SKU: CA.3119763
ISBN 9790007210540. Text language: German/English.
Gott ist unsre Zuversicht BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a sizeable orchestra. The text of the cantata has one major theme - trust in God! In a magnificent lullaby (movement 3) all cares are sung to sleep. The other arias, with their exceptionally exquisite combinations of scorings, make the cantata into a quite special work, albeit one which is associated with a particular occasion. The wedding cantata BWV 197 draws on older material for some of its movements. Two movements are parodies on arias from the incomplete surviving Christmas cantata Ehre sei Gott in der Hohe, BWV 197a, including the lullaby O du angenehmes Paar, of which only the last quarter survives from the Christmas cantata - it is O du angenehmer Schatz there. By using the later version, Diethard Hellmann has been able to reconstruct the original version of this dreamlike beautiful movement; however, the complete Christmas cantata cannot be reconstructed from the sources. Score and part available separately - see item CA.3119700.
SKU: CA.3119750
ISBN 9790007186685. Language: German/English.
Gott ist unsre Zuversicht BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a sizeable orchestra. The text of the cantata has one major theme - trust in God! In a magnificent lullaby (movement 3) all cares are sung to sleep. The other arias, with their exceptionally exquisite combinations of scorings, make the cantata into a quite special work, albeit one which is associated with a particular occasion. The wedding cantata BWV 197 draws on older material for some of its movements. Two movements are parodies on arias from the incomplete surviving Christmas cantata Ehre sei Gott in der Hohe, BWV 197a, including the lullaby O du angenehmes Paar, of which only the last quarter survives from the Christmas cantata - it is O du angenehmer Schatz there. By using the later version, Diethard Hellmann has been able to reconstruct the original version of this dreamlike beautiful movement; however, the complete Christmas cantata cannot be reconstructed from the sources. Score available separately - see item CA.3119700.
SKU: CA.3119619
ISBN 9790007210496. Text language: German/English.
Especially due to the early date of its composition, from the pen of the just turned 22-year-old Johann Sebastian Bach, the cantata The Lord careth for us BWV 196 has its charm, and through its conciseness, as well as its simple scoring, it is quite accessible for performance by ensembles with only modest means. The cantata was composed on the occasion of a wedding in the 1797/08, the details of which cannot be exactly ascertained. The text of the libretto contains no freely written poetry, rather is drawn solely from the Bible (Psalm 115:12-13), there are no recitatives, and the arias are kept very short. The scoring is also of modest propoportions: In addtion to the solo voices soprano, tenor and bass, as well as a four-voice choir, only strings and basso continuo are requried. The cantata begins, as is typical early Bach cantatas, with a short instrumental sinfonia and ends, not with a chorale, but with a choral movement. Score and parts available separately - see item CA.3119600.
SKU: CA.3119769
ISBN 9790007210564. Language: German/English.
Gott ist unsre Zuversicht BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a sizeable orchestra. The text of the cantata has one major theme - trust in God! In a magnificent lullaby (movement 3) all cares are sung to sleep. The other arias, with their exceptionally exquisite combinations of scorings, make the cantata into a quite special work, albeit one which is associated with a particular occasion. The wedding cantata BWV 197 draws on older material for some of its movements. Two movements are parodies on arias from the incomplete surviving Christmas cantata Ehre sei Gott in der Hohe, BWV 197a, including the lullaby O du angenehmes Paar, of which only the last quarter survives from the Christmas cantata - it is O du angenehmer Schatz there. By using the later version, Diethard Hellmann has been able to reconstruct the original version of this dreamlike beautiful movement; however, the complete Christmas cantata cannot be reconstructed from the sources. Score and parts available separately - see item CA.3119700.
SKU: CA.3119605
ISBN 9790007210434. Language: German/English.
Especially due to the early date of its composition, from the pen of the just turned 22-year-old Johann Sebastian Bach, the cantata The Lord careth for us BWV 196 has its charm, and through its conciseness, as well as its simple scoring, it is quite accessible for performance by ensembles with only modest means. The cantata was composed on the occasion of a wedding in the 1797/08, the details of which cannot be exactly ascertained. The text of the libretto contains no freely written poetry, rather is drawn solely from the Bible (Psalm 115:12-13), there are no recitatives, and the arias are kept very short. The scoring is also of modest propoportions: In addtion to the solo voices soprano, tenor and bass, as well as a four-voice choir, only strings and basso continuo are requried. The cantata begins, as is typical early Bach cantatas, with a short instrumental sinfonia and ends, not with a chorale, but with a choral movement. Score available separately - see item CA.3119600.
SKU: CA.3119761
ISBN 9790007210526. Text language: German/English.
SKU: GI.G-8282
UPC: 785147828204. English. Text source: Based on Song of Songs. Text by Michael Mahler. Scripture: Song of SongsÑmixed references.
An intriguing contemporary sound for this romantic text from Scripture—you may find yourself swaying and whistling along. The soloist should be comfortable with the syncopation in the verses, while the addition of the background vocals (three voices in close harmony plus a descant) really adds to the aura of the piece, especially in the assembly’s refrain.
