Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of 'faith' ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the 'Luther rose' which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, 'white' is the colour of angels and ghosts, 'black' stands for the pain of crucification: 'The just shall live by faith, but by faith in the Crucified.' But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The 'Danse macabre' was a popular motif in those years. Luther's chorale 'Mitten wir im Leben sind / mit dem Tod umfangen' from 1524 ('Enchiridion' from Erfurt) is based on the Gregorian chant 'Media vita in morte sumus' created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, 'I stand here and can say no more. God help me. Amen', are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a 'perpetuum mobile', i.e. a dogged, ostinato and never-ending musical air. 5th movement: The 'Mighty Fortress', on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the 'Marseille anthem of the Reformation', Friedrich Engels the 'Marseillaise of the Peasants' Wars'. This disputability is not thought through to the end but rather interrupted: With a jubilant 'birdcall version' of the melody, the finale shows a rather chamber-music-like side of the 'ideals of freedom of Christians'.'/ Répertoire / Orgue

The Doors are inextricably linked to '60s counterculture. Taking their name from Aldous Huxley's book The Doors of Perception, the group followed Jim Morrison's dark poetic vision to massive commercial success, making The Doors one of the best-selling bands of all time. This folio contains easy guitar arrangements of 16 of the band's most classic songs, in both notation and TAB. / Guitare

Répertoire International - Style : Rock
Auteur/Interprète : DOORS
Collection : DRUM PLAY ALONG
Instrument : Batterie
Support : Livre CD Partitions batterie de 8 morceaux de The Doors CD audio contenant 2 versions de chaque morceaux : une démonstration complète et une version sans batterie pour vous permettre de jouer accompagné. Les paroles sont incluses sur les partitions.

The Doors, a psychedelic rock group of the 1960s, is back in this arrangement for your concert band, featuring three of their biggest and most well known hits- Light My Fire * People Are Strange * and Hello, I Love You. An exciting choice for your pop program. (4:45) / Concert Band

Ce DVD vous apprendra à écouter et vous montrera comment jouer des chansons des Doors. Regardez, écoutez et apprenez!Chaque chanson commence par une leçon d'un professeur de guitare professionnel. Le professeur joue la chanson complète, vous pouvez choisir par le suite d'enlever la guitare sur l'enregistrement pour jouer seul ou la laisser. Vous pouvez choisir 3 options de vue pour apprendre dont la tablature qui s'affiche à l'écran. / Guitare / niveau : Débutant / Dvd

One of the biggest hits from the legendary American rock group, The Doors, this rock classic has a subtle country feel with a prominent bass line and driving rock beat while the characteristic melodic ballad flows throughout. With a brief percussion feature, you'll be sure to please audience members of all ages. (2:15) / Concert Band

One of the biggest hits by The Doors is now available as its easiest version ever. Jerry Burns has created a very solid chart that any band can handle. / Marching Band

The Doors are inextricably linked to '60s counterculture. Taking their name from Aldous Huxley's monograph The Doors of Perception, the group followed Jim Morrison's dark poetic vision to massive commercial success, making The Doors one of the best-selling bands of all time. This folio contains 20 of the band's most classic songs, fully transcribed for guitar in notation and TAB. Also included is an in-depth foreword by Jimmy Brown of Guitar World magazine, who writes about guitarist Robby Krieger's integral contributions to the band's sound. / Guitare

The New Real Book 1 - C Version. For hardcore Jazzers and part-time jazz musicians, The New Real Book is a magnificent and meticulous fake-book collection of Jazz standards, Choice Standards and Pop-Fusion hits! This is an all-purpose book for jazz gigs, weddings, concerts and jam sessions and with over 200 songs inside there?s sure to be the very thing for the situation! Every one of these tunes is a true gem and include terrific compositions by Miles Davis, Duke Ellington, Bill Evans, Jaco Pastorius, Jimmy Van Heusen and Thelonius Monk, to name but a few! This is the C and Vocal version that includes the music and lyrics and, like all Sher Music fake books, it features composer-approved transcriptions, easy-to-read calligraphy, and many extras (such as sample bass lines, chord voicings and drum appendix) not found in conventional fake books. Created by musicians, for musicians! Easy to work with and extremely worthwhile to have, this volume is the new standard in fake books!

Trumpet Edition-Saxophonist John Coltrane was one of the most innovative creative and influential jazz artists of the 20th Century. Both stylistically and harmonically he opened doors for others to follow. This book will focus onthe first period of Coltrane's career when he was with Miles Davis and the jazz vocabulary he used. First to help the student better understand Coltrane's bebop style of improvising the authors discuss theuse of guide tones bebop scales three to flat nine targeting and other techniques.Then the text presents numerous one- two- and three-measure jazz lines in Coltrane's style grouped by the harmony over whichthey can be used.The accompanying play-along CD provides the rhythm parts for each section including a track for each section that modulates through the cycle of fourths helping you master the phrases in all keys. Bycombining various lines musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions turnarounds and other harmonic situations. Incorporate these essential jazz lines into yourvocabulary and you will be able to create your own lines in the style of John Coltrane.

The New Real Book is the best-selling legal fake book of all time, with over 100,000 musicians depending on it for accurate, easy-to-read charts for hundreds of the most important tunes in the jazz canon. Don't go to the gig without it!All living composers have approved these charts - many of them are from the composer's own lead sheets.Charts for the standards were derived from a consensus of the best recorded jazz versions.Created by musicians, for musicians. The new standard in fake books! / Instruments En Do

Par CHRISTIANSEN COREY. Saxophonist John Coltrane was one of the most innovative, creative, and influential jazz artists of the 20th Century. Both stylistically and harmonically, he opened doors for others to follow. This book will focus on the first period of Coltrane's career, when he was with Miles Davis, and the jazz vocabulary he used. First, to help the student better understand Coltrane's bebop style of improvising, the authors discuss the use of guide tones, bebop scales, three to flat nine, targeting, and other techniques. Then the text presents numerous one-, two-, and three-measure jazz lines in Coltrane's style grouped by the harmony over which they can be used. The accompanying play-along CD provides the rhythm parts for each section, including a track for each section that modulates through the cycle of fourths, helping you master the phrases in all keys. By combining various lines, musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions, turnarounds, and other harmonic situations. Incorporate these essential jazz lines into your vocabulary and you will be able to create your own lines in the style of John Coltrane. / Niveau : Intermédiaire / Jazz - Improvisation / Recueil / Instruments en Sib