Graham Buckland a organisé une riche variété de spirituals dans cette édition pour ensemble instrumental variable. Cette édition se compose d'une partition complète et cinq parties instrumentales individuelles. La partition comprend une partie de piano, clavier ou guitare et contient également les textes aux spirituals pour un chanteur. Dans certains cas supplémentaire parties vocal ad libitum sont ajoutés. Toutes les dispositions sont compatibles avec la version pour choeur '64 Spirituals a cappella' (BA 7574).Les parties comprennent: Mélodie en C et Bb (violon clef) Melody II C et Bb (violon clef) Melody III C (violon clef, clef de fa) Melody III C et F (alto clef, une partie corne) Melody III in Bb et Eb (violon clef) Pour les variables ensemble textes aux spirituals compris pour les chanteurs Niveau de difficulté: facile à moyen Compatible avec '64 Spirituals a cappella' (BA 7574)D'après le contenu:'Joshua' / 'Go down Moses' / 'patauger dans l'eau' / 'Ouvrez la fenêtre' / 'Amen Mary a eu un bébé' / 'Allez le dire sur la montagne' / 'Roi des rois' / 'O lorsque les saints vont marcher dedans '/' Hard essais '/' C'est moi, Seigneur '/' O pécheur homme '/' Amazing grace 'I et II / Diverses Formations

Vagn Holmboe (1909-1996) was a 20th century composer in the neo-classical style widely recognised as the most important Danish composer since Nielsen. He is best known for his symphonic works solo concertos and chamber music but his choral a cappella compositions are worthy of the same merit. Vagn Holmboe’s Lauda Anima Mea Op.59c is taken from his second collection of Liber Canticorum and consists of three movements: Lauda Anima Mea Laudabo Dominum and Psallam Deo. The texts are taken from the Old Testament and the music is scored for a cappella SATB Choir.

Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (2 S, A, T, B) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie

Prayer to the Power of Love. Par BORTNIANSKY DMITRY STEPANOVYCH. The Ukrainian Dmitri Bortniansky (1751-1825) received lessons at the local singing school in his hometown of Hlukhiv, and soon his extraordinary talent was recognised. He was somewhat of a child prodigy, writing his first opera at a young age. Following his studies Bortniansky was appointed court composer and Kapellmeister of the Imperial Chapel Choir. In the period that followed, he wrote - in addition to a number of operas, instrumental works, and a cycle of songs - more than a hundred religious works for a cappella choir, in which he combined Russian-orthodox and Ukrainian traditions with late 18th century European music. The appealing melody of Ich bete an die Macht derLiebe (Prayer to the Power of Love) became well-known, especially in Germany, in combination with German text by Gerhard Tersteegen. This arrangement by Michael Bilkes reflects the atmosphere of the original work very well. / Niveau : 2 / Hymnes et chorals / Répertoire / Concert Band ou Harmonie

The pop song Good Vibrations which appeared as a single in 1966 is one of the most celebrated hits of The Beach Boys. The piece composed and produced by Brian Wilson has been called a mini symphony.Various covers versions have been made including a marvellous a cappella version by the King’s Singers. This arrangement for brass band written by Don Campbell is just as delightful as the original.

Chamber Orch. Par TROTTA MICHAEL JOHN. A wonderfully expressive a cappella setting of the traditional Christmas text. Carefully prepared dissonances and use of close harmonies thoughtfully paint the text as a sense of awe and wonder permeate the setting. The work concludes with the opening material sung on 'Alleluia ' with a soaring soprano descant. May be performed in English or Latin. / Date parution : 2021-11-30/ Répertoire / Orchestre de Chambre

This fast swing chart from Rob Vuono features melodic and harmonic writing at its best. Even at this grade level Rob has provided suggested voicings for the rhythm section. Tenor sax has an optional written solo before a sax soli. An a cappella section is ideal to work on the timing of the horns without rhythm before a vamp kicks in building to the end. Great writing!

Level 2 Mixed Student 1-Pak-ESSENTIAL REPERTOIRE is a core library of time-tested choral works which provide a framework for teaching style and history all through performance. The graded series includes Masterworks (Renaissance through Contemporary) Folksongs (American and Multicultural) Spirituals A Cappella and Accompanied works. The series is available for beginning through advanced choirs and for mixed treble and tenor bass ensembles.

Herr, deine Güte reicht so weit. Par GRELL EDUARD AUGUST. August Eduard Grell (1800-1886) fut un compositeur prolifique. Également brillant organiste, on lui doit, entre autres, une messe a cappella, un oratorio, des psaumes, motets, cantates, chants et duos. Robert van Beringen a réalisé un très bel arrangement du motet Herr, deine Güte reicht so weit (“Seigneur, grande est ta bonté”). / Niveau : 2.5 / Hymnes et chorals / Répertoire / Concert Band ou Harmonie

Here's the popular hit by legendary '70s group Queen. From the a cappella opening to the bluesy riffs and powerful hits this gospel-flavored favorite roars from the field or stands.

Jump jive and swing your way into the hottest craze in years! Mark Brymer's show-style arrangement combines the best of the classics with the new hot tunes in an up-scale updated treatment that will put your choir on the map! Includes: It Don't Mean A Thing (If It Ain't Got That Swing): The Joint Is Jumpin': Jump Jive An' Wail: Steppin' Out With My Baby: Zoot Suit Riot. Available: SATB SAB SSA Instrumental Pak ShowTrax CD. Performance Time: Approx. 8:00.

From the rich treasury of orchestral ballet music comes this delightful light program piece by Leo Delibes. The familiar waltz from the sentimental comic ballet remains a favorite on concert stages around the world.