These are all arrangements of sixteenth-century Scottish church music beginning with Psalm 124 by David Peebles which gains an athletic counterpoint of Davies's own. Then comes John Fethy's O God Abufe playedstraight and finally an anonymous motet All Sons of Adam again infiltrated by a modern voice.

Two works for the organ that are both composed around plainsong textures and melodies together as a unified pair of performance pieces.Reliqui Domum Meum was first performed in Orkney 1996 by Heather Rendell and wascomposed for the memorial service of organist Richard Hughes of Kirkwall Orkney.Veni Creator Spiritus was first performed at Rochester Cathedral in 2002.The overall mood of this sensitive commemorative piece first performed in April 1996 at Kirkwall East Church on the Orkney mainland by Heather Rendall is quite sombre - if anything even more simple and restrained than that of Veni Creator Spiritus. The hushed carol-like central section - sounding as if the adapted chorale were being heard like some distant memory or from afar - is of touching simplicity