Un supplément de country / bluegrass du livre Hal Leonard Banjo Method 2. 16 chansons, dont: Abilene - I'm So Lonesome I Could Cry - Jambalaya (On The Bayou) - and more. / Banjo / 24 pages / Partition

Ce volume de la Banjo Play-Along série comporte 8 chansons traditionnelles Pays tous soigneusement disposés pour banjo TAB dans la notation.Le Play-Along Banjo série vous aidera à jouer vos chansons préférées rapidement et facilement avec morceaux d'accompagnement incroyables pour vous aider à ressembler à un pro de bonne foi! Il suffit de suivre l'onglet banjo, écouter la piste de démo sur le CD pour entendre comment le banjo doit sonner, puis jouer avec les pistes d'accompagnement.Le CD est jouable sur n'importe quel lecteur de CD et est également améliorée pour les utilisateurs de Mac et PC est possible de régler l'enregistrement à n'importe quel tempo sans changer la hauteur! Chaque Banjo Play-Along Pack dispose de huit crème des chansons des cultures. / Banjo

The distinctive sound of the 5-string Banjo is most usually associated with folk, country and bluegrass music...but this instrument can sound at home in lots of popular genres. In this book you'll find a superb collection of 20 favourite songs, all specially arranged to show off the adaptability of the Banjo. Ho Hey and Wagon Wheel are naturals but you'll also enjoy just how well hits by Ed Sheeran, Adele and The Who sound in 5-string Banjo arrangements. Whatever your favourites, you'll find plenty here to help you play, sing and extend your repertoire. / Banjo

Banjo Solo-More Easy Banjo Solos is a bluegrass/country supplement to the Hal Leonard Banjo Method Book 2. This volume contains 16 songs including Abilene I'm So Lonesome I Could Cry Jambalaya (On The Bayou) and more.

Harry Reser was one of the greatest tenor banjo virtuosos of all time. This book features over twenty tunes from Harry's career many of them are Reser originals. The tunes are notated in standard notation and tablature. Each songhas a set of notes that offer background on the tune and helpful playing tips.

A massive collection of transcriptions representing the history of three-finger style five-string banjo playing up to the style?s culmination with Earl Scruggs coming on the scene. This is a one-of-a-kind resource containing 49transcriptions beginning with some of the style?s earliest forms up through those that approach the fully developed Scruggs style. These solos written in easy-to-read tablature are also a great source of beginner tointermediate level arrangements that players will want to learn. Players will gain a deeper understanding of the structure as well as the significance of the Scruggs Style of banjo playing. These note-for-note transcriptionsserve as a companion to the CD recording of the same title featuring such players as Snuffy Jenkins Larry Richardson Joe Stuart Smiley Hobbs Junie Scruggs Mike Seeger Eric Weissburg Pete Kuykendall Veronica (Roni) StonemanCox and more. These field recordings were made on location in the hills and hollers of the Appalachian region in the late 1950?s by Mike Seeter. Songs forty-nine in all includes favorites like ?Cripple Creek? ?Home SweetHome? ?John Henry? ?Liza Jane? ?Lonesome Road Blues? ?Sally Goodin? ?Turkey in the Straw ? ?Wildwood Flower? and many more. ?

Learn from the best. Grandpa Jones was a country music legend and a member of the Country Music Hall of Fame. He was very well known and respected for his own style of clawhammer banjo. The instructions are helpful for thebeginner with tips on caring for your banjo to keep it sounding its best. The text covers tunings chord diagrams and the right hand rhythm patterns that made Grandpa Jones famous with the 5-string banjo. For the intermediatemusician there are alternate tunings drop thumb rhythm and exercises for practicing your new skills. Included are several favorite songs along with lyrics and chords for your accompanist. The preface of the book writtenby Grandpa Jones along with the collection of personal photographs makes this an excellent keepsake as well. This is simply a must for your music library.

With this volume the reader is pleasantly surprised with two books in one- Section One by Alec Slater and Section Two by Lisa Schmitz. Alec's portion is intended as a guide for the clawhammer or frailing banjo player with someprevious experience in this style. He stresses the fact that this style of music can be fully learned only from within the oral tradition in which it grew. The instruction included here is meant to provide a review and not totake the place of qualified teacher. Alec recommends that '...anyone wanting to get this playing right should find someone in your area who plays and have him/her teach you. Listen to it watch it and make it your own.' InSection Two Lisa Schmits presents an extensive collection of 163 jigs reels polkas hornpipes strathspeys waltzes and songs from Ireland Scotland the Shetland Islands Cape Breton New England and Southern Appalachia forbanjo solo. The national origin of each tune is indicated. Lisa offers personal authoritative settings of a great variety of tunes at an intermediate level. Written in tablature only.

This friendly book is filled with clawhammer banjo instruction tablature lyrics tune histories chords playing tips vintage photos and more. Includes such classid oldtime tunes as Soldier's Joy; Cluck Old Hen; ArkansasTraveler; Leather Britches; Mississippi Sawyer; Chicken Reel; Shady Grove; Red Rocking Chair; John Henry; Uncle Joe; Little Rosewood Casket; The State of Arkansas; Hogeye; The Old Spinning Wheel; and When You and I Were YoungMaggie. A companion recording Southern Mountain Classics is available on CD.