Sara Teasdale (1884-1933)-Daniel Elder's Fresh and Fearless is a special and unusual take on the idea of spring. The driving Piano part captures the energy and wonder of the new beginnings of the season. Excellent Vocal writing that is simple in its construction but complex in its sound.

Songs my Heart has Taught Me. for SATB and piano In this passionate four-movement work, composer Bob Chilcott and lyricist Delphine Chalmers explore themes of inclusivity, identity, and unity. Songs my Heart has Taught Me brings singers and audience together in a celebration of all that unites us.

Faith Hill was one of the biggest country stars of the nineties and 'There You'll Be' was one of her Top Ten American hits. It was also used in Blockbuster Pearl Harbour. Arranged here for SATB with Piano Accompaniment.

Gallery Carol-Written for and dedicated to the Toronto Children's Choir legendary Canadian composer Ruth Watson Henderson has constructed a piece that incorporates all levels of a broad based Community Children's Choral organisation. Written for a 2-part training choir a 3-part intermediate treble choir and an SATB advanced choir this is the perfect closer for a combined Christmas Concert.

Par FAURE GABRIEL. Gabriel Faure 's Nocturnes, nos. 1-8. Gabriel Faure was born in Pamiers (Ariège) on 12 May 1845. Owing to his precocious musical gifts, he was able, at the age of nine, to enter the celebrated Niedermeyer School, founded in Paris to train organists and choirmasters. For about ten years he received instruction of great quality, centred mainly on the study of sacred music and the great classic masterpieces, into which he was initiated notably by Camille Saint-Saë ns, his Piano teacher. As soon as he left the school, Faure began a brilliant career as an organist. In 1896 he succeededTheodore Dubois as an organist at the Church of the Madeleine in Paris, and was appointed professor of composition at the Conservatory, where his pupils included Ravel, Koechlin, Enesco and Schmitt. Meanwhile, he had met Liszt in Weimar and had been initiated into Wagner's art, which, however, never really influenced him. Appointed director of the Conservatory in 1905 after Theodore Dubois' resignation, a member of the French Institute and music critic, Faure spent his last years in solitude, suffering from an irreversible deafness that obliged him to resign from the Conservatory in 1920. He died in Paris on 4 th November 1924. The music of this sometimes misunderstood composer who wrote in nearly all genres (except Organ music) is of great refinement. An enemy of bombast, Faure put his elegant counterpoint, a highly individual harmonic style, unpredictable turns of phrase, and the secret of an unusual musical sensitivity at the service of music that is both varied and of very high quality./ Répertoire / Piano

Lullay my liking is scored for accompanied two-part choir allowing for various upper-/lower-voice combinations: two-part trebles or sopranos upper voices only (S/A) or men only (T/B). If performed by a four-part choir sopranos and tenors should read the upper line and altos and basses read the lower. The keyboard part can be played on piano or organ or harp.An inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an excitingvariety of styles.Graham Ross (b. 1985) is Director of Music and Fellow of Clare College Cambridge and Principal Conductor and co-founder of the Dmitri Ensemble. A composer and conductor of a wide range of repertoire he has had works performed throughout Europe and beyond. He has recorded many rarely performed and newly composed works including pieces by Ralph Vaughan Williams (Albion Records); James MacMillan Judith Bingham and Giles Swayne (Naxos); and Imogen Holst (Harmonia Mundi). He guest-conducts throughout the UK and abroad with recent engagements in Palestine Australia Nigeria Denmark Aldeburgh and Glyndebourne. As a composer recent performances have been given by among others Aurora Orchestra Australian Chamber Orchestra comedian Barry Humphries BBC Concert Orchestra Choir of London City of London Sinfonia National Youth Choir of Great Britain O Duo and the Solstice Quartet.

Commissioned for the Choir of St Paul’s Cathedral this superb festive choral work brings together the traditional French melody of Veni veni Emmanuel with the Advent Antiphon O Oriens. The relatively accessible choral lines are underpinned by a wonderfully majestic organ accompaniment which exhibits Matthew Martin’s genius for creating a new sound-world from the perfect balance of tradition and innovation. O Oriens is suitable for Advent services and concerts and would be an ideal choice for choirs performing in vast acoustics.

