let All The World In Every Corner Sing
Chorale SSAA
SSAA, Orgue
Boosey and Hawkes
Let all the world in every corner sing was commissioned by Colston's Girls' Scho...
(+)
Let all the world in every corner sing was commissioned by Colston's Girls' School in Bristol for the Chamber Choir and their Director of Music Matthew Redman, and was written in August 2008 for the service to mark the school's acquisition of Academy status. It is a tour-de-force for upper voices - the organ introduction leads to a tapestry of rich variety, climaxing with the choir splitting into four parts for the antiphonal cries against the full organ. The music is highly rhythmic throughout, its time changes dictated by the rhythm and stress of the text. / Choeur SSAA Et Orgue
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Keith Roberts: Keith Roberts: Gracious Spirit Holy Ghost: SSAA: Vocal Score
3.25
Keith Roberts: Keith Roberts: Gracious Spirit Holy Ghost: SSAA: Vocal Score
Chorale SSAA
SSA, Orgue
[Partition]
Novello & Co Ltd.
POD-Gracious Spirit Holy Ghost is a work by Keith Roberts for Upper Voices and...
(+)
POD-Gracious Spirit Holy Ghost is a work by Keith Roberts for Upper Voices and Organ Accompaniment that sets a poem by Christopher Wordsworth lasting around 2 and a half minutes.
3.25 GBP - vendu par Musicroom GB
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Sarah Quartel: This Endris Night: SSAA: Vocal Score
2.50
Sarah Quartel: This Endris Night: SSAA: Vocal Score
Chorale SSAA
[Vocal Score]
Oxford University Press
This Endris Night by Sarah Quartel for SSAA unaccompanied or with optional Handb...
(+)
This Endris Night by Sarah Quartel for SSAA unaccompanied or with optional Handbells Percussion or Organ.Sarah Quartel brings a fresh take on a familiar fifteenth-century text in this carol for upper Voices. The dialogue between Mary and the infant Jesus is woven to a beguiling folk-like melody in 6/8 metre through each of the Voice parts with each verse ending in the lilting refrain 'Lully by by lullay'. The carol may be sung unaccompanied though for added sparkle there is an optional part for Handbells (or Percussion or Organ).
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Richard Nance: Set Me as a Seal: SSAA: Vocal Score
2.95
Richard Nance: Set Me as a Seal: SSAA: Vocal Score
Chorale SSAA
SSAA, Piano
[Partition]
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SSAA-For SSAA Voices French Horn Piano or Organ.
2.95 GBP - vendu par Musicroom GB
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Johannes Brahms: Ave Maria Op.12: SSAA: Vocal Work
3.99
Johannes Brahms: Ave Maria Op.12: SSAA: Vocal Work
Chorale SSAA
SSAA A Cappella
[Partition]
Bosworth
Among the many works for which Brahms is celebrated his Choral oeuvre is signif...
(+)
Among the many works for which Brahms is celebrated his Choral oeuvre is significant. This first Choral work Ave Maria originally written for SSAA and Organ is not mere juvenilia. The flowing 6/8 piece is structured like ashort sonata movement with the two pairs of Voices trading contrapuntal entrances until the parts join their Voices in the pleading ‘Ora pro nobis’ all with Brahmsian harmonies in the accompaniment.Brahms later arranged the workfor SSAA and Orchestra followed by this setting for Chorus and Piano.
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Nicola Porpora: Credidi: SSAA: Vocal Score
6.99
Nicola Porpora: Credidi: SSAA: Vocal Score
Chorale SSAA
SSAA, Piano
[Partition]
Novello & Co Ltd.
Nicola Porpora (1686-1768) was a Neopolitan composer and singing teacher. A riva...
(+)
Nicola Porpora (1686-1768) was a Neopolitan composer and singing teacher. A rival of Handel he formed an opera company which performed his own compositions all over Europe. He was widely acclaimed during his lifetime both as a composer and also as a pedagogue counting Haydn among his students. Regrettably most of his compositions have largely fallen into obscurity since his death. Credidi Propter is a setting of Psalm 116 originally for SSAA Upper Voice Choir Strings and Organ Continuo with optional Viola part. It has been edited by D. E. Hyde and arranged with Piano accompaniment.
