Par BARLOW ABIGAIL. Inspirées par la série à succès Netflix, Abigail Barlow et Emily Bear se sont demandées : ' Et si Bridgerton était une comédie musicale ? '. Elles ont composé 15 chansons originales en 6 semaines, en direct et en temps réel sur les réseaux sociaux, attirant une fanbase internationale massive, avec plus de deux millions de followers et plus de 36 millions de likes sur TikTok ! L'album complet est sorti en septembre 2021 et s'est hissé à la première place sur iTunes moins d'une heure et demie après sa sortie. Barlow

Ella Fitzgerald 's When Santa Got Stuck Up The Chimney is a popular and upbeat Christmas classic. Choruses can enjoy the piece's sense of festive fun as a humorous addition to their seasonal repertoire. Arranged for SATB choir with an additional baritone part and piano accompaniment, this single sheet choral release is perfect for choirs wanting to create their own Christmas programme, piece by piece. / Choeur SATB Et Piano

The Chelsea Carol by Eric Whitacre, composed for, and premiered by, the Choirs of Birmingham-Southern College, Lester Seigel, conductor, to commemorate the 75th anniversary of the College's Service of Lessons and Carols. / Choeur Mixte (SATB) Et Orgue

Music runs through the story of Arion which begins with a singing competition in Sicily. Arion wins the prize and this puts his life in danger: his newfound wealth excites the greed of the sailors who are supposed to be bringing him back to Corinth and they threaten to kill him. They allow Arion to sing one last song and the power of his singing attracts dolphins to the ship.  At the end of his song he jumps overboard and one of the dolphins carries him to safety.  So Arion’s musical gift gets him into trouble but it is also his salvation.   The idea of being rescued by a music-loving dolphin is very appealing. In Robert Graves’account of the myth the dolphin could not bear to be parted from Arion and accompanied him back to court where “it soon succumbed to a life of luxury.”  However Herodotus says that after his rescue and return to Corinth Arion failed to return the dolphin to the sea and it died there.  Apollo placed the dolphin among the stars and next to it Arion’s lyre in recognition of his musical skill.  This is one of the mythical explanations of the origins of the constellations Delphinus and Lyra. It seems natural to sing a story that has singing at its heart. When I was asked by the Nicholas Berwin Charitable Trust to write a choral work for Making Music something that would be within reach of many choirs and involve children this story struck me as ideal: the men of the chorus could be the bloodthirsty sailors and the women could create an atmosphere of mystery for the arrival of the dolphins represented by children’s voices. There would be one solo voice: Arion the marvellous singer. Andrew Fardell the conductor who was advisor to this commission had suggested that I might use the same instrumentation as a popular arrangement of Orff’s Carmina Burana a work that as well as using children’s chorus features a solo countertenor. I thought the magical otherworldly quality of this

For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind. Titles: All for You (Saturday Night) * Autumn (Starting Here, Starting Now) * Ballad of Dependency (The Threepenny Opera) * The Boy Friend (The Boy Friend) * Bring on Tomorrow (Fame -- The Musical) * Goodbye, Little Dream, Goodbye (Anything Goes 1988 Revival) * I Speak Six Languages (The 25th Annual Putnam County Spelling Bee) * I'm a Stranger Here Myself (One Touch of Venus) * Jilted (Of Thee I Sing) * Just Imagine (Good News) * A Little Bit in Love (Wonderful Town) * A Little Bit of Good (Chicago) * Long Ago (Half a Sixpense) * Love in a Home (Lil' Abner) * Love Is Sweeping the Country (Of Thee I Sing) * Mira (Carnival) * My Love Is on the Way (The Golden Apple) * My Man's Gone Now (Porgy and Bess) * Once Upon a Dream (Jekyll & Hyde) * Only Love (Scarlet Pimpernel) * Patterns (Closer Than Ever) * Practically Perfect (Mary Poppins -- Stage Version) * Romance (The Desert Song) * Safety in Numbers (The Boy Friend) * The Sailor of My Dreams (Dames at Sea) * Some Other Time (On the Town)* The Sun Whose Rays Are / Instrumental Music, Miscellaneous, Songbooks, Voca / Recueil / Voix et Piano

There are some songs that naturally warm both the heart and the vocal chords, and there is no better time of year than the holidays to sing them. Alfred introduces this book of songs guaranteed to bring Christmas joy to young and old alike. Christmas Song Essentials captures the essence of the season with the ultimate songs to celebrate Christmas. A total of 51 titles include classics like 'The First Noel,' 'O Little Town of Bethlehem,' and 'We Wish You a Merry Christmas,' and modern day favorites such as 'All I Want for Christmas Is You,' 'Grown-Up Christmas List,' and 'Let's Have an Old-Fashioned Christmas.' Celebrating the season with friends and loved ones has never been more fun than when set to the tune of these essential Christmas songs. All songs include lyrics, the melody, and chord changes with professionally arranged piano accompaniment. / Miscellaneous, Scores, Songbooks / Recueil / Piano, Voix, Guitare et Clavier

