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VIOLA
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Sonatina for Viola and Piano
Sonatina for Viola and Piano
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Viola, Piano
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Scott Joplin: Maple Leaf Rag: Viola: Instrumental Work
Viola, Piano
[Sheet music]
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Intermediate
Viola World
Scott Joplin's well-loved Maple Leaf Rag has been arranged for Viola with Piano ...
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Scott Joplin's well-loved Maple Leaf Rag has been arranged for Viola with Piano accompaniment by Alan Arnold.
8.10 GBP - Sold by Musicroom UK
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Sergei Rachmaninov: Vocalise: Viola: Instrumental Work
Viola, Piano
[Sheet music]
Viola World
Transcribed for Viola and Piano by Alan Arnold.
8.10 GBP - Sold by Musicroom UK
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Edmund Severn: Polish Dance: Viola: Score
Viola, Piano
Viola World
Born in Nottingham England in 1862 Edmund Severn moved to the United States a...
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Born in Nottingham England in 1862 Edmund Severn moved to the United States at the age of four along with his family who settled in Hartford Connecticut. Severn began to study the Violin with guidance from his father who taught the instrument professionally. He later studied with Franz Milcke and Bernard Listemann concertmaster of the Boston Symphony Orchestra before moving to Berlin to study bowing technique under Emanuel Wirth the first assistant of Joseph Joachim at the Berlin Hochschule. As a composer Edmund Severn wrote mainly orchestral music as well as many pieces for the Violin including a concerto; he also wrote three stringquartets.To this day the Polish Dance for Violin and Piano has remained Severnâ??s most famous work. The piece is arranged here by Alan Arnold for Viola and Piano.
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Richard Reed Parry: Duet For Heart And Breath: Viola: Score
VLA/PFA::Viola, Accompagnement Piano
[Partitions]
Chester
Treble Clef Version-Richard Reed Parry's Duet For Heart And Breath Treble Clef v...
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Treble Clef Version-Richard Reed Parry's Duet For Heart And Breath Treble Clef version for Viola (or other instrument of suitable range) and Piano (or other polyphonic instrument).The performers wear stethoscopespositioned over their hearts so that each can follow his or her own heart rate. Two eighth notes (quavers) correspond to the two sounds of a normal heartbeat and performers should match as closely as possible the staccato andirregular rhythm they hear. When instructed to ?play to breath? the natural cycle of one inhalation and one exhalation or vice versa will determine the length of the bar (two quarter notes/crotchets) without any attempt to makeit metronomic.'This piece is based around the idea of using the widely varying internal rhythms of the performers? bodies as performance parameters. There is no actual tempo or meter built into the piece. The breathingrates of the players are used in alternation with the individual performers? heart rates to determine the pace at which all of the musical material is played. This requires that the performers generally play quietly anddelicately with little or no vibrato so as to be able to hear their heartbeats adequately. This in combination with thenatural variance between the different heart rates results in a kind of delicate musical ?pointillism?:starts and stops which are somewhat staggered parts which repeatedly line up and fall out of synch with each other different individuals? pulses rising and falling. The piece is never performed exactly the same way twice.'- Richard Reed Parry.
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Beginner Viola Theory For Children, Book 3B
Viola
[Sheet music]
Bill's Music Shelf
Partir de niveau. Livre 3 dans la théorie de Viola débutant pour la série pou...
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Partir de niveau. Livre 3 dans la théorie de Viola débutant pour la série pour enfants est une ressource qui permet aux élèves d'acquérir une meilleure compréhension des concepts de la théorie important. Les signatures de clés, demi-tons enharmoniques, diatoniques et chromatiques, tons entiers, major échelles, termes musicaux et symboles plus comment écrire de la musique est couverts dans ce classeur. Uniques à ce livre sont détaillées, remplissage-in-the-blank diagrammes de chaque gamme majeure a joué sur l'alto. Ces diagrammes permettent aux élèves de visualiser leur échelle et sa structure théorique dans un format facile à comprendre. Avec ce livre, il n'y n'aura aucune plainte sur les devoirs de la théorie. / Alto / 174 pages / niveau : Débutant / Partition - Format: 11 X 8,5
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Britta Byström: A Walk After Dark: Viola: Score
ORCH/VLA::Orchestra, Viola
[Sheet music]
-
Intermediate/advanced
Wilhelm Hansen
A Walk After Dark for Viola and Orchestra by Britta Byström (2013). Commissione...
