Selected works from the most prominent G. Schirmer and AMP composers, including music by Barber, Corigliano, Harbison, Martinu, Moyse, Muczynski, and others. With detailed notes on the music. Suitable for the advanced high school and college level player. Includes works for solo Flute as well as Flute and Piano. / Flûte Et Piano

Intermediate to Advanced Level / G. Schirmer Instrumental Library. Solos appropriate for advanced high school students or college music majors, this collection presents staples of the standard flute literature. This edition also includes access to online recordings of full performances as well as piano accompaniments. Contents: Sonata in E minor, BWV 1034 (J.S. Bach) · Concertino, Op. 107 (Chaminade) · Syrinx (Debussy) · Nocturne et Allegro Scherzando (Gaubert) · Gigue (Leclair) · Adagio and Gigue from the Sonata in G Major (Loeillet) · Allegro deciso from the Sonata for Flute and Piano, Op. 14 (Muczynski) · Ballade (Perilhou) · Andante from the Sonata in D Major, Op. 94 (Prokofiev) · Andante Pastoral et Scherzettino (Taffanel). Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.

L'édition classique Schirmer des sonates pour flûte de Telemann quatre est désormais disponible avec le soutien de pistes de CD enregistrés par Jeannie Yu. Edité par Milton Wittgenstein avec basse chiffrée réalisée par Thomas Wilt. / Flûte Et Piano

G. Schirmer is proud to present this set of three new works by world-renowned flutist Louis Moyse. Written in homage to (respectively) a Japanese friend a Norwegian friend and a famous composer of piano exercises these piecesoffer delightful contrasts in rhythm and color. Ideal for recitals at the intermediate to professional level.

Transcrit et arrangé par Louis Moyse. Trente-deux pièces pour les premières années. Partie distincte flûte accompagnement au piano. / Flûte Traversière

Une collection de 21 pièces par de grands compositeurs, facile à moyenne difficulté en ordre progressif, la plupart ont été à l'origine écrit pour flûte. Sélectionné et édité par Louis Moyse. Le CD comprend les accompagnements au piano qui sont jouables à la fois sur votre lecteur de CD et l'ordinateur. Il est également renforcée avec le logiciel le réglage du tempo quand il est utilisé dans votre ordinateur comme un lecteur de CD-ROM. / Flûte Traversière Et Piano / 72 pages / niveau : Intermédiaire / Partition + Cd

Contenu: Prélude et Scherzo (Henri Büsser) - Concertino op. 107 (Cécile Chaminade) - Concertino op. 45 (Alphonse Duvernoy) - Cantabile et Presto (Georges Enesco) - Fantasie, Op.. 79 (Fauré) - Andante et Scherzo (Louis Ganne) - Fantasie, Nocturne au Allegro Scherzando (Philippe Gaubert) - Ballade (Perilhou) - Andante pastoral et Scherzettino (Paul Taffanel). Les enregistrements des accompagnements au piano disponibles séparément: HL50490448 / Flûte Traversière / 100 pages / Partition

Cecile Chaminade's Concertino For Flute And Piano provides quite a workout for the flutist with its wide-ranging, highly decorative solo part. A broad and graceful melody opens the work. After a more active central section, marked Più animato agitato in the score, a short oboe phrase leads into a cadenza for the soloist. A reprise of the opening melody and a rousing coda conclude this melodic and attractive work.

This Suite was originally written for Flute (or Recorder) and Strings: it is here arranged for Flute and Piano edited by Louis Moyse. It stands out amongst Telemann's work for its cosmopolitan sampling of the various styles of music known to the composer. It contains a pair of French Menuets two Passepieds from Brittany a Polish Polonaise and an Air à l'italienne. For good measure Telemann throws in two quasi-illustrative movements describing Les plaisirs and a Réjouissance respectively. The Overture is perhaps the best-known part of the work and is remarkable for its almost processional feel and itreappears as the Conclusion at the suite's end. This diversity of styles and means fits well the template of a suite but the unifying intelligence behind all of them is definitely that of Telemann.