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Paul Mealor: A Spotless Rose: SSAA: Vocal Score
3.25
Paul Mealor: A Spotless Rose: SSAA: Vocal Score
Chorale SSAA
SSAA divisi, A Cappella
Novello & Co Ltd.
A Spotless Rose by Welsh composer Paul Mealor arranged for unaccompanied SSAA d...
(+)
A Spotless Rose by Welsh composer Paul Mealor arranged for unaccompanied SSAA divisi chorus. The sublime harmonies of this piece were released on the album 'A Tender Light' that also featured his piece composed for the Royal Wedding. The moving melodies and dramatic dynamics of the vocal parts in A Spotless Rose create a subtle solemnity in the wash of the beautiful soprano and alto parts. Featuring a Piano part for rehearsal only the unaccompanied soaring of the choir will make a truly lasting impression on any audience. In the September 2015 issue of the Organists' Review DavidLindley writes that this piece 'encompasses a wide dynamic range and some high tessitura for sopranos as the music celebrates 'Mary purest maid' contrasting with the slow-moving chordal setting of the rest of the text.'
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Patrick Hawes: Quanta Qualia (Soprano/SSAA/Piano): SSAA: Vocal Score
3.25
Patrick Hawes: Quanta Qualia (Soprano/SSAA/Piano): SSAA: Vocal Score
Chorale SSAA
[Vocal Score]
Novello & Co Ltd.
Quanta Qualia by Patrick Hawes For Solo Soprano SSAA chorus and Piano (or Organ...
(+)
Quanta Qualia by Patrick Hawes For Solo Soprano SSAA chorus and Piano (or Organ). As featured on Hawes' album Blue in Blue and subsequently sung by Hayley Westenra on her 2005 album Odyssey.
3.25 GBP - vendu par Musicroom GB
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John Rutter: Candlelight Carol: SSAA: Vocal Score
2.50
John Rutter: Candlelight Carol: SSAA: Vocal Score
Chorale SSAA
[Vocal Score]
Oxford University Press
A Candlelight Carol from the ever impressive works by John Rutter is the Silent...
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A Candlelight Carol from the ever impressive works by John Rutter is the Silent Night for the 20th century. A piece that truly sets the tone for the Christmans season. With beautiful harmonies and touching words this is the perfect piece for singing by candlelight.Written for SSAA and Organ.
2.50 GBP - vendu par Musicroom GB
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Love Divine Ssaa Acc. (Fncw) (GOODALL HOWARD)
5.20
Love Divine Ssaa Acc. (Fncw) (GOODALL HOWARD)
Chorale SSAA
SSAA, Piano
[Partition]
-
Facile
Faber Music Limited
Par GOODALL HOWARD. Love Divine is graded as 'reasonably straightforward' within...
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Par GOODALL HOWARD. Love Divine is graded as 'reasonably straightforward' within the Faber New Choral Series and uses a well-loved text by Charles Wesley. Version for Upper Voices with Organ or Piano accompaniment. / Niveau : Assez Facile / Feuillet / Choeur
5.20 EUR - vendu par LMI-partitions
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John Tavener: Song For Athene: SSAA: Vocal Score
3.25
John Tavener: Song For Athene: SSAA: Vocal Score
Chorale SSAA
[Vocal Score]
Chester
Song For Athene is a work by British composer John Tavener arranged by Barry Ro...
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Song For Athene is a work by British composer John Tavener arranged by Barry Rose for Upper Voices and Organ with optional Cello. The text is taken from Shakespeare's 'Hamlet' as well as from theOrthodox Funeral Service. The entire work lasts around 7 minutes. The original version of Song For Athene was commissioned by the BBC and first performed on 22nd January 1994 at St Giles'Church Cripplegate London by the BBC Singers conducted by Simon Joly. This arrangement received a positive review from Geoffrey Webber in the January/February 2016 edition of Choir & Organ.
