Duet No.1: Chorale Pointing Downwards is a work by contemporary composer Nico Muhly for Viola and Cello. The piece received its premiere at the Tenri Cultural Institute in New York in February 2004. Muhly himself writes of the work that it's the first in a series of short string pieces that serve simultaneous purposes as harmonic and technical studies for both composer and performers. Duet No.1 is constructed around a cycle of fourteen chords repeated almost without cessation. This drone-like cycle is subject to a few rhythmic alterations as well as two interruptions keeping thingsdynamic and exciting. The middle of the piece becomes in Muhly's words 'a sort of fervent perpetual-motion perseverance' in an attempt to combine harmonic beauty with what sounds like a musical exercise.

Written for cello harp and celeste.Clear Music (after John Taverner) was written at the request of the cellist Wendy Law during the summer of 2002. Clear Music is an extended exploration of a single measure in John Taverner’s (1490 1545) motet Mater Christi Sanctissima. What I attempted to do in Clear Music was to suspend this measure for as long as I could imagine in a single texture: the bright clarity of the celeste and harp. As in the Taverner I have structured Clear Music into a series of peaks featuring the highest registers of the treble voice—here the cello. I remember very vividly performing this piece and being struck by how distant the treble was fromthe other voices - sometimes there are spaces of over an octave between the treble and the alto - and I attempted to recreate the somewhat terrifying and exposed contours of these lines. The end result is I hope a prolonged and transparent recollection of the Taverner which exposes not only my appreciation for the music itself but also my response to performing it.Nico Muhly.

Big Time is a composition by Nico Muhly for String Quartet and Percussion (1 player). Commissioned by the Central Vermont Chamber Music Festival for their 20th anniversary in 2012 the performance lasts around 9 minutes. This is the Full Score.

Nico Muhly's Let All The World In Every Corner Sing for SATB chorus Cello and Organ. Part for Cello.Let All The World In Every Corner Sing was commissioned by Graham Ross and the Choir of Clare College Cambridge and first performed on 27 May 2014 by them with Peter Harrison Organ and Benjamin Michaels Cello.