SKU: GI.G-017093
WLP’s wedding collection offers music of all styles—contemporary songs, traditional pieces, or a combination of the two! Choose from 27 different songs found on this CD and in the accompanying songbook for vocals, guitar, and piano. Many of the pieces can also be found in the C instrument book for flute and violin. Includes songs from many popular musicians and composers such as Ed Bolduc, John Angotti, Danielle Rose, Michael John Poirier, Paul Tate, bilingual pieces from Pedro Rubalcava, and Peter Kolar, and more Elige entre 27 piezas diferentes que se encuentran en este libro de música (voz, guitarra y piano) y en el CD complementario. La colección incluye canciones en inglés y canciones bilingües de compositores conocidos como Pedro Rubalcava, Ed Bolduc, Danielle Rose, Peter Kolar y muchos otros. Muchas de las canciones también tienen partes para instrumentos en do, como flauta o violÃn, contenidas en una edición separada. .
SKU: CA.240800
ISBN 9790007171391.
What would love be without music - or music without love! Many couples associate unforgettable beautiful hours, a first meeting, or first kiss with a particular song. And composers have always been inspired and stimulated by love, have celebrated romantic love and longing from afar, secret love, and jealousy. In her selection of 80 songs from seven centuries, Mirjam James evokes this tremendous feeling with the most beautiful songs ranging from medieval courtly songs, through Beethoven's Ich liebe dich, to the Beatles song And I love her. Many of the songs come from German and English language traditions, but what would such a book be without the fire of southern Europe or a dose of French charm, without the moving melodies of cool northern climes, or the melancholy songs of the Russian soul? This beautifully-produced song book is illustrated with the sumptuous paintings of Gustav Klimt, for whom love was one of the great themes of his life. The song book contains a CD with recordings of all the songs in instrumental versions so you can sing along with the pieces and get to know them. A piano book is published alongside the song book, containing all the songs in idiomatic, playable accompaniments. Whether it's for an engagement or a wedding, for Valentine's Day or an anniversary, Liebeslieder makes an ideal present for those newly in love or still in love, and who also love music.
SKU: HL.35031202
UPC: 888680640736. 5.0x5.0x0.155 inches.
Uses: General, Wedding Scripture: Luke 6:31; Romans 12:9; I Corinthians 13:4-8 The Word becomes song in this scripture-based anthem for choirs seeking an expressive vehicle for worship. A melodically pleasing gesture with wide intervals opens simply before taking on a rich and effective harmonization. A significant developmental B section explores the color of the choir and builds to a passionate restatement of the main theme. The lush orchestration adds greatly to the overall sonic ambience, making this a stellar choice for concert presentations. Score and Parts (fl 1-2, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, btbn/tba, timp, perc 1-2, hp, pno, vn 1-2, va, vc, db) available as a digital download.
SKU: HL.204442
UPC: 888680658113. 6.75x10.5x0.029 inches.
This heartfelt song connects powerfully through a simple and direct melody and compelling acoustic piano harmonies for a selection that will bring chills. I am yours forever and you are even more mine. From My Big Fat Greek Wedding 2.
SKU: GI.G-7885
UPC: 785147788508. English. Text Source: Secondary text based on Ubi caritas. Text by Marty Haugen.
A truly versatile piece for weddings! The primary text by Haugen (as heard on the demo CD) is great for the processional or as a gathering hymn. But Tony Alonso has also contributed a complete, secondary text based on Ubi Caritas that can be sung at Communion—and who doesn’t love to sing this ageless hymn tune?! Flute or Recorder.
SKU: CA.3600149
ISBN 9790007241698. Key: G major. Language: German/English.
Score and part available separately - see item CA.3600100.
SKU: BA.BA08525
ISBN 9790006566037. 27 x 19 cm inches. Text Language: English. Text: Silvestri, Charles Anthony.
â??Tonight I Dance Aloneâ? for double choir a cappella consists of three poignant episodes from the life of an old man. We encounter him before his wedding, before celebrating his wedding anniversary and now as an elderly widower who says to his grandson:â??Soon we will dance in the God-light, My love and I. Soon will the moon be ours again, And the endless shining stars In the halls of heaven. Soon, my love, very soon; But tonight, one last time, Tonight I dance alone.â?The libretto and the descriptive music are deeply moving and constitute an ideal partnership. This is MÃ¥rten Jansson's first collaboration with the well-known librettist Charles Anthony Silvestri. The piece provides a well-worth challenge for ambitious choirs.It was world-premiered by the Saint Louis Chamber Chorus under the baton of Philip Barnes on 1 October 2017 in Saint Louis, MO (USA)The performance can be viewed on YouTube
SKU: GI.G-7874
UPC: 785147787402. English. Text Source: Based on 1 Corinthians 13:4–6. Text by Mary Louise Bringle. Scripture: 1 Corinthians 13:4–6.
1. Processional/Prelude 2. Gathering Hymn Tune Name: HYFRYDOL.
SKU: GI.G-6409
UPC: 785147640905. English. Text source: Based on Song of Songs. Scripture: Song of Songs.
The string quartet parts are optional.
SKU: HL.14048302
UPC: 888680687809. 6.5x9.75 inches. English.
James Whitbourn's Pater Noster for SATB choir unaccompanied. This work was composed for the wedding of Isabella Burns and Reed Pilegaard and is dedicated to Isabella and Reed, as well as the composer's wife, Alison, in celebration of their silver wedding anniversary marked on the same day, June 2016.
SKU: HL.204663
UPC: 888680658144. 5.0x5.0x0.185 inches.
SKU: TM.08729SET
P/C in set. Orchestrated by Paul. Wedding Scene, D'Ye Love Me, At the Hunt Ball, Two Little Bluebirds, Wedding Knell, Sunny, Who?