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John Tavener: The Lord's Prayer: SSAA: Vocal Score
2.25
John Tavener: The Lord's Prayer: SSAA: Vocal Score
Chorale SSAA
[Vocal Score]
Chester
John Tavener's popular setting of The Lord's Prayer is arranged here for Upper V...
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John Tavener's popular setting of The Lord's Prayer is arranged here for Upper Voices and Piano or Organ by Barry Rose. The Lord's Prayer was originallycommissioned by the Guildford Philharmonic for the Tallis Scholars and first performed on 10th March 2000 by them at Holy Trinity Church Guildford. This arrangement received a positive review fromGeoffrey Webber in the January/February 2016 edition of Choir & Organ.
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Pawel Lukaszewski: O Radix Jesse: SSAA: Vocal Score
3.99
Pawel Lukaszewski: O Radix Jesse: SSAA: Vocal Score
Chorale SSAA
[Partitions]
Chester
O Radix Jesse by Polish composer Pawe ukaszewski is arranged here for unaccom...
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O Radix Jesse by Polish composer Pawe ukaszewski is arranged here for unaccompanied SSAA Chorus with divisions. Pawe ukaszewski is part of a younger generation of Polishcomposers who specialise in sacred and choral music. After studying composition and receiving two Ph.Ds ? ukaszewski's work has been performed throughout Europe and the rest of the world. Thiscomposition ?O Radix Jesse is a setting of the Magnificant antiphons used in Christian advent and Catholic Mass.? The haunting harmonies created by the unaccompanied chorus inthis composition are sure to remain with audiences for a long time having been intricately crafted by this master of spiritual music. Please note that the lyrics are inLatin. David Lindley in the September 2015 issue of the Organists' Review writes that? ukaszewski's music 'is often compared to that of Górecki Pärt and John Tavener and this piece manifests thefamily resemblance.'
3.99 GBP - vendu par Musicroom GB
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Lord, Who Hast Made Us For Thine Own. Psalm 148 (HOLST GUSTAV)
4.50
Lord, Who Hast Made Us For Thine Own. Psalm 148 (HOLST GUSTAV)
Chorale SSAA
[Partition]
Stainer and Bell
Par HOLST GUSTAV. A tremendous setting of Psalm 148, for Upper Voices (SSAA), Un...
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Par HOLST GUSTAV. A tremendous setting of Psalm 148, for Upper Voices (SSAA), Unison Chorus and Organ (or Piano), by Gustav Holst./ Répertoire / SSA
4.50 EUR - vendu par LMI-partitions
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Franz Liszt: Tantum Ergo: SSAA: Vocal Score
2.25
Franz Liszt: Tantum Ergo: SSAA: Vocal Score
Chorale SSAA
SA
[Partition]
Novello & Co Ltd.
POD-Tantum Ergo is a work by Franz Liszt for Upper Voices and Organ Accompanim...
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POD-Tantum Ergo is a work by Franz Liszt for Upper Voices and Organ Accompaniment that sets text by Thomas Aquinas translated by Edward Caswall and lasts around 3 minutes.
2.25 GBP - vendu par Musicroom GB
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Patrick Hawes: King Jesus Hath a Garden: SSAA: Vocal Score
2.75
Patrick Hawes: King Jesus Hath a Garden: SSAA: Vocal Score
Chorale SSAA
[Vocal Score]
Hawes Music
Vocal Score-A bright festive arrangement of the catchy Dutch carol with intrica...
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Vocal Score-A bright festive arrangement of the catchy Dutch carol with intricate Organ. Suitable for more advanced choirs. Perfect for Advent and Christmas.
2.75 GBP - vendu par Musicroom GB
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Wolfgang Amadeus Mozart: Laudate Dominum: SSAA: Vocal Score
2.99
Wolfgang Amadeus Mozart: Laudate Dominum: SSAA: Vocal Score
Chorale SSAA
Novello & Co Ltd.
