This new edition of Ralph Vaughan Williams's Symphony No. 7 the Sinfonia Antartica has been prepared by David Matthews with support from the Ralph Vaughan Williams Charitable Trust. The work was drawn from the music Ralph Vaughan Williams provided for the film Scott of the Antarctic in 1947 and was completed in 1952. In it the composer skilfully evokes the sparse beauty and grandeur of the landscape with a large orchestra and percussion section including - famously - a wind machine to create a work of great power and intensity.

Par VAUGHAN WILLIAMS RALPH. for SATB and piano Jonathan Wikeley's choral arrangement of Vaughan Williams's Four Last Songs offers a new way to engage with these beautiful late works. The first and last songs are accompanied with the middle two unaccompanied. The original settings are available in the first volume of Collected Songs by Vaughan Williams. / Date parution : 2023-03-11/ Répertoire / SATB et Piano

Ralph Vaughan Williams Drinking Song for TTBB and piano or orchestra or piano and strings adapted from the opera Sir John in Love Orchestral material available on hire

Par VAUGHAN WILLIAMS RALPH. for Tenor Tuba (Euphonium) and piano Vaughan Williams's Concerto for Bass Tuba and Orchestra was the first major concerto to be written for the instrument. The original plan to transpose it for Euphonium was not realised during the composer's lifetime, and only now, in this transcription by David Childs, has that goal been attained. / Date parution : 2022-03-05/ Répertoire / Tuba Ténor et Piano

Par VAUGHAN WILLIAMS RALPH. / Date parution : 2022-02-24/ Répertoire / Alto ou Violoncelle et Piano

This is Ralph Vaughan Williams' beautiful setting of text from Chapter One of Ezekiel which is scored for SATB Choir with Organ Accompaniment.

Ralph Vaughan Williams's Concerto for Bass Tuba and Orchestra was composed in 1953-4 to mark the 50th anniversary of the formation of the LSO and was written for the orchestra's principal tuba player Philip Catelinet. It was the first major concerto to be written for the instrument and remains today the outstanding work of its kind. This new edition is based on all extant sources and contains full textual notes and a discussion of the editorial method. Notable additions are the inclusion of two sets of phrasing for the Romanza-one from the first publication largely influenced by Catelinet and the other from Vaughan Williams's manuscript-and the originalcadenza to the first movement. The arrangement for tuba and piano has been updated in light of the research carried out by David Matthews and all orchestral parts have been revised.

Ralph Vaughan Williams' Norfolk Rhapsody No. 2 for large Orchestra.Vaughan Williams originally wrote three Norfolk Rhapsodies with the intention of turning them into a three-movement Norfolk Symphony. This the second rhapsody is a telescoped slow movement and scherzo which has been completed and edited by Stephen Hogger. The first has long been in the repertoire but numbers two and three have not been performed since 1914. The third rhapsody unfortunately did not survive.

Piano-Ralph Vaughan Williams's Concerto for Bass Tuba and Orchestra was composed in 1953-4 to mark the 50th anniversary of the formation of the LSO and was written for the orchestra's principal tuba player Philip Catelinet. It was the first major concerto to be written for the instrument and remains today the outstanding work of its kind. This new edition is based on all extant sources and contains full textual notes and a discussion of the editorial method. Notable additions are the inclusion of two sets of phrasing for the Romanza-one from the first publication largely influenced by Catelinet and the other from Vaughan Williams's manuscript-andthe original cadenza to the first movement. This arrangement for tuba and piano has been updated in light of the research carried out by David Matthews and all orchestral parts have been revised.

Ralph Williams Vaughan's A Song Of Thanksgiving for soprano solo speaker SATB chorus and full orchestra (or 3 trumpets timpani percussion harp or piano organ and strings) Material for both versions is available on hire.

The Lark Ascending by Ralph Vaughan Williams arranged by Paul Drayton for Violin and mixed choir.This innovative and imaginative choral arrangement of The Lark Ascending has the original solo Violin part accompanied by mixed choir. It sensitively sets George Meredith's poem (on which the original orchestration is based) and combines this with wordless Vocal lines and Vocal solos preserving the texture and timeless effect of the original. Commissioned and premiered by the Swedish Chamber Choir the work has also been recorded by the Choir under the direction of Simon Phipps.