Sacred choral music for SAM and keyboard instrument. Par . With lots of new compositions and fresh arrangements of well-known choral works, the Chorbuch a tre 2. Vol. 2 is guaranteed to bring new inspiration to singing in worship. The volume is an addition and continuation of the extremely popular first Chorbuch a tre from 2010 (Carus 2.120). Chorbuch a tre. Vol. 2 is primarily aimed at choirs with too few male voices to sing four-part repertoire. All the choral numbers come with a supporting part for a keyboard instrument (piano/organ), some of which are ad lib. The collection is an ideal treasure trove to support getting back to four-part singing in church choirs after the pandemic. All the pieces are easy to medium difficulty, with a broad range of styles.- 70 three-part settings for SAM choirs with one male voice part, with organ or piano accompaniment- original compositions and arrangements from five centuries as well as many new compositions- suitable repertoire for all occasions in the church year- choral director’s volume also contains accompaniments (organ or piano part) plus a thematic index- economical choral edition (editionchor, with no organ or piano part) available with bulk discount- many works also available in separate editions (print / digital) / Date parution : 2022-10-12/ Répertoire / SAM et Piano

O Praise God in His Holiness (Psalm 150) arranged by David Bednall for accompanied mixed voices. This piece was commissioned by All Saints’ Church Northampton and its Director Edward Whiting and received its premiere in the Jean Langlais Festival 2006. The organ for this first performance had no playing aids and no line of sight to the conductor and so the style is antiphonal. The feeling throughout should be one of great and highly rhythmic exuberance reflecting the spirit of this much loved psalm with a more relaxed and gentle feel for the middle section. This piece is from Faber's Choral SignatureSeries which introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. the series draws in a rich diversity of living composers and includes both lighter and more challenging contemporary works offering a thrilling array of varied styles.

The Lord's Prayer. For SATB choir and organ. The first performance of The Lord's Prayer was given on 14 March 2020 by the choir of Canterbury Cathedral, conducted by David Flood.

J. S. Bach (1685-1750) was a German Baroque composer who is revered for the originality and skill of his contrapuntal and harmonic techniques. Although he spent most of his life working as an organist and choirmaster he was familiar with many different keyboard instruments. He used this knowledge when composing his six French Suites in 1722-1725.French Suite No.2 in C Minor (BWV813) is a collection of sevenshort dance-style pieces for solo Piano Harpsichord or Clavichord.This popular edition from the highly-regarded musicologist Orlando Morgan is designed with the performer in mind and is still seen as the bestedition available for students today. It includes phrasing fingering and annotations.

Book 1 Bwv 850-J. S. Bach (1685-1750) was a German Baroque composer who is revered for the originality and skill of his contrapuntal and harmonic techniques. Although he spent most of his life working as an organist and choirmaster he was familiar with many different Keyboard instruments. He utilised this knowledge when composing The Well-Tempered Clavier (1722) a collection of 24 Preludes and Fugues in which he explored the harmonies accessiblefrom every key. Prelude And Fugue In D Major BWV 850 is No. 5 from Book One of the Clavier. It is written in a typical Baroque form including an extended coda. This popular edition from thehighly-regarded musicologist Orlando Morgan is designed with the performer in mind and is still seen as the best edition available for students today.

Book 2 Bwv 876-J. S. Bach (1685-1750) was a German Baroque composer who is revered for the originality and skill of his contrapuntal and harmonic techniques. Although he spent most of his life working as an organist and choirmaster he was familiar with many different keyboard instruments. He utilised this knowledge when composing his two volumes of The Well-Tempered Clavier (1722 and 1742) each a collection of 24 Preludes and Fugues in which heexplored the different harmonies of every key. Prelude And Fugue In E Flat Major BMV 876 is No. 7 from Book Two of the Clavier. It is written in a typical Baroque form. This popular edition fromthe highly-regarded musicologist Orlando Morgan is designed with the performer in mind and is still seen as the best edition available for students today.