Little Cosmic Dust Poem by John Luther Adams for Voice and Piano. This work features a text by John Haines and is dedicated to Fred and Alexandra Peters on the 30th anniversary of theirwedding. Out of the debris of dying stars this rain of particlesthat waters the waste with brightness... The sea-wave of atoms hurrying home collapse of thegiant unstable guest who cannot stay... The sun's heart reddens and expands his mighty aspiration is lastingas the shell of his substanceone day will bewhite with frost. In the radiant field of Oriongreat hordes of stars are forming just as we see every night fiery and faithful to the end. Out of thecold and fleeing dustthat is never and always the silence and waste to come... This arm this hand my voice your face this love - John Haines

In his use of authentic Englsh folksongs Gnostic texts and Vedic hymns one can discern Holst’s search for a compositional Voice beyond the constraints of the European canon in the early 1900’s. In 1916 he published Six ChoralFolk Songs of which Swansea Town is the final number.The setting is a demanding one for amateur Chorus. There is a particularly effective passage in the middle that evokes a storm at sea before resolving the story with thesailors in a tavern anticipating another trip to sea.Gustav Holst has earned a place among the most revered of late 19th and early 20th century composers and is best known for his enduring Orchestral suite The Planets.

for Soprano and Piano. Par LEFANU NICOLA. The Moth-Ghost by Nicola LeFanu is a 10-minute dramatic scena for soprano and piano, setting a poem by James Harpur. The work tells the story of Thetis, a sea-goddess of Greek mythology, who knew that her son Achilles must die. In the poem, she is a grief-stricken mother, mourning his death in the Trojan war. The imagery of the poem and the music is of the sea: the sonority of its turbulence, the rhythm of its tides. The Moth-Ghost was written for soprano Gabriella di Laccio, who commissioned it with funds provided by the PRS Foundation, and it was premiered by her, accompanied by Clélia Iruzun, on 21 October 2021 at St James Church, Sussex Gardens, London. / Date parution : 2022-09-07/ Répertoire / Soprano et Piano

The original version of Bryce Dessner's To The Sea was premiered on 2nd November 2011 during the 'Monstrance' installation in collaboration with Matthew Ritchie at L & M Arts Los Angeles. Theversion for strings was commissioned by the Brooklyn Youth Chorus and first performed on 19th May 2012. This is the Vocal Score arranged for SSAA Chorus. Composer Bryce Dessner is perhapsbest known as the guitarist from the band The National but he is also an acclaimed composer in his own right.

Noel! is an exciting collection for mixed voice choirs, selected and edited by David Hill. The contents range from the Renaissance to the present: the polyphony of Victoria and Byrd, via Bach, familiar settings of traditional and lesser known carols through the ages, and works by today's composers including Richard Rodney Bennett, Judith Bingham, John Tavener and Judith Weir. Mixed voice choirs of all levels will find here new arrangements of favourite carols as well as stimulating works for the Christmas season, from the easy to learn to the more challenging and unconventional. / Choeur SATB

Uses:AdventScripture: Romans 15:12-13; Isaiah 60:2-3; Luke 3:4-6The quintessential anthem for the season of Advent! Many churches use a theme song throughout the season of lights and this anthem isbeautiful and utilitarian. A wonderful teaching anthem it embraces the symbolism of the wreath of lights and helps build community with its graceful melody and warm harmonies. Oboe (or C-instrument) part included. Duration: ca.3:03.

This song is an inspired reminder of God's faithfulness. Tender and fragile, the theme opens with innocence and clarity, articulating the seasons of life and the constancy of the Almighty. Though composed in a singer-songwriter idiom, the choral parts are deep and satisfying, bringing warmth and sincerity. A reference to Psalm 119 is crowned with the affirmation, I choose to live in faith, not fear. Truly a song for this season of challenges! NOTE: Full Performance and Part Dominant MP3's are for the SATB voicing only.

Uses: Christmas Eve ChristmasScripture: Matthew 2:9-12; John 1:1-5; John 1:14There is no greater love than the divine expression shown in Christ coming to earth. This is the “reason for the season ” and thisquiet ballad brings us to this truth with gentle and nurturing music. Quickly learned but hard to forget this melody will comfort and assure. The harmonies are warm and comfortable making this a thoughtful choice.