Mozart's Laudate Dominum from Vesperae solennes de confessore K. 339 is arran...
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Mozart's Laudate Dominum from Vesperae solennes de confessore K. 339 is arranged here for solo Soprano SSA choir and piano or organ accompaniment. This piece has been arranged with an English translation adapted from Psalm 117.
2.99 GBP - vendu par Musicroom GB
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John Tavener: The Lamb: SSAA: Vocal Score
2.25
John Tavener: The Lamb: SSAA: Vocal Score
Chorale SSAA
[Partition]
Chester
The Lamb is John Tavener's setting of a poem by William Blake arranged here for...
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The Lamb is John Tavener's setting of a poem by William Blake arranged here for unaccompanied Upper Voices by Barry Rose. The work lasts around 3 minutes. TheLamb has long been a favourite of choirs and audiences alike and with this unique arrangement it can also be enjoyed by Upper Voices. The work was composed by Tavener in just a single afternoon and wasdedicated to his nephew's third birthday. This arrangement received a positive review from Geoffrey Webber in the January/February 2016 edition of Choir & Organ.
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György Orbán: Adeste Fideles: SSAA: Vocal Score
17.50
György Orbán: Adeste Fideles: SSAA: Vocal Score
Chorale SSAA
[Vocal Score]
Hinshaw Music Inc.
The perennial favorite arranged with the inimitable organ touch for treble voic...
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The perennial favorite arranged with the inimitable organ touch for treble voices (SSA) and a cappella
17.50 GBP - vendu par Musicroom GB
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Franz Schubert: Lord Is My Shepherd: SSAA: Vocal Score
Chorale SSAA
[Vocal Score]
-
Intermédiaire
Schirmer
This is the Schirmer Edition of The Lord Is My Shepherd for Upper Voices and Pi...
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This is the Schirmer Edition of The Lord Is My Shepherd for Upper Voices and Piano or Organ accompaniment.
11.25 GBP - vendu par Musicroom GB
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Jonathan Wikeley: Jonathan Wikeley: A Thin Place: SSAA: Vocal Score
2.25
Jonathan Wikeley: Jonathan Wikeley: A Thin Place: SSAA: Vocal Score
Chorale SSAA
[Vocal Score]
Novello & Co Ltd.
POD-A Thin Place is a work by Jonathan Wikeley for Upper Voices and optional Or...
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POD-A Thin Place is a work by Jonathan Wikeley for Upper Voices and optional Organ Accompaniment.
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Sarah Quartel: A Winter Day: Upper Voices and Piano/Organ: Vocal Score
3.35
Sarah Quartel: A Winter Day: Upper Voices and Piano/Organ: Vocal Score
Chorale SSAA
SSAA, Piano
Oxford University Press
A Winter Day
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Sarah Quartel: Refuge: Upper Voices and Piano/Organ: Choral Score
2.95
Sarah Quartel: Refuge: Upper Voices and Piano/Organ: Choral Score
Chorale SSAA
SSAA, Piano
Oxford University Press
Refuge
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Howard Goodall: The Good-Morrow: Upper Voices and Piano/Organ: Choral Score
2.99
Howard Goodall: The Good-Morrow: Upper Voices and Piano/Organ: Choral Score
Chorale SSAA
Faber Music Limited
The Good-Morrow. Composed in 2000 for the highly regarded Cantamus Girls? Choir ...
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The Good-Morrow. Composed in 2000 for the highly regarded Cantamus Girls? Choir and their founder, Pamela Cook, The Good-Morrow is Howard Goodall?s stunning setting of the John Donne poem, for upper voices and piano. The universal themes of love, compassion and togetherness are echoed in the music, a reflective and uplifting choral work ideal for concert performance.
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Mark Patterson: Edges of the Night: Upper Voices and Piano/Organ: Choral Score
2.40
Mark Patterson: Edges of the Night: Upper Voices and Piano/Organ: Choral Score
Chorale SSAA
Walton Music
Edges of the Night
2.40 GBP - vendu par Musicroom GB
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