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A Walk After Dark for Viola and Orchestra by Britta Byström (2013). Commissioned by The Swedish Radio Symphony Orchestra.Anders Eliasson in memorian.Parts are for hire@ewh.dk
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Londonderry Air (Danny Boy) (Arr. Alan Arnold): Viola: Instrumental Work
Viola, Piano
[Sheet music]
-
Intermediate
Viola World
Arranged for Viola and Piano by Alan Arnold.
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Niccolò Paganini: Six Sonatas Book 1 (1-3): Viola: Instrumental Album
Viola, Piano
[Sheet music]
-
Intermediate/advanced
Viola World
Arranged for Viola and Piano by Alan Arnold.
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Louise Alenius: Rouge: Viola & Cello: Instrumental Work
VLA/VLC::Viola, Cello
[Sheet music]
Wilhelm Hansen
Player's Score-Louise Alenius' Rouge for Viola Violoncello and Composer (2016).
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George Gershwin: Three Preludes: Viola: Instrumental Album
Viola, Piano
[Sheet music]
-
Intermediate/advanced
Viola World
Three Preludes arranged for Viola and Piano by Alan Arnold.
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Modest Mussorgsky: Hopak: Viola: Instrumental Work
Viola, Piano
[Sheet music]
-
Intermediate/advanced
Viola World
Mussorgsky's Hopak for Viola and Piano arranged by Alan Arnold.
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George Gershwin: Fantasy On Themes From Gershwin'sPorgy And Bess: Viola:
Viola, Piano
[Sheet music]
-
Advanced
Viola World
The famous opera by George and Ira Gershwin from the novel 'Porgy' by DuBose Hey...
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The famous opera by George and Ira Gershwin from the novel 'Porgy' by DuBose Heyward. George and Ira Gershwin joined DuBose Heyward in Charleston to write the opera which had been germinating in George's imagination for several years. Porgy and Bess was George Gershwin's longest and most ambitious creation but it was not truly successful during his lifetime. Some of the songs had achieved popularity before Gershwin's death in 1937 but the work earned real approval and favor only after the 1940 Theater Guild presentation of a slightly revised version. For years it was performed more frequently in Europe where it was considered a true American opera. Arranged for viola andpiano by Alan Arnold.
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Jules Massenet: Meditation (Thais): Viola: Instrumental Work
Viola, Piano
[Sheet music]
-
Intermediate/advanced
Viola World
Jules Massenet was born in Montaud France May 12 1842. He was one of the best...
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Jules Massenet was born in Montaud France May 12 1842. He was one of the best-respected French composers of his day and a member of the Academy and a professor of composition at the Paris Conservatoire. Massenet was very influential on other French composers in France. His students were also successful due to Massenet's tutelage. Though he was principally an opera composer he also wrote ballets orchestral works and several oratorios. Massenet died in Paris on August 13 1912.This is the Meditation from Massenet’s famous opera Thais and has been transcribed for solo Viola with Piano accompaniment by Alan Arnold.
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Antonín Dvo?ák: Sonatina Op.100: Viola: Instrumental Work
Viola
[Sheet music]
-
Advanced
Viola World
Transcribed for Viola by Alan H. Arnold ASCAP. Includes Allegro Indian Lament ...
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Transcribed for Viola by Alan H. Arnold ASCAP. Includes Allegro Indian Lament Scherzo and Finale.
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Claude Debussy: La Plus Que Lente: Viola: Instrumental Album
Viola, Piano
[Sheet music]
-
Intermediate/advanced
Viola World
Debussy's La Plus Que Lente arranged for Viola with Piano accompaniment.
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F. Kreisler: Liebeslied: Viola: Instrumental Album
Viola, Piano
-
Intermediate
Viola World
'Liebeslied' was written in 1941 and lasts for approximately 4:00 minutes. This ...
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'Liebeslied' was written in 1941 and lasts for approximately 4:00 minutes. This version is for Viola and Piano.
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Anthony Gilbert: Twirlpool: Flute & Viola: Instrumental Work
[Sheet music]
University Of York Music Press
For Flute and Viola.
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Claude Debussy: Clair De Lune: Viola: Instrumental Work
Viola, Piano
[Sheet music]
-
Intermediate
Viola World
Claude Debussy's Clair De Lune has been arranged for Viola with Piano accompanim...
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Claude Debussy's Clair De Lune has been arranged for Viola with Piano accompaniment by Alan Arnold.
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François Francoeur: Sonata In A: Viola: Instrumental Work
Viola, Piano
[Sheet music]
-
Intermediate/advanced
Viola World
Francoeur's Sonata In A Major for Viola and Piano transcribed by Alan Arnold.
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Hans-Erik Philip: Fiskerne: Viola: Score
VLA/ORCH::Viola, Orchestre
[Partitions]
-
Intermediate/advanced
Wilhelm Hansen
Music from the TV film Fiskerne (1976) composed by Hans-Erik Philip for Viola a...
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Music from the TV film Fiskerne (1976) composed by Hans-Erik Philip for Viola and Orchestra.
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Henryk Wieniawski: Romanza From Second Concerto: Viola: Instrumental Work
Viola, Piano
[Sheet music]
-
Intermediate
Viola World
Arrangement for Viola and Piano by Alan Arnold.
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Christoph Sassmannshaus Kurt Sassmannshaus Melissa Lusk: Viola Recital Album:
Viola, Piano
-
Easy
Barenreiter
First Position - Volume 1-Viola Recital Album Volume 1: 9 Recital Pieces in Firs...
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First Position - Volume 1-Viola Recital Album Volume 1: 9 Recital Pieces in First Position for Viola and Piano or Two ViolasViola Recital AlbumVolumes 1-4 (BA8990-BA8993)These volumes contain a wide selection of easy recital pieces. They are designed as companion volumes to the Early Start on the Viola method but work equally well as a supplement to any other viola method. As all pieces are written entirely in first position they can be used just after a few months of lessons. Well-known as well as unfamiliar pieces provide welcome additional repertoire for young students and teachers.The piano part may be played by the teacher or an advanced student. Alternatively a secondviola part allows duet playing with the teacher during lessons. The Viola Recital Album Volume 1 can be used as a supplement to the Early Start on the Viola method Volumes 1 and 2 (BA 9686 and BA 9687). The 18 pieces in Volume 1 are structured to follow the same progression of finger patterns introduced in the Early Start method. This systematic progression helps the student to solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces a pleasing and clear sound.New pieces to supplement the Sassmannshaus Viola methodAll pieces in first positionInclude an additional viola part for duet version and a piano accompaniment
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Christoph Sassmannshaus Kurt Sassmannshaus Melissa Lusk: Viola Recital Album:
Viola, Piano
-
Easy
Barenreiter
First Position - Volume 3-These volumes contain a wide selection of easy recital...
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First Position - Volume 3-These volumes contain a wide selection of easy recital pieces. They are designed as companion volumes to the Early Start on the Viola method but work equally well as a supplement to any other viola method. As all pieces are written entirely in first position they can be used just after a few months of lessons. Well-known as well as unfamiliar pieces provide welcome additional repertoire for young students and teachers.The piano part may be played by the teacher or an advanced student. Alternatively a second viola part allows duet playing with the teacher during lessons.The Viola Recital Album Volume 1 can be used as a supplement to the Early Start on theViola method Volumes 1 and 2 (BA 9686 and BA 9687). The 18 pieces in Volume 1 are structured to follow the same progression of finger patterns introduced in the Early Start method. This systematic progression helps the student to solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces a pleasing and clear sound.- New pieces to supplement the Sassmannshaus Viola method- All pieces in first position- Include an additional viola part for duet version and a piano accompaniment
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Christoph Sassmannshaus Kurt Sassmannshaus Melissa Lusk: Viola Recital Album:
Viola, Piano
-
Easy
Barenreiter
First Position - Volume 4-These volumes contain a wide selection of easy recital...
(+)
First Position - Volume 4-These volumes contain a wide selection of easy recital pieces. They are designed as companion volumes to the Early Start on the Viola method but work equally well as a supplement to any other viola method. As all pieces are written entirely in first position they can be used just after a few months of lessons. Well-known as well as unfamiliar pieces provide welcome additional repertoire for young students and teachers.The piano part may be played by the teacher or an advanced student. Alternatively a second viola part allows duet playing with the teacher during lessons.The Viola Recital Album Volume 1 can be used as a supplement to the Early Start on theViola method Volumes 1 and 2 (BA 9686 and BA 9687). The 18 pieces in Volume 1 are structured to follow the same progression of finger patterns introduced in the Early Start method. This systematic progression helps the student to solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces a pleasing and clear sound.- New pieces to supplement the Sassmannshaus Viola method- All pieces in first position- Include an additional viola part for duet version and a piano accompaniment
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Johannes Brahms: Clarinet Sonatas Op.120 Arranged For Viola: Viola: Instrumental
Viola, Piano
G. Henle
Version for Viola-In the later years of his life in the 1890s Johannes Brahms ...
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Version for Viola-In the later years of his life in the 1890s Johannes Brahms was inspired by the clarinettist Richard Mühlfeld to compose Trio Op.114 Quintet Op.115 and the Sonatas Op.120 – three gems inthe Clarinet chamber music repertoire. Brahms also provided a part for Viola as an alternative to the Clarinet. The revision of this Henle Urtext edition of the Viola version of Op.120 is based onthe musical text of the New Brahms Complete Edition and in many respects contains significant improvements: the original autograph was consulted for the first time the newly set Piano score now contains the Viola part and Violaplayers can benefit from fingerings and bowings by Tabea Zimmermann in the solo part.
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Viola Spaces For Two Vol.2
2 Violas (duet)
Schott
Garth Knox is one of the most prominent violists of his generation, and as forme...
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Garth Knox is one of the most prominent violists of his generation, and as former long-time member of the Arditti Quartet he has developed and maintained a fondness of contemporary music. In the meantime, he gives concerts and teaches courses all over the world.With 'Viola Spaces' he wants to make contemporary playing techniques accessible to advanced players. The pieces, or 'playing spaces', are true concert studies, each of them dealing with specific techniques such as harmonics, pizzicato (with 9 fingers!) or tremolos which are explained in great detail.Another volume with modern playing techniques for two violas and a volume with variations on a piece by the French viola da gamba master Marin Marais for four violas are planned. / 2 Altos
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Sunleif Rasmussen: Flow: Ensemble: Score
[Sheet music]
Wilhelm Hansen
Flow (2012) by Sunleif Rasmussen - for 1 Recorder (Alto Tenor and Soprano) Vi...
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Flow (2012) by Sunleif Rasmussen - for 1 Recorder (Alto Tenor and Soprano) Violin Viola and Violoncello. The placement of the musicians: The recorder player is placed in the middle of the stage in all three movements. The cello is placed behind the audience in all three movements. In 1st and 3rd movement the violin is placed on the recorders right side and theviola on the recorders left. At the and of the 1st movement the violin and the viola are walking slowly in respective sides in the middle of the hall and stay there during 2nd movement. Before the 3rd movement they walk back to their position in the 1st movement.
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Ed Hughes: Against That Time: Chamber Ensemble: Score
M/VLA/PFA::Mezzo-Soprano, Viola, Accompagnement Piano
[Partitions]
University Of York Music Press
Three Songs To Sonnets By Shakespeare-Ed Hughes' Against That Time - Three Songs...
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Three Songs To Sonnets By Shakespeare-Ed Hughes' Against That Time - Three Songs To Sonnets By Shakespeare for Mezzo Soprano Viola and Piano.'Against That Time...Against My Love is a song cycle comprising of three related settings of Shakespeare sonnets(numbers 49 63 and 126). The sonnets are drawn from a collection of 154 of William Shakespeare's poems on love beauty and mortality first published together in 1609.The three sonnets chosen for this sequence meditate particularly on the effect of time upon the appearance of the beloved.In setting these extraordinary lines I let their rhythms permeate the melodic writing for the singer. Theviola and piano act as a kind of echo chamber for the poet's very direct and intimate thoughts. The poems seem both timeless and modern in attitude and perceptions; the music's harmonies though often tonally clear are occasionally fractured and in tension like the many images in thesepoignant texts.' - Ed Hughes
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Melanie Smith: Beginner Viola Theory For Children Book 3: Theory
Viola
Mel Bay
Beginning level. Book 3 in the Beginner Viola Theory for Children series is an e...
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Beginning level. Book 3 in the Beginner Viola Theory for Children series is an engaging resource that allows students to develop a deeper understanding of important theory concepts. Key signatures enharmonic diatonic andchromatic semitones whole tones major scales musical terms and symbols plus how to write music are all covered in this workbook. Unique to this book are detailed fill-in-the-blank diagrams of each major scale played on theviola. These diagrams allow students to visualize their scale and its theoretical structure in an easy-to-understand format. With this book there will be no complaints about theory homework.
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